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Produktbeschreibungen
From Library Journal
Tarkovsky, who died in exile in 1986, was considered by some Western film critics to be one of Russia's foremost latter-day filmmakers. His image-rich nonlinear style was apparently little understood or appreciated in his own country and his films received poor distribution. Tarkovsky elaborates in much detail on his theory of filmmaking, including editing, music, film acting, and what he calls "rhythm," which he considers the dominant factor. The translation appears to be excellent, but the book would have benefited greatly from an introductory essay setting the director's aesthetics and career in perspective. An important addition for large cinema collections. Roy Liebman, California State Univ. Lib., Los Angeles
Copyright 1987 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Copyright 1987 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Pressestimmen
"If Sculpting in Time could be distilled to a single message, it would be this: Content and conscience must come before technique - for any artist in any art form." Los Angeles Times Book Review
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Kundenrezensionen
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1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
This extraordinary book is not just about filmmaking, it's about all art...about life, faith, inner exploration and the Russian soul. It contains exquisite poetry, mostly written by his father, Arseniy Tarkovsky, and detailed descriptions of the making of several of his films as well as photos of them that are eerie, mystical, and incredibly beautiful. Tarkovsky is the master of making us see the wonder of creation in the most mundane subjects. He brings us one step closer in our journey towards the light. From page 43: "The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as an example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good".
Format:Taschenbuch
In his book the master of cinema talks not only about his work, but shares with the reader his philosophy in the first place. Time, Dreams, Poetry and other terms are greatly explaned in relation to themselvs and to their practical use in his films and in filmmaking in general.
I could only strongly recommend the book to everyone who really want to understand the work of the greatest director and to move up on a higher level with their own films!
I could only strongly recommend the book to everyone who really want to understand the work of the greatest director and to move up on a higher level with their own films!
Format:Taschenbuch
The idea behind the title of the book is that the film-goer goes to the cinema to experience time, and that the director's job is to sculpt the time that the audience experiences-- cut away the inessential words and seconds and pieces. This book is an introduction to the rules that Tarkovsky set for himself in achieving this goal.
The book covers his thoughts around a wide range of his films, beginning with "Ivan's Childhood" and finally ending with "The Sacrifice". On the way he covers his view of various aspects (both concrete and philisophical) of the cinema. Other chapter titles include "Cinema's destined role" and "The author in search of an audience".
The book is beautifully written and the ideas are important and relevant. It's useful on the level of the student learning film techniques (he provides some wonderful examples of the difference in how major and minor directors handle the same character moments in different films. It's also useful as a book about the philosophy of art in general (and cinema, obviously, in specific).
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This is a great book!
This book changed my mind. It changed my way to think about Art. Thanks Tarkovsky.
Am 14. September 1999 veröffentlicht
This is a great book!
This book changed my mind. It changed my way to think Art. Thanks Tarkovsky.
Am 14. September 1999 veröffentlicht
It is the most comprehensive book about Tarkovsky's cinema.
SCULPTING IN TIME, gives the reader an intimate invitation into the mind of filmmaker, Andrei Tarkovsky. Lesen Sie weiter...
Am 11. Mai 1999 veröffentlicht
Genius
Tarkovsky is a genius. Anyone interested in film of any kind should read this book. Utterly inspirational. Truth Spirituality, artistically expressed through film.
Am 24. März 1999 veröffentlicht
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