Robinson Crusoe (Penguin Popular Classics) [Englisch] [Taschenbuch]

One of the first novels ever written, Daniel Defoe's Robinson Crusoe (1719), the classic adventure story of a man marooned on an island for nearly 30 years, is part of our culture. From Scott O'Dell's Island of the Blue Dolphins (1960) to the recent movie Castaway, the elemental situation of the person suddenly alone, who must make a life in a dangerous environment, continues to enthrall all ages. Yet few adults, never mind young people, can wade through Defoe's lengthy tome with its convoluted eighteenth-century prose. So here's a shortened storybook version--retold by Timothy Meis in accessible style, yet true to the spirit of the original and the time when it was first published--in a large picture-book format with clear type, high-quality paper, and more than a dozen unforgettable narrative paintings by Wyeth, first published in 1920 and newly reproduced here in glowing color.

The story begins with the universal quest: the young man in Britain, torn between his safe home and his hunger for adventure, breaks away from his loving father and sails away into the unknown. After a series of harrowing escapes, he's shipwrecked on a desert island. His lively first-person account shows how his intelligence and education help him survive for many years, and how he uses technology, including guns and tools salvaged from the ship. He sets up home, reads the Bible, finds a parrot as a pet, and even devises a calendar to keep track of time. Then one day he finds a human footprint: "Was it someone who could save me and take me back to civilization? Or was it a savage who landed here?" When some "savages" arrive in several canoes, he uses his guns to get rid of them, and he rescues one of their captives, a handsome fellow with very dark skin. Delighted to have a companion at last, Crusoe names the newcomer Friday (since Crusoe found him on Friday). Crusoe teaches "my man Friday" to speak English, fire a gun, carve a canoe, and clothe his nakedness, and they live happily together. Later they rescue a white man and Friday's father from a group of "savages," and, eventually, they all return to their homes.

Defoe is said to have based his novel on the true adventures of Alexander Selkirk (who spent four or five years on an island in the South Pacific) and on accounts of other castaways of the time. The survival adventure is still enthralling. But what about the racism? This is clearly the classic colonialist story, but whose history is it? And how will young people read it today? Is it just boring, politically correct nitpicking to object to the use of the word "savages" throughout the book and even on the book flap? Yes, there are some bad guys among the whites, but even they are called "men"; the dark-skinned people are always known as "savages." How do we talk about this story today? The guns and tools make Crusoe boss, but wouldn't Friday have been able to teach the newcomer some survival skills? Does it never occur to Crusoe to learn Friday's own name and language? Who discovered whom? Wyeth's clear, action-packed illustrations are magnificent. But there's one shockingly jarring scene of Friday groveling in gratitude at Crusoe's feet. When the whites say thanks, they embrace each other.

So, no, the objections are not just P. C. sermonizing. The racism is highly offensive. But the fact that the story is so widely known and has such elemental appeal makes this an excellent book for discussion, especially in classes studying the history of exploration and discovery. Louise Erdrich addressed a similar problem [BKL Ap 1 99] when she commented that although she had loved the Little House books as a child, in rereading them as an adult, she was shocked to recognize that "not only was there no consciousness about the displaced people whose land the newcomers were taking, but also that there was a fair amount of racism." Still, she disagrees with censorship of any kind: "The best way is for good teachers and parents to install racism radar detectors so that kids can make their own judgments, because they're going to have to."

Robinson Crusoe is part of the fine Scribner Storybook Classic series that includes The Last of the Mohicans and Robin Hood, all of which bring readers to Wyeth's paintings. Treasure Island will be out later this year. Hazel Rochman
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

Grade 3-6-As with any abridged version, the story is spare, but what it loses in prose, it gains in readability. The easy-to-understand text keeps some of the flavor of the original, but in condensing 27 chapters and more than 300 pages of narrative to 50-plus pages with half as many chapters, much of the long-winded description has been eliminated. However, the modernized spelling, added dialogue, shortened expository passages, large type, and emphasis on fast-paced storytelling will make this classic accessible to a younger audience. The story ends abruptly with Robinson Crusoe's return to England. None of the adventures after his arrival in his homeland-the discovery of riches at his Brazilian plantation, Friday's encounter with the bear, or the attack by ravenous wolves on the trek to France-are included. Nevertheless, the bare-bones telling, combined with more than a dozen of Wyeth's lavish oil paintings (which originally graced the 1920 edition), makes this a worthwhile purchase.
Laurie Edwards, West Shore School District, Camp Hill, PA
Copyright 2003 Reed Business Information, Inc. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

Who has not dreamed of life on an exotic isle, far away from civilization? Here is the novel which has inspired countless imitations by lesser writers, none of which equal the power and originality of Defoe's famous book. Robinson Crusoe, set ashore on an island after a terrible storm at sea, is forced to make do with only a knife, some tobacco, and a pipe. He learns how to build a canoe, make bread, and endure endless solitude. That is, until, twenty-four years later, when he confronts another human being. First published in 1719, Robinson Crusoe has been praised by such writers as James Joyce, Virginia Woolf, and Samuel Johnson as one of the greatest novels in the English language.

Who has not dreamed of life on an exotic isle, far away from civilization? Here is the novel which has inspired countless imitations by lesser writers, none of which equal the power and originality of Defoe's famous book. Robinson Crusoe, set ashore on an island after a terrible storm at sea, is forced to make do with only a knife, some tobacco, and a pipe. He learns how to build a canoe, make bread, and endure endless solitude. That is, until, twenty-four years later, when he confronts another human being. First published in 1719, "Robinson Crusoe" has been praised by such writers as James Joyce, Virginia Woolf, and Samuel Johnson as one of the greatest novels in the English language.

Daniel Defoe (c.1660-1731), one of the most famous writers in English literature, was born in London, the son of James Foe, a butcher. It was Daniel who changed his name to De Foe or Defoe in about 1705. He was interested in politics and opposed King James II. After the Glorious Revolution in 1688 and William III was on the throne, Defoe became one of his personal friends. He became a writer for the government and a satircal writer on various social issues of the time. He turned to full time writing after hearing the inspirational story of a sailor who was rescued after living alone on a desert island in the Pacific, the result being his first novel ROBINSON CRUSOE. Several other adventure stories followed, including MOLL FLANDERS.