- Gebundene Ausgabe: 394 Seiten
- Verlag: Stanford Univ Pr (3. Oktober 2007)
- Sprache: Englisch
- ISBN-10: 0804757658
- ISBN-13: 978-0804757652
- Größe und/oder Gewicht: 2,3 x 1,6 x 0,3 cm
- Amazon Bestseller-Rang: Nr. 1.846.994 in Englische Bücher (Siehe Top 100 in Englische Bücher)
|
||||||||||||||||||||
|
||||||||||||||||||||
|
||||||||||||||||||||
Produktinformation |
Mehr über den Autor
Entdecken Sie Bücher, lesen Sie über Autoren und mehr
› Besuchen Sie die Seite von Eleanor Selfridge-Field auf Amazon
› Besuchen Sie die Seite von Eleanor Selfridge-Field auf Amazon
Produktbeschreibungen
Pressestimmen
"Eleanor Selfridge-Field's Song and Season: Science, Culture, and Theatrical Time in Early Modern Venice offers much to commend itself to readers from diverse disciplines . . . [H]er fastidious reading of cultural materiality sheds light on the intricate interrelationships among Venetian science, religion, politics, and trade that gave birth to a time keeping paradigm that seems mandarinly abstruse from this historic distance, but was, as her evidence suggests, naturalized in the quotidian negotiations of the everyday."—Mary Schmelzer, KronoScope
"The collective material in [Selfridge-Field's] books adds significantly to a field laden with myths and misconceptions. Together, they contain much detailed information unavailable elsewhere. They are a major contribution to musicology and bring important understanding to the cultural history of Venice more generally . . . Penetrating the accretions of legend that still surround the Serene Republic will require the kind of painstaking archival work that Selfridge-Field has been engaged in across Europe for the last twenty years. Her conclusions are circumscribed, and she keeps herself scrupulously close to the sources. The results of such patient digging will be of lasting value to scholars."—James H. Johnson, Boston University, Eighteenth-Century Studies
"What a wonderful resource for lovers of La Serenissima. These books give one a terrific sense of the place and its vibrant culture. One wants to travel back in time to be a part of it."—Nicholas McGegan, Music Director, Philharmonia Baroque Orchestra
"Song and Season is a work of history, in that it reconstructs on a documentary basis the calendrical system that underlies the theatrical life of Venice, the city which played a central role in the development of opera. Song and Season is also an essay in historical anthropology, discussed with perspicacity and expertise. It demonstrates the ways in which the theater, as an institution, benefited from both social habit and civic custom. It could not illustrate better the intertwining of civil, political, economic, and intellectual motives that underlay the role of operatic performance in the life of the Serenissima."—Lorenzo Bianconi, University of Bologna
"I admire the equal provisions for a grand synthesis and for minutely detailed explications, and, above all, the originality of this work. To illustrate this point, I refer the reader to the temporal-cum-functional subdivision of the Venetian autumn and winter seasons—an innovation which, I predict, will soonbecome part of the general discourse on Venetian opera."—Michael Talbot, University of Liverpool
Kurzbeschreibung
Two systems of timekeeping were in concurrent use in Venice between 1582 and 1797. Government documents conformed to the Venetian year (beginning 1 March), church documents to the papal year (from 1 January). Song and Season defines the many ways in which time was discussed, resolving a long-standing fuzziness imposed on studies of personnel, institutions, and cultural dynamics by dating conflicts. It is in this context that the standardization of timekeeping coincided with the collapse of the dramma per musica and the rise of scripted comedy and the opera buffa. Selfridge-Field discloses fascinating relationships between the musical stage and the cultures it served, such as the residues of medieval liturgical feasts embedded in the theatrical year. Such associations were transmuted into lingering seasonal associations with specific dramatic genres. Interactions between culture and chronology thus operated on both general and specific levels. Both are fundamental to understanding theatrical dynamics of the sixteenth to eighteenth centuries.
Tags(Was ist das?)Bei einem Tag handelt es sich um ein Schlagwort, das zum Produkt passt.
Tags erleichtern allen Kunden die Suche und die Sortierung ihrer Lieblingsprodukte. |
Eine digitale Version dieses Buchs im Kindle-Shop verkaufen
Wenn Sie ein Verleger oder Autor sind und die digitalen Rechte an einem Buch haben, können Sie die digitale Version des Buchs in unserem Kindle-Shop verkaufen.
Weitere Informationen
Kundenrezensionen
Noch keine Kundenrezensionen vorhanden.
5 Sterne
4 Sterne
3 Sterne
2 Sterne
1 Sterne
Kunden diskutieren
|
Das Forum zu diesem Produkt
Fragen stellen, Meinungen austauschen, Einblicke gewinnen Aktive Diskussionen in ähnlichen Foren
Kundendiskussionen durchsuchen
|
Ähnliche Foren
|
||||||||||||||||||||||||||||||||||
Lieblingslisten
Ähnliche Artikel finden
Anhand des Sachgebietes nach ähnlichen Produkten suchen:
Ihr Kommentar
Möchten Sie die Produktinformationen aktualisieren oder Feedback zu den Produktabbildungen geben?
|
