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Someone Comes to Town, Someone Leaves Town [Englisch] [Taschenbuch]

Cory Doctorow

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8. Juli 2010
A brilliantly funny and bizarre novel from the visionary author of LITTLE BROTHER, now published for the first time in the UK. Alan is a middle-aged entrepreneur who has devoted himself to fixing up a house in a bohemian neighbourhood of Toronto. This naturally brings him into contact with the house full of students and layabouts next door, including a young woman who, in a moment of stress, reveals to him that she has wings -- wings, moreover, which grow back after each attempt to cut them off. Alan understands. He himself has a secret or two. His father is a mountain, his mother a washing machine, and among his brothers are a set of Russian nesting dolls. Now two of the three nesting dolls, Edward and Frederick are on his doorstep -- well on their way to starvation because their innermost member, George, has vanished. It appears that yet another brother, Davey, whom Alan and his other siblings killed years ago, may have returned ! bent on revenge. Under such circumstances it seems only reasonable for Alan to involve himself with a visionary scheme to blanket Toronto with free wireless Internet connectivity, a conspiracy spearheaded by a brilliant technopunk who builds miracles of hardware from parts scavenged from the city's dumpsters. But Alan's past won't leave him alone -- and Davey is only one of the powers gunning for him and his friends.

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Praise for SOMEONE COMES TO TOWN, SOMEONE LEAVES TOWN: 'A glorious book, but there are hundreds of those. It is more. It is a glorious book unlike any book you've ever read.' Gene Wolf 'Fresh and unconventional ! Doctorow demonstrates how memorably the outrageous and everyday can coexist' Publishers Weekly Praise for Cory Doctorow: 'Fresh and full of thought-provoking ideas, a book about tomorrow that demands to be read now.' The Times 'I'd recommend 'Little Brother' over pretty much any book I've read this year. Because I think it'll change lives. It's a wonderful, important book' Neil Gaiman 'A cracking read' Guardian


Praise for Cory Doctorow

"I know many science fiction writers engaged in the cyber-world, but Cory Doctorow is a native...We should all hope and trust that our culture has the guts and moxie to follow this guy. He's got a lot to tell us."
--Bruce Sterling

"Cory Doctorow is just far enough ahead of the game to give you the authentic chill of the future...Funny as hell and sharp as steel."
--Warren Ellis, author of Transmetropolitan, on Eastern Standard Tribe

"Utterly contemporary and deeply peculiar-a hard combination to beat (or, these days, to find)."
--William Gibson, author of Neuromancer, on Eastern Standard Tribe

"Doctorow throws off cool ideas the way champagne generates bubbles...[he] definitely has the goods to be a major player in postcyberpunk science fiction. His ideas are fresh and his attitude highly engaging."
--San Francisco Chronicle on Down and Out in the Magic Kingdom

"Artful and confident...Like William Gibson and Bruce Sterling, Doctorow has discovered that the present world is science fiction, if you look at it from the right angle."
--Vancouver Sun on Eastern Standard Tribe

"Doctorow peppers his novel with technology so palpable you want to order it up on the web. You'll probably get the chance. But technology is not the point here. What is unexpected, shocking even, is how smart Doctorow is when it comes to the human heart, and how well he's able to articulate it....He seems smart because he makes the reader feel smart. When Doctorow talks, when Art argues, we just get it. There's nothing between the language and the meaning. The prose is funny, simple and straightforward. This is a no-BS book."
--NPR on Eastern Standard Tribe
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Die hilfreichsten Kundenrezensionen auf (beta) 3.5 von 5 Sternen  46 Rezensionen
13 von 14 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Novel About Connectivity Needs More Connectivity 23. Juli 2006
Von doomsdayer520 - Veröffentlicht auf
Cory Doctorow really has his finger on today's high-tech pulse, leading to great sci-fi ideas. I have read one of his earlier efforts, "Down and Out in the Magic Kingdom," and that novel was damaged by too much reliance on techno geekery and not enough story. In this book, Doctorow has endeavored more to construct an engaging plot and more interesting characters, with the high-tech acting as more of a backdrop. This book is fun to read and even suspenseful, and the reading experience is an overall success. However, there are some glaring gaps here. The lead character (usually known as Alan) and his brothers are weird extra-human constructs, with a mountain for a father and a washing machine for a mother, and come from a supernatural cave looked over by golems. Alan enters the world of average humans, trying to escape his one evil brother, and protect his other brothers, while meeting a winged woman named Mimi who may or may not come from the same extra-human realm.

This may all sound eccentrically creative on Doctorow's part, but the problem is that these weird characters and bizarre backgrounds are simply presented as a given, and never actually explained. Are they supernatural demigods, weird mutant freaks, aliens, or what? Their function in the world of regular humans is never explored, nor is there any explanation for the supporting characters who know their secrets (Krishna) or can accept them without judgment or questioning (Kurt). Also, the characters go about their actions with no underlying motives or motivations being made clear to the reader. This problem applies especially to Mimi and the evil brother. And finally, Doctorow was obviously trying to tie the main storyline, of Alan trying to integrate into regular society while fixing his extra-human family's problems, to the secondary storyline of a community effort to build a free wireless network. But these two plotlines never find true connectivity, and with many loose ends all around, the book sometimes feels like a jumble of loose ideas. Granted, this novel earns its props for being fun to read and for making you care what happens to the characters. But Doctorow needs more practice in fleshing out his unique ideas into a truly integrated and empathetic story. [~doomsdayer520~]
22 von 27 Kunden fanden die folgende Rezension hilfreich
2.0 von 5 Sternen story story story lecture story lecture story story plot coupon lecture story the end 16. Juli 2005
Von Chris B - Veröffentlicht auf
Format:Gebundene Ausgabe
I want to say I loved this book. I really dig urban fantasies, especially ones that stay away from the tired tropes of the form, which this book managed to do with great form. Unfortunately the story never really came together for me. Yes, parallel plots and timelines and narratives but even in its resolution I felt it lacking.

Part of it was the feeling that the book was padded by lectures on the viability of wireless networks or the internet v. cell phones inserted solely to pad out the work and give Doctorow an opportunity to share his thoughts on the subject at hand. Which is fine when I'm reading an article or his posts on his blog or at BoingBoing, but in the novel they brought the story to a screeching halt. One moment I'm reading two characters discussing coffee, the next is a three page Socratic dialogue on the nautre of some gadget somewhere.

But mostly I never really felt that I was reading characters, just mannequins who were constructed and (barely) fleshed out so Doctorow could put them through their paces as he needed them. That's the nature of fiction, of course, but the characters that grip me have more to offer the story than the necessary plot coupons or Maguffins. These were mannequinsm artlessly brought into and out of the story as required. I never felt they had any inner life or any glimmer of personality that I would want to read about outside of the story.

The one exception was Mimi, who had a particularly juicy series of secrets to tell, but even she came and went seemingly at the author's whims.

I finished the book to finish it, not because I really cared. Much like Doctorow's other work, it had a strong start that was lost in the face of its own cleverness. I'd suggest giving this one a miss.
5 von 5 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Entertaining, quirky fantasy 6. August 2005
Von Elisabeth Carey - Veröffentlicht auf
Format:Gebundene Ausgabe
Even after my disappointment with Eastern Standard Tribe, this still looked really interesting, and this time I wasn't disappointed.

Alan (Andy, Adrian) is the son of a mountain and a washing machine, and he has seven brothers. Alan (Alex, Andreas) is the oldest, and also the one who can pass for human the most easily and comfortably. In fact, only gradually do we learn that there's anything unusual about him at all, except for his parentage and his casual attitude about what name he gives people-as long as it starts with "A". Billy (Bob, Ben) can see the future, Carlo is an island, Doug (Danny,) was a perfectly human-appearing monster until his brothers killed him (which hasn't slowed down his career much), and Ed, Fred, and George are nesting dolls. Alan got his early-childhood care and education from the golems provided by his father, the mountain, and then discovered school and the library. After a childhood attempting to raise his brothers (except for Carlo) with decent educations and the ability to blend in to human society, and after a truly horrific experience ending in the death of Doug, Alan takes off on his own. When we meet him, he's a middle-aged, semi-retired entrepreneur living in Toronto, renovating the house he just bought and getting acquainted with the college-age neighbors next door.

His illusions of normality are about to take a nasty hit.

On the one hand, he's getting sucked into a new project, making free wireless internet access available to the neighborhood, the city, and eventually the world. On the other hand, his brothers, Ed, Fred, and George come to visit, with the news that Doug, whom they thought was safely dead, is back and coming after them. And on the third hand, the kids next door aren't as normal as they look, either. As his brothers start dying and Doug starts collecting allies, Alan clings to his version of normality and pitches free wireless internet access to Bell Canada and tiny city merchants and anarchist bookstore operators, and tries to convince the girl next door that wings aren't a handicap. (Silly Alan; Mimi wants to be normal, too!)

All of this could be a recipe for a disaster of a book, and occasionally it does seem to almost spin out of Doctorow's control-but not quite. Somehow it all gels. These characters are fleshed out and interesting, and the story, alternating in time between Alan's strange childhood and his not-quite-normal middle age, is fully developed and absorbing. I'm never going to be Cory Doctorow's biggest fan, but I recommend this one to anyone who enjoys quirky fantasy.
7 von 8 Kunden fanden die folgende Rezension hilfreich
3.0 von 5 Sternen Very Good in Parts, Rather Disappointing Overall 8. November 2005
Von dshan111 - Veröffentlicht auf
Format:Gebundene Ausgabe
Another mixed effort from the pen of Mr. Doctorow. SCTSLT starts out well as a gritty urban fantasy with a wonderful description of the main character, Alan, buying a house in Toronto and restoring it. The initial prose is lyrical and augers well for an interesting journey. Unfortunately about half-way through the magical horse starts to falter and the characters become rather less enticing. The mostly pointless violence and secondary stoylines that suddenly appear and sometimes never go anywhere start to overwhelm an otherwise good book and the characters become shallow cutouts lacking any realistic motivation.

Alan's evil brother Doug is apparently just born evil, no explanatiion is ever offered for the hatred or violence he engages in. He's just bad and any hopes the reader has of finding out why and how he got like that are ultimately dashed. Same with Alan's evil neighbour Krishna, he's just cruel and evil for no apparent reason. How and why he teams up with evil Doug is never explained either. He just does.

Alan and his magical brothers Doug, Charlie, Billy, etc. (all spawn of a washing machine mother and a mountain father) change their names throughout the book -- Doug is variously called Dan, David and Dearborne at various points in the text, Charlie is called Clem, Carlos and Cory, and Alan is referred to as Andy, Akin, etc. at various points as well. This is presumably an attempt on the author's part to emphasise how "unusual" the characters are, how non-human they really are and how they don't really fit in. Alas it doesn't work, it's just plain irritating and makes the story hard to follow -- not a good thing to do to your readers.

The use of language in this book is very good in places, descriptions are mostly very well, often beautifully, done and it's because Doctorow can write so well when he wants to that the flaws are so obvious when they turn up. E.g. There's a long section where Alan's love-interest Mimi (who looks human but has wings) is describing her relationship with evil Krishna and how he started cutting off her wings every few months as they regrew. She speaks to Alan in such writerly detail about how he looked, what she did and felt, how the rooms looked, etc. that it's just silly. There's no way a poor traumatized young woman would describe events in such colourful detail; it's great writing but totally out of place given the circumstances.

All in all I liked this better than Doctorow's previous book, "Eastern Standard Tribe", but still not nearly as much as his debut effort "Down and Out in the Magic Kingdom", which remains his best novel to date (fortunately he is still turning out first-rate short stories, maybe he should stick to that, at least until he can devote the time required to write the really great novel he undoubtably can).
10 von 12 Kunden fanden die folgende Rezension hilfreich
2.0 von 5 Sternen Someone writes a good story, someone writes a bad story. 12. Juni 2007
Von R. Hunter Gough - Veröffentlicht auf
There are two stories here: one is the kind of modern-technology-is-cool story that Doctorow is good at, and is a pretty good -- if also low-key and ranty -- story. The other story is an abstract fantasy story that's just a mess, keeps losing track of itself, and ends in nothing BUT loose ends. Cory takes these two stories and randomly shuffles them together, and then does the literary equivalent of the Photoshop smudge tool to kind of sort of make them overlap in a way that doesn't work. It's ugly, but it's still fairly engaging for the first half of the book. In the second half of the book, however, he begins to mix up the chronology of chapters with no rhyme or reason, he starts experimenting with clumsy jumps from third person into first person, and then in the last quarter of the book the main character starts writing a short story, and paragraphs from the short story are interspersed throughout the main story, with no break denoting the shift, to the point that many readers have posted to Doctorow's feedback page for the novel, asking if those paragraphs are typos. And then at the end he resolves absolutely zero of the numerous mysteries he's invented over the course of the abstract fantasy part of the book.

I loved "Down and Out in the Magic Kingdom", and I will read "Eastern Standard Tribe" soon, but this one was a big disappointment, and gave me the impression that Doctorow should stick to the sci-fi, and maybe dip a little bit into fantasy, but the abstract fantasy of this book was WAY too ambitious for him.

Oh, also, the whole "erotic armpit sniffing" thing really squicked me.
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