- Gebundene Ausgabe: 620 Seiten
- Verlag: Michael Joseph Ltd (30. Januar 1984)
- Sprache: Englisch
- ISBN-10: 0718123840
- ISBN-13: 978-0718123840
- Amazon Bestseller-Rang: Nr. 902.921 in Englische Bücher (Siehe Top 100 in Englische Bücher)
|
||||||||||||||||||||
|
||||||||||||||||||||
|
||||||||||||||||||||
| ||||||||||||||||||
Produktinformation |
Mehr über die Autoren
Entdecken Sie Bücher, lesen Sie über Autoren und mehr
Produktbeschreibungen
From Library Journal
This latest incarnation of an authoritative encyclopedia first published in 1983 boasts over 100 new entries and many revisions to the 1800 entries found in the 1995 edition. The coverage increase was made possible by the omission of three kinds of "nonartist" entries: the Grammy Award boxes, the Rock and Roll Hall of Fame boxes, and the style and genre definitions. As with the previous editions, the scope is excellent: few works can compete in terms of blanket coverage of the major rock'n'roll players, which dates from the 1950s to the present and includes names as diverse as Elvis, Chad and Jeremy, Britney, and Eminem. The alphabetically arranged entries contain birth and, when applicable, death dates; a discography; and an essay that attempts (usually successfully) to put the performer's or group's work in critical and historical perspective. The introduction by coeditor Romanowski cogently sums up the criteria and methodology, and though her reasons for featuring or deleting artists are subjective, they are hard to counter. This latest edition even offers an index of acts cut from the second edition. Useful, reasonably priced, and including well-written essays by respected music writers, this is highly recommended for any public or academic library. David M. Turkalo, Suffolk Univ. Law Sch. Lib., Boston
Copyright 2001 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .
Copyright 2001 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .
Welche anderen Artikel kaufen Kunden, nachdem sie diesen Artikel angesehen haben?
In diesem Buch
(Mehr dazu)
Nach einer anderen Ausgabe dieses Buches suchen.
Nach einer anderen Ausgabe dieses Buches suchen.
Einleitungssatz
spawned the #1 singles "Rush, Rush" (Abdul's first hit ballad) and "The Promise of a New Day," "Blowing Kisses in the Wind" (#6, 1991), "Vibeology" (#16, 1992), and "Will You Marry Me" (#19,1992). But legal troubles ensued when Yvette Marine, credited as a backup singer on Forever Your Girl, sued Virgin, alleging that her voice had been overdubbed on some of the album's lead vocals. Lesen Sie die erste Seite
Buchdeckel | Copyright | Auszug | Rückseite
spawned the #1 singles "Rush, Rush" (Abdul's first hit ballad) and "The Promise of a New Day," "Blowing Kisses in the Wind" (#6, 1991), "Vibeology" (#16, 1992), and "Will You Marry Me" (#19,1992). But legal troubles ensued when Yvette Marine, credited as a backup singer on Forever Your Girl, sued Virgin, alleging that her voice had been overdubbed on some of the album's lead vocals. Lesen Sie die erste Seite
Mehr entdecken
Wortanzeiger
Ausgewählte Seiten ansehenWortanzeiger
Buchdeckel | Copyright | Auszug | Rückseite
Tags(Was ist das?)Bei einem Tag handelt es sich um ein Schlagwort, das zum Produkt passt.
Tags erleichtern allen Kunden die Suche und die Sortierung ihrer Lieblingsprodukte. |
Eine digitale Version dieses Buchs im Kindle-Shop verkaufen
Wenn Sie ein Verleger oder Autor sind und die digitalen Rechte an einem Buch haben, können Sie die digitale Version des Buchs in unserem Kindle-Shop verkaufen.
Weitere Informationen
Kundenrezensionen
Es gibt noch keine Kundenrezensionen auf Amazon.de
5 Sterne
4 Sterne
3 Sterne
2 Sterne
1 Sterne
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
Amazon.com:
34 Rezensionen
28 von 31 Kunden fanden die folgende Rezension hilfreich
A Flawed But Reliable Resource
19. Juli 2004
Format:Taschenbuch
There are two reasons why I had to get this book. Firstly, my 1995 copy crumbled into an oblivion of dry glue, a spine torn in half and a cover too flabby to endure. I did turn to the book often for information, but from the looks of it, you'd think I shot it out of a canon once a week as well. The book is just as cheaply constructed as other reviewers contend, while the Q Rock Stars Encyclopedia is much friendlier to the reader both aesthetically and physically. Secondly, Rolling Stone's web site used to contain all the information found in this book. Recently, though, the disappointing decision was made to scrap those lengthier and more informative biographies for the infuriatingly cursory headnotes they recently replaced them with.
Some of the omissions noted by other reviewers here are remarkable not necessarily because of the bands omitted, but because of the "artists" Rolling Stone replaced them with. I mean, come on, the guys in Great White aren't exactly pioneers, and why anyone thinks the exclusion of Wierd Al Yankovic is at all noteworthy mystifies me. But to leave them out for Britney Spears? Ricky Martin? What a blow! Couldn't we just scrap Milli Vanilli, for the love of God? It isn't as though Tiffany, who is included in this book, will be remembered any more than Britney 30 years from now; nonetheless I don't consider either pop star worthy of inclusion at the expense of decently talented blues bands such as Great White who at least know what a "chord" is. The real crime with regard to the debate over who's in and who's out is the exclusion of various Native American songwriters such as Jim Boyd or Bill Miller. The former in particular continues to make unbelievable folk rock (some of which was featured on the "Smoke Signals" Soundtrack). The work Boyd has done with Sherman Alexie (songs like the incomparable "Million Miles Away") especially warrants recognition here.
Those objections aside, this really is a nearly inexhaustible resource for fans of any of the 1,900+ bands the book takes a look at. I think that the distant tone with which the entries are written will infuriate more passionate fans who think their heroes aren't getting the accolades they deserve. But as an Encyclopedia's duty is to provide the essential information, this book at least succeeds more often than it fails. My own relationship with its past and current editions is going on about 8 years now. Along with the "Rough Guide to Rock" or the "Encyclopedia of Record Producers," it continues to be one of the few resources I run to for answers to questions or quick tutorials on bands whose work I am yet to be familiar with. I think it should also be noted that people ought not to be mislead by the "Rock 'N Roll" title, as the book includes many bluegrass, country, and folk artists who may not immediately be associated with Rock 'N Roll per say, but who influenced the genre to such an extent that their exclusion from this book would have been egregious. I mean people like Dave Van Ronk, Bill Monroe or Townes Van Zandt.
17 von 18 Kunden fanden die folgende Rezension hilfreich
Abritrary, capricious, infuriating but indispensible
14. Oktober 2003
Format:Taschenbuch
Why include a nothing group like the Classics IV and not include the group they imitated who had more hits (the Hilltoppers)? Why exclude one-hit wonders, but include Bobby "Boris" Pickett (Monster Mash)? Why include Sam Phillips, but exclude Leonard Chess who may be even more important? How can they include the Flamingoes, the Penguins, the Moonglows and leave out the Harptones? And two of the worst ommissions: the Duprees and the Skyliners! Amazing!
I don't like the fact that they included Phil Spector as a performer and then wrote a lengthy article about him as a producer. If his reason for being in the book is that he sang with the Teddy Bears (another one-hit wonder), then he shouldn't be in for that. If he is in because he was a seminal producer, then Lou Adler and John Hammond should be in. How can you leave out Alan Freed and Murray the K? What happened to Lieber & Stoller? Eddie Holland?
Of course, there are wonderful articles that are gems such as the one on the Airplane, Mamas & Papas and others. There is a wealth of information that one would be hard pressed to find elsewhere, but the inconsistencies are astonishing. The real problem lies, I think, in that this should be a larger book, or a CD-ROM. Further, the discography listings that precede each article should have the correct number of stars assigned. Obviously, this may not be possible (or even desirable)for every album, but this information already exists in the RS database. A couple of more editions and they may just get it right.
I don't like the fact that they included Phil Spector as a performer and then wrote a lengthy article about him as a producer. If his reason for being in the book is that he sang with the Teddy Bears (another one-hit wonder), then he shouldn't be in for that. If he is in because he was a seminal producer, then Lou Adler and John Hammond should be in. How can you leave out Alan Freed and Murray the K? What happened to Lieber & Stoller? Eddie Holland?
Of course, there are wonderful articles that are gems such as the one on the Airplane, Mamas & Papas and others. There is a wealth of information that one would be hard pressed to find elsewhere, but the inconsistencies are astonishing. The real problem lies, I think, in that this should be a larger book, or a CD-ROM. Further, the discography listings that precede each article should have the correct number of stars assigned. Obviously, this may not be possible (or even desirable)for every album, but this information already exists in the RS database. A couple of more editions and they may just get it right.
43 von 53 Kunden fanden die folgende Rezension hilfreich
Save your money!
26. September 2005
Format:Taschenbuch
I won't be as kind as some of the other reviewers who were disappointed in this edition. It's a load of crap! Back in the 80's it was the only thing going, but each successive edition has gotten less and less helpful, until it's finally degenerated to a great big commercial for What's Playing On The Radio. Hey, if I needed to know what was playing on the radio, I'd turn on the radio!
I just saved you thirty bucks. You can thank me later.
I just saved you thirty bucks. You can thank me later.
Waren diese Rezensionen hilfreich?
Wir wollen von Ihnen hören.
Kunden diskutieren
|
Das Forum zu diesem Produkt
Fragen stellen, Meinungen austauschen, Einblicke gewinnen Aktive Diskussionen in ähnlichen Foren
Kundendiskussionen durchsuchen
|
Ähnliche Foren
|
||||||||||||||||||||||||||||||||||
Lieblingslisten
Ähnliche Artikel finden
Anhand des Sachgebietes nach ähnlichen Produkten suchen:
Ihr Kommentar
Möchten Sie die Produktinformationen aktualisieren oder Feedback zu den Produktabbildungen geben?
