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Sleeping Where I Fall: A Chronicle
 
 
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Sleeping Where I Fall: A Chronicle [Englisch] [Taschenbuch]

Peter Coyote
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Produktinformation

  • Taschenbuch: 383 Seiten
  • Verlag: Counterpoint (Juli 2009)
  • Sprache: Englisch
  • ISBN-10: 1582434964
  • ISBN-13: 978-1582434964
  • Größe und/oder Gewicht: 22,9 x 16 x 2,8 cm
  • Durchschnittliche Kundenbewertung: 4.7 von 5 Sternen  Alle Rezensionen anzeigen (3 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 387.891 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Peter Coyote
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Produktbeschreibungen

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As the generation that launched America's counterculture in the 1960s matures into its gray ponytails and 401(k) plans, one might expect the autobiographies of its celebrities to be tinged with apology for goals unrealized. Indeed, with only a few notable exceptions, such as Peter Fonda's Don't Tell Dad, most celebrity autobiographies from '60s pop culture icons seem rooted in either bitterness or desperation. Fortunately, in Sleeping Where I Fall, Peter Coyote neither apologizes for his wild days nor waxes romantic for them. Nor should he.

This wise and witty, tightly crafted narrative reports on the turbulence of that era with philosophical integrity, wry humor, and unmitigated honesty. Looking back over his days with the San Francisco Mime Troupe, a street theater group that sought to break the conventional boundaries between performer and audience, Coyote rhapsodizes with equal vigor about the company's artistic triumphs and the pulchritude of its actresses. While his developing acting career and romantic misadventures comprise a great deal of the narrative, an even larger part dwells on his life as one of The Diggers, the band of anarchistic counterculturalists who fought against commercial culture's ability to co-opt the superficial elements of youthful rebellion by rejecting the very notions of ownership and extrinsic value. "The Diggers," writes Coyote, "understood that style is infinitely co-optable. What could not be co-opted was doing things for free-without money." And what things they did! Coyote recounts the lives and times of poets, actors, farmers, and philosophers who participated in a profound cultural experiment that tested the very limits of human consciousness and fell--eventually--to the excesses of personal indulgence.

Coyote's evolution from callow thespian to revolutionary communard to seasoned philosopher is fascinating, as much a social and political history as it is a reminiscence. The stories unravel like tender after-dinner tales in prose that captures the rasp and tickle of Coyote's corduroy voice. In the end, Sleeping Where I Fall reveals a man as complex and unpredictable as the totem animal from which he takes his name. --L.A. Smith -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

From Booklist

Film actor Peter Coyote recounts his exploits in the 1960s and '70s in this literate insider's account of the San Francisco/Northern California hippie scene. As a member of the San Francisco Mime Troupe and, later, the Diggers, Coyote (the name is totemic) was at the center of the action and a witness to many of the era's countercultural events. He colors the historical perspective of those events with highly personal memories of his life on the road and in various urban and rural communes. He also resurrects long-dead ghosts: Emmett Grogan, Janis Joplin, John Lennon, poet Lew Welch, not to mention the idealism that propelled the whole movement. While avoiding the pitfalls of nostalgia, Coyote reflects on the serendipity of his own life, from upper-middle-class upbringing to heavy drug-user to Wall Street broker to chairman of the California Arts Council to respected and sought-after film actor. He is at once contented and optimistic, and occasionally apologetic; the zeitgeist that informed Coyote 30 years ago has not abandoned him. Frank Caso -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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Einleitungssatz
While still an undergraduate at Grinnell College, I had fallen in love with Jessie Benton, a captivating woman I met one summer on Martha's Vineyard. Lesen Sie die erste Seite
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I was born in 1968 so I can't comment on whether or not Coyote's take on the 60s jives. I can, however, say that it was pretty interesting to read his views on the S.F. Mime troupe and the Diggers. I admire Coyote for having been involved these groups. His recollections of them are insightful and refreshingly honest. I love the fact that Coyote talks about the ups and downs of 60s life. I like that he complains about people from time to time. This makes for a read that is not too "peace and love". So, I guess I like his honesty most. As for this book seeming too egotistical to some readers goes, I disagree. Peter Coyote is funny, handsome and interesting and I liked reading most of what he had to say. I like Coyote's ego just fine. What bored me was when he would go on and on about Olema ranch and mundane domestic stuff which really isn't that interesting to most people. Overall, I feel spent.
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It's difficult for me to rate this book - difficult for me to read it without crying. Although Peter's story wasn't my story, it was close enough for me to take it extremely personally. His time was my time, even though it took us in far different directions professionally.

I thought there were problems with the story: The writing seemed amateurish at times, and there were certain logical conflicts. For instance: I had trouble with why, if the vehicles were so lovingly taken care of, they were always breaking down; or how Peter could descend into a cold-call investment scheme. These things lead me to believe there was more to the story than was being told. Based on what I read, I perceive that Peter didn't (and perhaps doesn't) know himself quite as well as he thought he did.

From the read, it is never clear what kind of world the "Hippies" (for lack of a better word) thought was better. And am I supposed to believe that Heroin was going to make me a better parent? With all the discourse about how this or that action was either for or against the group goals, it's hard for me to justify on any level how drugs could be considered a positive thing. In many ways, Peter and his associates were still tightly attached to the main stream - more resembling a flock of refugees, than delegates of an alternative path. Much like reading Carlos Casteneda's "Teachings of Don Juan," I became very frustrated at times, waiting for Peter to wake up and see what was standing right before his eyes.

What were the positive things this movement had to offer, and how have they influenced, say, my life?

One thing that serves to separate us from the preceding generation is a distrust of the status quo, gained largely due to the Viet Nam debacle. Since that time, I haven't seen or heard one thing that would lead me to believe that those in the high echelons of government are anything other than pathological liars. But it wasn't the Hippie movement per se that set me free. It was books like "The Pentagon Papers", and other literary tidbits from disaffected insiders. And although I found something of an identity from the counter-cultural movements of that time, I never ended up swallowing their view of the universe either. It's easy, though, to imagine that, without the counter-culture, most of this information would never have seen the light of day. Over time, I did come to see that there are many world views, and ultimately this was a vital step on the road to my present philosophy. The environmental issues, so plainly evoked in this book, were representative of the opening skermishes of a paradigm shift that (hopefully) continues to this day. My pet peeve, population, wasn't addressed in this accounting, even though it was a profound discovery of that time as well. I was surprised it wasn't brought out more, although it has occured to me that Peter and his cohorts may not have dealt with it at the time.

Despite all my bemoaning the details, this is a "big" book about a big time. Closest to my heart were the friends and aquaintences that fell by the wayside. I know about that, and I know that reliving those moments was hard for Peter.

My motivation for reading this book is simply that "It was lying in my path." As a result of the reading, I learned that a certain experience I had was not unique. ('Can't tell you what it is, though. The importance of this particular message is not for everyone.)

As an affecting, personal accounting of a troubling time in our nation's history, I am driven to give this book my highest rating. You will have to decide for yourself if you agree with my judgement.

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San Francisco 67 17. Juli 2009
Von Emma Peel
Format:Taschenbuch
Ein sehr gelungenes Buch über die 60er Jahre in den USA. Spannend zu lesen und dabei sehr reflektiert. Ohne das hierzulande leider übliche mea culpa Gejammer sogenannter ehemaliger Linker, aber auch ohne Verklärung der damaligen Versuche.Dem Autoren geht es um das Lernen und die produktive Verwendung der Erfahrung.Das ganze ist dabei viel amüsanter als meine Rezension. Also wer etwas über S.F. und die digger Ende der 60er erfahren will, braucht dieses Buch. Neben dem Grogan natürlich.
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