- Taschenbuch: 272 Seiten
- Verlag: Cappella Books (April 2000)
- Sprache: Englisch
- ISBN-10: 1556523726
- ISBN-13: 978-1556523724
- Größe und/oder Gewicht: 22,6 x 14,9 x 1,8 cm
- Durchschnittliche Kundenbewertung: 4.5 von 5 Sternen Alle Rezensionen anzeigen (2 Kundenrezensionen)
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Amazon Bestseller-Rang:
Nr. 27.873 in Englische Bücher (Siehe Top 100 in Englische Bücher)
- Nr. 14 in Englische Bücher > Unterhaltung & Kultur > Musik > Theorie, Komposition & Darbietung > Beurteilung
- Nr. 59 in Englische Bücher > Unterhaltung & Kultur > Musik > Musikgenres > Popular
- Nr. 59 in Englische Bücher > Unterhaltung & Kultur > Popkultur > Musik
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Songs in the Key of Z
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From Booklist
Chusid defines outsider music as "crackpot and visionary music, where all trails lead essentially one place: over the edge." It is created by mavericks, iconoclasts, and borderline nut cases. Such as? Well, the Shaggs and Tiny Tim, who are probably known by adventurous listeners. Fewer may know Syd Barrett, acidhead supreme, who has been "creatively catatonic since around 1972," though they probably know the band he started: Pink Floyd. But who knows the Cherry Sisters of Marion, Iowa? They flourished in the 1890s, creating such locally memorable cacophony that they must be reckoned the godmothers of the Del Rubio Triplets, limned in the catchall last chapter. The two brightest lights Chusid describes must be Captain Beefheart and Wild Man Fischer. Beefheart has garnered considerable critical acclaim, and Chusid carefully explodes many long-standing myths and misconceptions about him, including some spawned by Beefheart himself. Like his music, Wild Man Fischer defies description, but Chusid comes close with the chapter subtitle "Ritual of the Savage." Essential reading about the fringes of popular music. Mike Tribby
Copyright © American Library Association. All rights reserved
Copyright © American Library Association. All rights reserved
From Library Journal
If VH1's Behind the Music were as interesting as Chusid's first, and reportedly last, book, this reviewer would never leave his apartment. A record producer, music historian, and host of WFMU's (Hoboken, NJ) Incorrect Music Hour, Chusid has written a valentine to "outsider" artists, musicians whoDunlike frayed pop icons Phil Spector and Brian WilsonDlack total self-awareness but overflow with earnestness. Among others, Chicago-based schizophrenic troubadour Wesley Willis, former Pink Floyd songwriter Syd Barrett, and street musician Larry "Wild Man" FischerDa man even weirdo Frank Zappa found captivatingDare profiled in a voice many rock writers dream about mastering. The "outsider" genre was in desperate need of a biographer, and luckily Chusid was there to tell each musicians's tale as if he were writing about the next "big thing." He possesses a knowledge of music culture that most contemporary rock critics think they have. Guaranteed: this book will take readers to record stores searching for Chusid's list of musical miscreants. Good luck finding all of them. Recommended for all libraries.DRobert Morast, Pro Rodeo Sports News, Colorado Springs
Copyright 2000 Reed Business Information, Inc.
Copyright 2000 Reed Business Information, Inc.
In diesem Buch
(Mehr dazu)
Einleitungssatz
fremont, New Hampshire, in the late 1960s was a remote, culturally disconnected backwater. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
fremont, New Hampshire, in the late 1960s was a remote, culturally disconnected backwater. Lesen Sie die erste Seite
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Format:Taschenbuch
"- As regards the Outsider, the question -- never asked directly, but always to a third party -- is: "What were they.thinking?" - Irwin Chusid
Well, in the case of Harry Partch, perhaps we can know by wading through his massive tome on micro-tunings. But even that book is kind of weird.
So what makes The Shaggs, Joe Meek & the lovely Lucia Pamela so dear to our hearts? What compels us to stare at Jandek's fuzzy black & white album covers? What the heck is a "Neon Meate Dream Of A Octafish?"
Irwin has genuine affection for outsider music & art. He practically defined the genre on his WFMU radio programs. It's a massive subject, sure to be turned into coded babble as the academics get hold of it. But Irwin is not only an expert; he's a fan, too. His pleasure here isn't to be complete & definitive, but to throw open the door to this beautiful, intriguing & awful stuff & give you what you need to wander around outside on your own.
Clearly written (Irwin's a fine writer), loaded with cool pix, entertaining, amusing, even a little unnerving: You & I share the world with these oddballs, but we might even be one. I wonder if that's Irwin's subtext?
Irwin has also compiled a CD soundtrack for "Songs in the Key of Z." Get that, too, so you can scat along with Shooby Taylor, the Human Horn.
Bob Rixon
Format:Taschenbuch
This is a nifty volume, not really definitive on any of its subjects, but a great introduction to some over-looked (and some would say over-rated) musicians. Whether or not you like Jandek, Daniel Johnston, etc., you'll find plenty to be captivated in their stories, which are laid out here eloquently and with a nice dash of humor. Great job, and a great read!
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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I Hear A New World
20. September 2000
Format:Taschenbuch
Irwin Chusid's first book is an extremely entertaining, inspiring, and well-deserved tribute to an assorted cast of musical curiosities. More than just weird songsmiths, and certainly way beyond alternative music, these artists defy description. Under the umbrella of 'outsider music' (coined by the author as the musical equivalent of outsider folk art), he offers up twenty intriguing examples for your consideration. Some of these individuals have already achieved a certain degree of fame (Capt. Beefheart, Syd Barrett, Tiny Tim), and some have gained notoriety through the underground community (Wesley Willis, Daniel Johnston, B.J. Snowden, Wild Man Fischer). Some may have been unlucky geniuses (Harry Partch, Robert Graettinger, Joe Meek), and some have stories that remain unresolved, with only the recordings left to speak for themselves (Jandek, Shooby Taylor, Jack Mudurian). All of them, however, share unquestionable sincerity and originality when it comes to their skewed takes on popular music forms. What separates them from other pop oddities like Frank Zappa, the Residents, or Barnes & Barnes is a lack of self-awareness in their work. They don't aim to be weird, but the end result inevitably gets received that way. Although he writes with a healthy dose of humor, he also displays a large amount of respect for them. Fans of way-out sounds may recognize Chusid's name. He's been shining spotlights on fringe music for years, penning liner notes and producing compilations for both Esquivel and Raymond Scott (he's also the director of the Raymond Scott Archives), as well as co-hosting the "Incorrect Music Hour" on the legendary free-form radio station WFMU in New Jersey. This wonderful book is by no means a comprehensive look at any of these names, but merely a well-written sampler that will hopefully inspire you to find out more. Closing out the book, there's a section of artists' discographies to provide an idea of what's out there (and you can marvel at the vast self-released output of Jandek, Johnston, and Willis), and a bibliography featuring plenty of sources for the intrigued reader to do further research (both in print and on the Internet). A fantastic companion CD is also available, featuring tracks by many of this book's subjects (which is highly recommended, in order to fully appreciate what they do).
8 von 8 Kunden fanden die folgende Rezension hilfreich
The Best Book on Outsider Music, Period.
7. Mai 2002
Format:Taschenbuch|Von Amazon bestätigter Kauf
This book is truly a rarity. Chusid vividly tells the tales of the most incompetant, inept musicians in history with a genuine love and affection that makes this book a true joy to read. It may be my very favorite book of all time.
The concept of "outsider music" is one that I have embraced for years. While I don't deny liking some classical music and traditional album rock (Dire Straits, Lynyrd Skynyrd, etc.), I have always had a place in my heart for the struggling artists that just don't seem to (and never will) get it (like The Shaggs), others that DO get it, they just mock the norm (Brave Combo, PDQ Bach, etc.) and that peculiar group that are seemingly from Mars (Jandek, The Legendary Stardust Cowboy), that possibly get it, but are a so far beyond the norm that nobody pays attention to them.
This book is an unabashed celebration of ineptitude and (seeming) insanity. It is not to be missed, but when purchasing please make sure to buy the CD as well so you can grasp what he is talking about. Of particular note is the section on the famous MSR Song-Poems (where you send them $100 and your lyrics and they record your song) which, to me is the ultimate in outsider music.
I couldn't put it down. I can't recommend it strongly enough. Buy this book. Do it now!
13 von 15 Kunden fanden die folgende Rezension hilfreich
Great Introduction! 1
11. Mai 2000
Format:Taschenbuch
This is a nifty volume, not really definitive on any of its subjects, but a great introduction to some over-looked (and some would say over-rated) musicians. Whether or not you like Jandek, Daniel Johnston, etc., you'll find plenty to be captivated in their stories, which are laid out here eloquently and with a nice dash of humor. Great job, and a great read!
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