- Gebundene Ausgabe: 64 Seiten
- Verlag: Harry N. Abrams (1. Februar 1997)
- Sprache: Englisch
- ISBN-10: 0810946971
- ISBN-13: 978-0810946972
- Größe und/oder Gewicht: 31,2 x 24,6 x 1,3 cm
- Amazon Bestseller-Rang: Nr. 2.025.646 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Kurzbeschreibung
Focusing on the French painter, Georges Rouault (1871-1958), this is one of a series of illustrated monographs which offer introductions to modern art and artists. Each book presents a profile of the artist and analysis of his distinctive style. Rouault was one of the most individual artists of the 20th century. Although trained in the French fine-arts academy, throughout his long career he never painted like anyone else. A deeply religious man, he saw his work as a means of exploring spiritual and human truths, and his raw, searing pictures of prostitutes, clowns, judges, criminals and the working poor shocked the critics of his time. But, like his paintings on Christian themes, they also convey an uplifting message of hope and redemption through suffering.
Synopsis
Focusing on the French painter, Georges Rouault (1871-1958), this is one of a series of illustrated monographs which offer introductions to modern art and artists. Each book presents a profile of the artist and analysis of his distinctive style. Rouault was one of the most individual artists of the 20th century. Although trained in the French fine-arts academy, throughout his long career he never painted like anyone else. A deeply religious man, he saw his work as a means of exploring spiritual and human truths, and his raw, searing pictures of prostitutes, clowns, judges, criminals and the working poor shocked the critics of his time. But, like his paintings on Christian themes, they also convey an uplifting message of hope and redemption through suffering.
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Colors a bit off, but good overall
12. Juli 2009
Format:Gebundene Ausgabe
As in all titles in the Great Modern Masters series published by Abrams: Colors are not vibrant, often with a brownish tint or/and too dark, and their accuracy is just O.K. There are 64 pages of a good size 9.5x12 inches (24x30.5 cm). It begins with an introduction with 5-6 small b&w pictures on 2 pages, which is followed by a biography with 5-6 small b&w pictures on 2 next pages. The rest is dedicated to good size over 60 full color plates divided into chapters dedicated to artist's carrier periods, style directions, or themes, each described by 12-16 lines of text. The series is inferior to the same size paperback series published by Taschen in 1990s, but superior to Taschen's series of smaller sizes published latter. Unfortunately, the Taschen series does not cover Bacon, Botero, Brancusi, Braque, Calder, de Chirico, Johns, Kokoschka, Leger, Man Ray, Malevich, Modigliani, and Rouault this series does.
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