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Amazon.co.uk
There's never any doubt that Spenser will get back on his feet, or that he will eventually track down the man who shot him and solve the mystery that started the whole ball rolling in the first place. What makes the Spenser mysteries interesting is Spenser himself, the thinking person's private eye, a man of honor and of conscience who understands that every action has consequences. --Tim Appelo -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Amazon.com
There's never any doubt that Spenser will get back on his feet, or that he will eventually track down the man who shot him and solve the mystery that started the whole ball rolling in the first place. What makes the Spenser mysteries interesting is Spenser himself, the thinking person's private eye, a man of honor and of conscience who understands that every action has consequences. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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The production version is unquestionably the best. While I have loved Michael Pritchard's voice as Spenser in the past, Burt Reynolds does a remarkable job of portraying all of the Spenser cast. The hardest is always Hawk, and Reynolds brings it off beautifully. The music cues actually add to the novel, which is something I have never heard before in years of listening to books.
The story is one of the more imaginitive ones I have yet heard from Parker. A good adversary for Spenser is something I have been longing for, and the "Gray Man" fits the bill. The plot is engaging, we see sides of Spenser and his relationship with Susan previously unexplored, and deeper glimpses of Spenser's friendship with Hawk.
And this has got to be the only appearance of a rifle chambered in .458 Magnum in a novel. I gotta know where Parker gets his weapons information.
I'd give it 4.5 stars if I could, but I can't, and it's closer to 4.6, so I give it 5. Not perfect, but wonderful. I hated to hear the ending.
In "Small Vices", we revisit one of the best known ensembles of the genre; sexy invincible Spenser, seductively naive Susan, and without a doubt, the intimidating irrepressible Hawk. We also meet "The Gray Man", who wishes to put Spenser into an earlier grave than anyone, including the self-effacing Spenser, desires.
Add a friend asking for Spensers help in his framing of a murder of a young female college student, the search of suspects through Boston to the elite Manhattan crowd, and voila, another gritty up front Parker crime action in full motion.
The dialouge snaps, the plot crackles, and the .22 pops.
Thank you for your interest & comments--CDS
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