- Taschenbuch: 240 Seiten
- Verlag: Vintage; Auflage: Vintage Books. (12. Mai 1983)
- Sprache: Englisch
- ISBN-10: 0394714393
- ISBN-13: 978-0394714394
- Größe und/oder Gewicht: 13,1 x 1,5 x 20,4 cm
- Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen Alle Rezensionen anzeigen (2 Kundenrezensionen)
- Amazon Bestseller-Rang: Nr. 87.085 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Something Like An Autobiography
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Produktbeschreibungen
Kurzbeschreibung
Translated by Audie E. Bock.
"A first rate book and a joy to read.... It's doubtful that a complete understanding of the director's artistry can be obtained without reading this book.... Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of steeping oneself in literature, from great novels to detective fiction."
--Variety
"For the lover of Kurosawa's movies...this is nothing short of must reading...a fitting companion piece to his many dynamic and absorbing screen entertainments."
--Washington Post Book World
"A first rate book and a joy to read.... It's doubtful that a complete understanding of the director's artistry can be obtained without reading this book.... Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of steeping oneself in literature, from great novels to detective fiction."
--Variety
"For the lover of Kurosawa's movies...this is nothing short of must reading...a fitting companion piece to his many dynamic and absorbing screen entertainments."
--Washington Post Book World
Synopsis
The distinguished filmmaker chronicles his life from his birth in 1910 to the worldwide success in 1951 of his film "Rashomon" and provides a provocative account of the Japanese film industry.
In diesem Buch
(Mehr dazu)
Einleitungssatz
I WAS IN the washtub naked. Lesen Sie die erste Seite
Buchdeckel | Copyright | Auszug | Stichwortverzeichnis | Rückseite
I WAS IN the washtub naked. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Auszug | Stichwortverzeichnis | Rückseite
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2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
This work is pure pleasure to read. His use of language mirrors his mastery of cinematography. The book outlines his life up until 1950. While this might seem to omit many of his more well known works, enough detail and thought is given to his early days, that a true insight is gained into his life and work. I do not consider myself a movie buff, but this book doesn't get caught up in the technical side, so I was able to understand his passion clearly. Very good.
2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Indispensible reading for cinemaniacs, as well as an insightful examination of Japanese culture prior to World War II. The chapters on Kurosawa's first films are interesting, if a bit skimpy in detail, and I would have loved a more thorough discussion of "Rashomon," "The Seven Samurai," the making of "Kagemusha," and his other late-period films. But those are minor quibbles. I won't soon forget this "autobiography."
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"Something" is everything
22. August 2004
Format:Taschenbuch
Akira Kurosawa is now considered one of the founding fathers of cinema, but you wouldn't know it from "Something Like An Autobiography." In this book, Kurosawa is surprisingly humble and humorous when describing his life, and keeps it interesting rather than lapsing into the mechanics of filmmaking.
Born to an old samurai family, Kurosawa was a bit of an ugly duckling -- he wasn't very bright or athletic, but he had a definite drive to learn and a distinct artistic sense. He ran into a few dead ends (like his flirtation with socialism) and didn't get into the Japanese army during WW2 (something he was quite grateful for). But then Kurosawa fell headlong into scriptwriting and directing -- something that would make him famous around the world.
Usually when people talk about Kurosawa, they mention "Star Wars." And yes, Kurosawa's "Hidden Fortress" was a shaping influence on George Lucas. But Kurosawa gave the world plenty of other movie flourishes: the "wipe" effect between scenes, slow motion, pointing a camera at the sun, and many other things.
Kurosawa really gives insight into his heart and his artistry in this. Masterfully told, it's about the various parts of his life -- boyhood, adolescence, maturity, and everything in between. It's not about the making of each film, but mainly the things that were most memorable. After reading this, you'll have newfound respect for screenwriters and directors, and everything they struggle with.
But Kurosawa keeps a sense of humor about himself too. He admits frankly when he did something stupid or ignorant. And he relates some very funny anecdotes, such as his odd marriage proposal: "It looks as if we are going to lose the war, and if it comes to the point of the Honorable Death of the Hundred Million, we all have to die anyway. It's probably not a bad idea to find out what married life is like before that happens." Amazingly, despite a proposal like that, he got married. And in retrospect, Kurosawa seems entirely aware of how odd it sounds.
Kurosawa not only elaborates on his filmmaking, but his formative years as well -- a "slow" boy with a love of kendo and painting. His childhood was full of those events that seem insignificant to an adult, but he remembers them clearly as being deeply momentous at the time. He also describes his family as well -- his rebellious brother, sweet-natured mother, and strict father. One rather disappointing thing is about his wife, Yôko Yaguchi. He was married to Yaguchi for forty years and had two children with her, yet doesn't talk much about her.
Akira Kurosawa wrote a lively and engaging memoir in "Something Like An Autobiography. Honest, intriguing and insightful, it's a good read for anyone, not just movie buffs.
Born to an old samurai family, Kurosawa was a bit of an ugly duckling -- he wasn't very bright or athletic, but he had a definite drive to learn and a distinct artistic sense. He ran into a few dead ends (like his flirtation with socialism) and didn't get into the Japanese army during WW2 (something he was quite grateful for). But then Kurosawa fell headlong into scriptwriting and directing -- something that would make him famous around the world.
Usually when people talk about Kurosawa, they mention "Star Wars." And yes, Kurosawa's "Hidden Fortress" was a shaping influence on George Lucas. But Kurosawa gave the world plenty of other movie flourishes: the "wipe" effect between scenes, slow motion, pointing a camera at the sun, and many other things.
Kurosawa really gives insight into his heart and his artistry in this. Masterfully told, it's about the various parts of his life -- boyhood, adolescence, maturity, and everything in between. It's not about the making of each film, but mainly the things that were most memorable. After reading this, you'll have newfound respect for screenwriters and directors, and everything they struggle with.
But Kurosawa keeps a sense of humor about himself too. He admits frankly when he did something stupid or ignorant. And he relates some very funny anecdotes, such as his odd marriage proposal: "It looks as if we are going to lose the war, and if it comes to the point of the Honorable Death of the Hundred Million, we all have to die anyway. It's probably not a bad idea to find out what married life is like before that happens." Amazingly, despite a proposal like that, he got married. And in retrospect, Kurosawa seems entirely aware of how odd it sounds.
Kurosawa not only elaborates on his filmmaking, but his formative years as well -- a "slow" boy with a love of kendo and painting. His childhood was full of those events that seem insignificant to an adult, but he remembers them clearly as being deeply momentous at the time. He also describes his family as well -- his rebellious brother, sweet-natured mother, and strict father. One rather disappointing thing is about his wife, Yôko Yaguchi. He was married to Yaguchi for forty years and had two children with her, yet doesn't talk much about her.
Akira Kurosawa wrote a lively and engaging memoir in "Something Like An Autobiography. Honest, intriguing and insightful, it's a good read for anyone, not just movie buffs.
12 von 12 Kunden fanden die folgende Rezension hilfreich
Portrait of the Artist as a Young Man
17. Juli 2002
Format:Taschenbuch
Something Like an Autobiography
by Akira Kurosawa
translated by Audie E. Bock
by Akira Kurosawa
translated by Audie E. Bock
It seems obvious that this book is the first to turn to for admirers of Kurosawa's films who seek to know more about the legendary director's influences and ideas. This is the primary source in English for information about Kurosawa's early life and career, and all the film studies and biographies in print (including dvd commentary tracks and the recent documentary film) draw heavily on it.
It's an excellent book, ably translated by Audie E. Bock. Bock was Kurosawa's English translator and assistant for many years, and incidentally, has provided some of the better English subtitle translations of his films. Her translation of his text here is clear and direct.
In addition to being a great director, Kurosawa was a great scriptwriter, and he tells his own story in fine style through brief episodes that are replete with visual imagery (perhaps to be expected from a filmmaker). His recollection of his childhood is particularly revealing: of the turmoil and sweeping changes in early 20th century Japan, as well as the personal experiences and events that shaped the man he was to become.
Kurosawa recounts his story through his early career at Toho and Daiei up to the Venice Film Festival's award of the Grand Prix medal to Rashomon (1950). His decision not to proceed further is perhaps the book's only major disappointment, as Kurosawa was to live until 1998 and make many great films that are not discussed in the book.
Something Like an Autobiography will hold great appeal to any reader with an interest in 20th century Japanese culture in general, and is simply required reading for those seeking a deeper understanding of the Master's films.
9 von 9 Kunden fanden die folgende Rezension hilfreich
Inspirational
25. August 1999
Format:Taschenbuch
This work is pure pleasure to read. His use of language mirrors his mastery of cinematography. The book outlines his life up until 1950. While this might seem to omit many of his more well known works, enough detail and thought is given to his early days, that a true insight is gained into his life and work. I do not consider myself a movie buff, but this book doesn't get caught up in the technical side, so I was able to understand his passion clearly. Very good.
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