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The story beneath the undercurrents is what makes Carver so addictive. He describes urges, images, and muted longings that you have always felt, but never could express in words-until now.
Take the story "So Much Water So Close To Home." A group of men go on a beer-bash fishing trip. Early into their trip, they discover the body of a nude woman floating face down in the river. The beer buddies figure to keep fishing! Why ruin a good fishing trip? She's dead already, what harm? After all, they're going to notify the authorities, only later, so as not to interrupt having a good time. The beer-induced logic is funny as hell, but the story's neurotic undercurrent explores sloth, inaction and soulless indifference, characters whose actions can only be sanctified after the factors of humanity and decency have been removed from the equation. The wife of one of the beer buddies serves as the story's conscious. When she discovers that her husband drank and fished while a dead body floated downstream, she is appalled, alarmed. To her every accusation of "What kind of man are you to have done this?" Her husband's consistent answer is "She was ALREADY dead." The marital rift over this issue reflects the story's title "So Much Water So Close To Home."
These are among the best short stories ever penned. If you enjoyed "The Killers," by Hemingway or any of John Cheever's short stories you will be rewarded by reading Carver.
The story beneath the undercurrents is what makes Carver so addictive. He describes urges, images, and muted longings that you have always known existed, but never could express in words-until now.
Take the story "So Much Water So Close To Home." A group of men go on a beer-bash fishing trip. Early into their trip, they discover the body of a nude woman floating face down in the river. The beer buddies figure to keep fishing! Why ruin a good fishing trip? She's dead already, what harm? After all, they're going to notify the authorities; only later, so as not to interrupt having a good time. The beer-induced logic is funny as hell, but the story's neurotic undercurrent explores sloth, inaction and soulless indifference, actions that can only be sanctified after the factors of humanity and decency have been removed from the equation. The wife of one of the beer buddies serves as the story's conscious. When she discovers that her husband drank and fished while a dead body floated downstream, she is appalled, alarmed. To her every accusation of "What kind of man are you to have done this?" Her husband's consistent answer is "She was ALREADY dead." The marital rift over this issue reflects the story's title "So Much Water So Close To Home."
These are among the best short stories ever penned. If you enjoyed "The Killers," by Hemingway or any of John Cheever's short stories you will be rewarded by reading Carver.
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