- Gebundene Ausgabe: 296 Seiten
- Verlag: Studio (1. Oktober 1998)
- Sprache: Englisch
- ISBN-10: 0670882518
- ISBN-13: 978-0670882519
- Größe und/oder Gewicht: 23,6 x 17,8 x 3 cm
- Durchschnittliche Kundenbewertung: 4.5 von 5 Sternen Alle Rezensionen anzeigen (24 Kundenrezensionen)
- Amazon Bestseller-Rang: Nr. 140.486 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Aus der Amazon.de-Redaktion
Ein ganz persönliches Bildertagebuch hat der Mode-Fotograf Sante d'Orazio mit all den Schönheiten aus der Glamourwelt zusammengestellt. Auch er, der smarte Italoamerikaner mit den halblangen Haaren und dem wilden Blick, hat sich per Selbstauslöser festgehalten. Dieses Sammelsurium an scheinbar zufälligen Schnappschüssen verrät mehr über Stars wie Cindy Crawford, Naomi Campbell oder Janet Jackson als jedes Hochglanzmagazin. Es ist ein psychologischer Blick in eine private Welt.
Claudia Schiffer, das deutsche Vorzeige-Fräulein und Schwarm vieler Männer, räkelt sich im dunklen Body, zupft kess an ihrem Slip und steht halbnackt in Jeans in Pose. Von Naomi Campbell, die immer wieder zickig verschrien wird, sind lebensfrohe Fotos zu sehen: Naomi mit Kamera im sexy Lederdress oder Naomi in Streifenhosen mit Hund am Strand.
Auch die Herren der Schöpfung hat d'Orazio abgebildet. Zumindest den schönen und berühmten Teil wie Johnny Depp zum Beispiel. Der entspannt sich mit coolem Blick im Bett bei einer Zigarette oder probiert den verführerischen Blick als Dandy. Seltenheitswert hat aber sicher der Schnappschuss von Johnny, wie er in Stiefeln mit nur einem weißen Handtuch bekleidet einen Oldtimer auf der Straße bewundert.
Kate Moss, die bekannt gab, alkoholabhängig gewesen zu sein, lässt ebenfalls tief blicken. Neckisch fährt das dünne Model im Bikini auf dem Mountain Bike, schlürft Tee oder Kaffee im blauen Pyjama und liest ein schlaues Buch über Männer in der Badewanne. John Bon Jovi zeigt sich einmal von einer ganz anderen Seite, als der des schüchternen Pop-Stars. In Kung-Fu-Pose mit wirrem Haar und irrem Blick tritt er Richtung Kamera und gibt sich hart.
Wie nicht anders zu erwarten gibt Skandalnudel Drew Barrymore viel nackte Haut zum besten. Nur mit einer altmodisch-gepunkteten Krawatte auf dem Leib lächelt sie unschuldig in die Kamera. Nun weiß jeder, dass sie auch auf Tattoos steht.
Ein lebendiger und unkonventioneller Bildband. --Corinna S. Heyn
Der Verlag über das Buch
Sante D'Orazio began his photo diary 17 years ago...
Sante D'Orazio began his photo diary to keep track of his photo shoots - the models, the assistants, make-up artists, the number of rolls shot, the clients, and so forth, so that later when he went to do his billing he had a record of what he had done, his expenses, etc. After about a year he had an agent who took care of the billing for him, but he had gotten into the habit of keeping the diary - filled with polaroids and outtakes and random notes - so he kept it up and has continued it for seventeen years. And in that time he has become one of the most famous and sought after photographers in fashion - a master of the intimate play between artist and model. Presented in the intimate context of a diary, Sante's images of beauties such as Kate Moss, Christy Turlington, Stephanie Seymour, and Helena Christensen, as well as actors from Robert De Niro to Cameron Diaz, and rock stars from the Stones to Jon Bon Jovi, as well as athletes and other celebrities, have an immediacy that transcends that found in the usual fashion photography monograph or gallery of celebrities.
Sante D'Orazio began his photo diary to keep track of his photo shoots - the models, the assistants, make-up artists, the number of rolls shot, the clients, and so forth, so that later when he went to do his billing he had a record of what he had done, his expenses, etc. After about a year he had an agent who took care of the billing for him, but he had gotten into the habit of keeping the diary - filled with polaroids and outtakes and random notes - so he kept it up and has continued it for seventeen years. And in that time he has become one of the most famous and sought after photographers in fashion - a master of the intimate play between artist and model. Presented in the intimate context of a diary, Sante's images of beauties such as Kate Moss, Christy Turlington, Stephanie Seymour, and Helena Christensen, as well as actors from Robert De Niro to Cameron Diaz, and rock stars from the Stones to Jon Bon Jovi, as well as athletes and other celebrities, have an immediacy that transcends that found in the usual fashion photography monograph or gallery of celebrities.
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Die hilfreichsten Kundenrezensionen
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
I am a fashion photographer, and I bought this book as a reference to see how Sante D'Orazio (once an unknown name to me) worked. Upon opening the cover I saw some familiar pictures, Stephanie Seymour's famous Playboy features etc, and I didn't even know it was shot by Sante. His use of lighting, his composition and his obvious communication with the models and celebrities were ruthlessly revealed. Honestly, I would even buy his outtakes!
The sidenotes distracted, but some of them are actually quite funny (like they got locked up in Thailand doing a Vogue feature etc). There are also tiny amount of photographic info in the sidenotes, like the film used and exposure control etc.
The best thing I like is the way he captured the instants that could just pass without a trace. Note that the smoke from Seymour's mouth is still rising, and some other models were definitely shot while they were just 'jumping around'. It's very hard to capture the spontaneity of things, especially in fashion.
This book has taken a permanent place on my coffee table.
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Gebundene Ausgabe
Sante works of art show grace, love and fun. His work also show that he has an eye of beauty. He sees each person has a master peice and he catches their most inner beauty and spirit. He is a photographer that has worked so well in the world of photography, that he has influenced me. He himself is an work of art. I love this man and he book. He has eyes that catches all beauty.
Format:Gebundene Ausgabe
This book contains many nude female images that would probably earn the book an "R" rating if it were a motion picture.
This book focuses on most of the same models and images as are found in the more recent book (from August 2000), Sante D'Orazio: Photographs. The images that are chosen for this book are better than in that one and there are more of them here. But the photographs in this book are greatly hampered by being placed onto a too-small page format. Most two-page spreads are hopelessly compromised by the center fold. I graded the book down two stars for the poor format and design. What a waste of great talent!
I generally liked the idea of the book's format. Mr. D'Orazio gives you his best finished photographs from an assignment, surrounded by relevant scraps, contact sheets, and memorabilia pasted onto calendar pages. Some of these contact sheets are fascinating and add greatly to your understanding of the model.
In his brief comments, Francisco Clemente notes that the "picture will compose itself, speak for itself." And they do, but the contexts amplify the messages in important ways. After the assignment, Clemente feels that D'Orazio has pasted onto these diary pages the "backstage sweat of unreachable beauties, actors, models, rock stars, who, unpackaged, reveal at times an endearing anxiety . . . ."
For all of their campy, spontaneous feel, some will find the diary pages junky and unattractive.
Between his more recent book and this one, I prefer this one. The images are enough better that they slighter overcome the format advantages that that book has.
Here are my favorite images (I have noted the page numbers because the attribution is a little general in the book -- a lot of these are my favorite images in the more recent book, as well):
Kristen McMenamy, Shelter Island, New York, 1986, p. 28
Robert De Niro, St. Mortiz, Switzerland, 1992, p. 68
Frederique, St. Bart's, c. 1990, p. 85
Kim Basinger, Hollywood, California, 1993, p. 89
Johnny Depp, Hollywood, California, 1995, p. 110
Stephanie Seymour, St. Bart's, 1992, p. 116
Cindy Crawford, New York City, 1990, pp. 118-119
Cindy Crawford, Los Angeles, 1991, pp. 120-121
Christy Turlington, New Jersey, 1986, p. 124
Christy Turlington and Alexandra Valenti, Rome, Italy, 1997, p. 125
Naomi Campbell, New York City, 1991, p. 131
Linda Evangelista, Hollywood, California, 1995, p. 137
Claudia Schiffer, New York City, 1994, p. 141
Rachel Williams, Montauk, New York, 1991, p. 161
Pedro Abnodovar, New York City, 1991, p. 170
Linda Evangelista, St. Bart's, 1997, p. 185
Drew Barrymore, Hollywood, California, p. 220
Carmen Diaz, New York City, 1995, p. 231
Eva Herzigova, Miami, Florida, 1996, p. 238
Georgia Grenville, St. Bart's, 1996, p. 258
After you study these finished works and the candids that often preceded them, think about what is real and what is not. Which images are the actual person? Who are you, in reality? What image captures that best?
Be always open to giving and getting a private view.
This book focuses on most of the same models and images as are found in the more recent book (from August 2000), Sante D'Orazio: Photographs. The images that are chosen for this book are better than in that one and there are more of them here. But the photographs in this book are greatly hampered by being placed onto a too-small page format. Most two-page spreads are hopelessly compromised by the center fold. I graded the book down two stars for the poor format and design. What a waste of great talent!
I generally liked the idea of the book's format. Mr. D'Orazio gives you his best finished photographs from an assignment, surrounded by relevant scraps, contact sheets, and memorabilia pasted onto calendar pages. Some of these contact sheets are fascinating and add greatly to your understanding of the model.
In his brief comments, Francisco Clemente notes that the "picture will compose itself, speak for itself." And they do, but the contexts amplify the messages in important ways. After the assignment, Clemente feels that D'Orazio has pasted onto these diary pages the "backstage sweat of unreachable beauties, actors, models, rock stars, who, unpackaged, reveal at times an endearing anxiety . . . ."
For all of their campy, spontaneous feel, some will find the diary pages junky and unattractive.
Between his more recent book and this one, I prefer this one. The images are enough better that they slighter overcome the format advantages that that book has.
Here are my favorite images (I have noted the page numbers because the attribution is a little general in the book -- a lot of these are my favorite images in the more recent book, as well):
Kristen McMenamy, Shelter Island, New York, 1986, p. 28
Robert De Niro, St. Mortiz, Switzerland, 1992, p. 68
Frederique, St. Bart's, c. 1990, p. 85
Kim Basinger, Hollywood, California, 1993, p. 89
Johnny Depp, Hollywood, California, 1995, p. 110
Stephanie Seymour, St. Bart's, 1992, p. 116
Cindy Crawford, New York City, 1990, pp. 118-119
Cindy Crawford, Los Angeles, 1991, pp. 120-121
Christy Turlington, New Jersey, 1986, p. 124
Christy Turlington and Alexandra Valenti, Rome, Italy, 1997, p. 125
Naomi Campbell, New York City, 1991, p. 131
Linda Evangelista, Hollywood, California, 1995, p. 137
Claudia Schiffer, New York City, 1994, p. 141
Rachel Williams, Montauk, New York, 1991, p. 161
Pedro Abnodovar, New York City, 1991, p. 170
Linda Evangelista, St. Bart's, 1997, p. 185
Drew Barrymore, Hollywood, California, p. 220
Carmen Diaz, New York City, 1995, p. 231
Eva Herzigova, Miami, Florida, 1996, p. 238
Georgia Grenville, St. Bart's, 1996, p. 258
After you study these finished works and the candids that often preceded them, think about what is real and what is not. Which images are the actual person? Who are you, in reality? What image captures that best?
Be always open to giving and getting a private view.
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Die neuesten Kundenrezensionen
Spontaneous, fun glamour photography; creative presentation
Actors, artists, models, musicians and athletes. Sante d'Orazio shot them all, and presents them here in a very clever collage of a photo diary spanning from 1985 to 1997. Lesen Sie weiter...
Veröffentlicht am 20. Juni 2000 von J. Lizzi
Stunned...
When I first looked through the pages of this book, I was stunned. I am a freelance photographer and was looking for a good book to get ideas from. Lesen Sie weiter...
Veröffentlicht am 20. Februar 2000 von tknzy
One of the Best Books of this type
Outstanding! Sante has an incredible eye and the images are gorgeous. Not only are there the high glamour but some wonderful warm potraits of celebrities. Lesen Sie weiter...
Veröffentlicht am 21. Januar 2000 von Husein Shama
A very pleasant surprise
I enjoyed this book. I must say that I love the format of it and I really like the way it plays out. Lesen Sie weiter...
Am 5. Januar 2000 veröffentlicht
Artistic Fashion and Glamour
The sheer artistry of Sante D'Orazio's images makes this a must have for anyone who appriciates fashion and glamour images. Lesen Sie weiter...
Am 22. Dezember 1999 veröffentlicht
Enjoyable
If you like this kind of thing then you will love this book
Veröffentlicht am 27. September 1999 von W. D. Richardson
I was very impressed - packed to the brim with great pics!
A lot of these celebrity/photography books lack substance and are the same old same old, but this was packed with a lot of pictures I have never seen, and is really a feast for the... Lesen Sie weiter...
Veröffentlicht am 22. September 1999 von samman74@hotmail.com
Great book for inspiration.
I found this book quite inspiring. The pictures are beautiful and tasteful, and it's interesting to be able to have a glimpse into a fashion photographer's life. Lesen Sie weiter...
Am 16. September 1999 veröffentlicht
pretty good book!
A lot of excellent pictures of famous people.... I am definitely glad that I bought it....
Am 24. Juli 1999 veröffentlicht
Un excelente libro de fotografía de moda
¡¡Alucinante!!. Un buen libro para amantes de la fotografía y para los de la moda. Lesen Sie weiter...
Am 10. Juli 1999 veröffentlicht
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