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Shadowmarch: Volume 1 introduces a world conquered by humans, who have driven the Qar, or fairy folk, into the far north. There, the Qar hide behind the "Shadowline," a mysterious veil of perpetual mist, which drives mad any human who dares enter it. Bordering that mist and named for it is Shadowmarch, the northernmost human kingdom.
Shadowmarch has lately fallen on hard times. Its king has been captured by a rival kingdom, the regent has been mysteriously slain, and the new regents are callow fifteen-year-olds. Moody, crippled Prince Barrick is uninterested in their responsibilities and haunted by eerie dreams. His twin, Princess Briony, takes their new duties seriously, but is hot-tempered and headstrong. How can they defeat the greatest threats in Shadowmarch history? Their nobles plot to overthrow them--and the plotters may include their pregnant stepmother, seeking the throne for her own child. The expanding empire of Xis has sent its agents into Shadowmarch. And, for the first time since it appeared centuries ago, the Shadowline has starting moving. As the maddening mist spreads south over Shadowmarch, it does not quite hide the powerful, uncanny, and vengeful Qar army of invasion... --Cynthia Ward -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
From Booklist
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine andere Ausgabe: Gebundene Ausgabe .
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Der gewohnt humorvolle und fließende Erzählstil lässt keine Wünsche offen. Der Leser taucht in eine hervorragend beschriebene Welt ein, die man beinahe greifen kann, so lebendig erscheint sie einem. Gleichzeitig wird man angehalten zwischen den Zeilen der Handlung zu lesen und eine eigene Interpretation der vermutlichen Motivationen der Charaktere und des weiteren Verlaufs der Handlung anzustellen. Auch hier bleibt Williams seinen Lesern nichts schuldig: Die Handlung dieses ersten Bandes hat eine Vielzahl von Türen geöffnet. Die Fantasie des Lesers wurde heftigst angeregt und es fällt es schwer, darauf warten zu müssen, was sich tatsächlich hinter diesen Türen verbirgt.
Warten wir ab, ob es bei den geplanten drei Bänden bleibt, oder ob Tad Williams wieder einen zusätzlichen Band benötigt um die Eigendynamik der Geschichte gebührend zu würdigen. Dies würde mich nicht im geringsten stören, denn der erste Band von Shadowmarch macht Lust auf mehr. Und Tad Williams gehört zu den Autoren, die eine Geschichte auch über mehrere Bände fesselnd und kurzweilig erzählen können!
I won't rehash the plot; that's been done plenty elsewhere. What I will say is that Williams take familiar elements and does wonders with them. His plotting and pacing are relentless, compelling you to read more in one sitting than is good for you.
The only thing I could have done without was one character's time underground, which reminded me a bit too much of Simon's escape in _The Dragonbone Chair_. But that comes late in the book, and by then you'll be hooked.
If you're looking for some excellent fantasy while waiting for George R.R. Martin's _A Feast for Crows_, this is just the thing.
In contrast to his pedigree (see the first two hundred pages of "The Dragonbone Chair" or the entire book that was "City of Golden Shadow"), the book is long on plot and short on in-depth character development.
Let me explain.
As a reader, and fan, of Tad Williams' works, the opposite tends to be true. He focuses, primarily, on a few highly borne out characters (Orlando, Renie, Simon, Miramele). This can lead to sequences that, to the impatient reader, paint a very detailed caricature while moving the/a-semblance-of-a plot forward minimally. Of course, as evidenced in "The Dragonbone Chair", even during those long initialization sequences, very pertinent information is divulged (eg the statues as visited by a young Simon).
In "Shadowmarch", the opposite track seems to have been taken. Swarms of characters dart in and out (Briony, Barrick, Qinnitan, Chert, Chaven, Yassaminez, Flint, Vansen) in very short sequences-- most such 3rd person limited perspectives are 1-2 pages; the exception being Qinnitan whose 'perspectives' take an entire chapter (although even her average chapter length is only 7 pages). This serves, in a contrarian form to his early works, to progress the well-thought out and multi-faceted plot forward at a swift clip (especially for Tad Williams). However, and most disappointedly as I see it, only Briony and Chert are painted at more than 'sketch-level.' Given that I was most compelled by (and disappointed by his "absence" for long stretches) Barrick, I hope this changes later in the series.
In short, to advance plot more expediciously, Tad Williams has replaced depth of character with breadth of characters.
As a Tad Williams fan, I don't know that I like the trade-off. However, when compared to the vast quantity of fantasy rubbish flying of bookshelves (some of which I've had the misfortune to read), this book as a whole stands up well.
Most importantly, I eagerly await the second volume.
The Good Points:
-The prologue was excellent, mysterious and gripping, and really drew me into the book. The blind king and motionless queen were very intriguing.
-Williams did a good job of creating many more questions than answers in this book so you want to keep reading to solve the mysteries. Especially at the end of the book, the world is in upheaval, all the characters are embarking on journeys, and I would like to see what happens to everybody in the next book.
-The scenes describing the Qar were interesting and well written. I especially liked the descriptions of their main stronghold, where Williams really shows off his imagination and powers of description.
The Not So Good Points:
-VERY few of the human characters were exceptional or even interesting in any way. I didn't care about these characters nearly as much as I did about those from Memory, Sorrow and Thorn and Otherland. Indeed, a good half dozen of the characters seem like boring remakes of characters from MS&T. Barrick and Briony seemed to me like annoying versions of Simon & Miriamele, right down to the colour of their hair! I won't bother to mention all the others...The only human I really liked was Ferras Vansen--he's such a darn nice guy. Also, Chert and Opal Quartz were pretty endearing.
-I felt that there were a couple too many POVs. It diluted the story. Especially Quinnitan's story--if Williams was going to include her, shouldn't he at least have hinted by the end of the book what on earth she has to do with anything?
-The setting of Southmarch didn't seem very interesting to me. Maybe it's because there were too many places and people named--after a while I just found it confusing. And the maps in the front of the book are hard to read. Osten Ard from MS&T was a much more appealing setting for an epic fantasy.
-Lastly, I was surprised to see that the quality of writing was inconsistent throughout the book. Usually Williams' writing sparkles--for me, anyway--but in this book, while some parts definitely kept me on the edge of my seat (for example the scene where Vansen meets the Qar woman in the forest) some parts, indeed many, were simply dull. At times when I was reading I was thinking, "hey, this is pretty good!" and sometimes I was thinking "this is boring..." there was little consistency.
In all the first volume of Shadowmarch was okay. I'll pick up the next installment when it comes out. But still, I was very disappointed in it for a book of Tad Williams, whose stuff I normally love.
If you've never read anything by Williams before I would strongly suggest picking up Memory, Sorrow and Thorn instead, starting with The Dragonbone Chair, because it's SO much better.
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