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Sin in Soft Focus: Pre-Code Hollywood [Englisch] [Gebundene Ausgabe]

Mark A. Vieira
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Gebundene Ausgabe, 1. März 2003 --  

Produktinformation

  • Gebundene Ausgabe: 240 Seiten
  • Verlag: Harry N. Abrams; Auflage: New edition (1. März 2003)
  • Sprache: Englisch
  • ISBN-10: 0810982285
  • ISBN-13: 978-0810982284
  • Größe und/oder Gewicht: 31,1 x 24,1 x 2,5 cm
  • Durchschnittliche Kundenbewertung: 4.7 von 5 Sternen  Alle Rezensionen anzeigen (3 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 1.955.047 in Englische Bücher (Siehe Top 100 in Englische Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

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Produktbeschreibungen

Amazon.de

Prudes and the faint-of-heart shield your eyes! The stunning Sin in Soft Focus contains some of the most breathtaking black-and-white stills ever taken, all from the debaucherous decade before the Hollywood production code was established. With chapters devoted to "The Warners Grit," "The MGM Gloss," and "The Paramount Glow," and to horror films, gangster movies, and the sexy scandal of Mae West, Mark A. Vieira illustrates the story of classic Hollywood's most delightfully lascivious period--brought to a stop when Joseph Breen began enforcing the puritanical production code of 1934.

The text of this book is fascinating even for those familiar with the films of the era, but the mesmerizing photographs are what will keep readers glued to the pages. Oversized and abundant stills capture stars like Clara Bow, Marlene Dietrich, Joan Crawford, William Powell, Mae West, Joan Blondell, James Cagney, and Greta Garbo in striking clarity, dashing poses, and of course, shockingly revealing outfits. Voyeurs seeking more on this naughty era will also want to read Thomas Doherty's Pre-Code Hollywood. --Raphael Shargel -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

Synopsis

Showcasing the "pre-Code Hollywood" era, this is an account of the making of films between March 1930, when the film industry adopted the Production Code, and July 1934, when it became fully enforced. Mark Vieira documents the infamous power struggle between Hollywood producers and the censors, who sought to forbid profanity, excessive violence, illegal drugs, sexual perversion and explicitness, white slavery, racial mingling, suggestive dancing, lustful kissing and the like. Illustrated with film stills and production shots, the book captures the visual artistry of the era's controversial films and highlights the careers of screen luminaries such as Marlene Dietrich, Greta Garbo, Jean Harlow, James Cagney, Mae West, Clara Bow, Joan Crawford, Claudette Colbert, Norma Shearer, Gary Cooper and Clark Gable.

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4.0 von 5 Sternen Beautiful photos, slightly disappointing text 21. Juli 2000
Format:Gebundene Ausgabe
Buy this for the stunning black and white photos generously presented throughout. Many are full-page sized and all are beautifully printed. The text, however, is somewhat disappointing, serving as a rather shallow survey of movies of the early 30's. Historical context is covered well but, for all the pre-code movies that are available on cable these days, this book discusses in depth only the most well known (such as King Kong, It Happened One Night, and Sign of the Cross). Reading this book got me interested in watching pre-code movies, but most of the more interesting films I've seen from that era (Wild Boys of the Road, Safe in Hell, Other Men's Women, Five Star Final) aren't covered here, despite their provocative themes. I'm finding more depth in Thomas Doherty's book Pre-Code Hollywood. But as a coffee-table book of early Hollywood, and perhaps as a mouth-watering introduction to this fascinating era of popular culture, this can't be beat.
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5.0 von 5 Sternen 275 B&W Illustrations = A Terrabyte of Description 14. Dezember 1999
Format:Gebundene Ausgabe
A anti-Semetic lay Catholic [Breen] imposed a racist Jesuit priest's [Lord] take upon what is proper entertainment for the masses with the aid of a Catholic extortionist [Quigley]. What triggered this piestic morality run riot in the 20th Century?

This generous coffee table volume proves that a single picture is worth a chapter of description. Two other excellent scholarly studies provide lengthy verbal descriptions of the 100 movies which resulted in the Catholic Legion of Decency controlling the total output of a billion dollar industry, until an amalgam of 1st Amendment and antitrust court decisions showed that the Legion was in reality a fake and a fraud. This volume shows in photographic stills what outraged the lay Catholic Grundy's. As the lyrics of the musical "Chorus Line" state it was "tits and ass," male and female.

The author's preface alone is worth the price of admission, pointing out that the bagman of the Harding Election, Will Hays, a Presbyterian elder and postmaster in the Harding Cabinet, succesfully prevented additional state and federal censorship boards from being established. A facinating tidbit is that Hays bribed Father Lord with a $500 stipend [1930 $$s], which infuriated Quigley, publisher of the Exhibitor's Herald.

This book examines with a discerning microscope the 100 post code pre-Legion movies which caused the wholly Jewish industry to produce films suitable for Catholic grade schoolers. It is absolutely mandatory to have this volume in hand when reading the two Black books ["Catholic Crusade" (1998) and Hollywood Censored" (1994)]. shows what the fuss and feathers was all about....

It is also noteworthy that most Catholics, lay and clerical, considered "miscegnation (sex relations between the white and black races)" [from both the Hays "Don'ts and Be Carefuls" and the 1930 Production Code] to be immoral and communistic. Father Lord, SJ, a racist right winger, agreed totally with this premise, since like President Wilson, his initial cinematic immersion was in "Birth of A Nation." It should be remembered that in 1930-34, over 30 states made miscegnation a criminal offense, and Lord's Code forbade the movies from depicting criminal violations in a favorable manner. Most, but not all, Catholic bishops in the United States, prohibited priests from witnessing marriages that were forbidden by state and federal law. Another interesting premise is that if a social, moral, or economic delimna is not discussed, then it does not exist. In other words, if the movies do not discuss white slavery, or divorce, or abortion, or miscegnation, then these problems cease to exist for moral America. Fortunately, then as now, the so-called moral majority was neither.

I would have given my eyeteeth to have had this volume when I was teaching "Entertainment Law."ÿ Lesen Sie weiter... ›

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5.0 von 5 Sternen Excellent, educational text and fine photos 27. April 2000
Format:Gebundene Ausgabe
This coffee-table volume may look like another of the many good Hollywood photo books, and the title may promise some photo-titillation, but in fact this is a serious book dealing with movies in the era of the infamous morality "code." The many photos support the text and make for satisfying perusing all by themselves. Although not the scandalous, x-rated outtakes you may have expected (hoped for?), the photos are all interesting, partly because many of them seldom appear in Hollywood picture books. The well-written text details the code, difficulties enforcing it, and the personalities who devised and promulgated it. Code enforcement apparently found it had to deal more with moral implications, suggested relationships, and what might be going on just outside the frame than with what showed up onscreen (which may explain the absence of racy pix). This doubly satisfying book certainly belongs in the library of any movie scholar or serious fan and adds to the stature of its author as a movie historian..
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