Aside from his being the perfect choice for Armand, opposite Garbo, in Camille (1937), I've never been a big Robert Taylor fan. Surprisingly, I had to reconsider the man as an individual and as an actor thanks to this carefully researched biography. Author Charles Tranberg had the cooperation of friends, co-workers and family while detailing Taylor's career. He works wonders with a vast amount of material. Behind-the-scenes information about Camille, Three Comrades, Waterloo Bridge, Quo Vadis, and many others, are wonderfully choreographed pieces of writing and research. The quirks and talents of directors and producers that worked with Taylor are nicely integrated into the narrative. On the personal side, I wasn't aware that Ava Gardner and Taylor had an affair during his marriage to Barbara Stanwyck. The insights into the Stanwyck-Taylor relationship are fueled with Transberg's interviews with Ivy Mooring, Taylor's secretary. Mooring also emphasized the hold and influence Taylor's mother, Ruth Stanhope Brugh, had on him. Mrs. Brugh hated "Democrats (particularly FDR), Catholics, Jews, homosexuals--and Germans." This, in part, might explain Taylor's willingness to be a "friendly witness" during the HUAC Communist investigation in 1947. Tranberg's biography indicates that Taylor most likely regretted spouting names to the Committee (actress Karen Morely, actor Howard Da Silva, and writer Lester Cole.) While Taylor didn't say they were Communists, the implication was obvious. For their political beliefs in "the land of the free" careers were ruined. Lester Cole, whom Taylor had admired and worked with in High Wall, became one of the "Hollywood 10." He spent a year in prison for exercising his rights as an American. Tranberg interviewed actress Marsha Hunt who later worked on Taylor's TV series The Detectives. Hunt suspected that Taylor went out of his way to be gracious to her and make "amends" for what he had done. Hunt had been one of approx. 300 actors, writers, and directors "blacklisted" during the HUAC investigations. On the plus side, Taylor lacked the bravado usually associated with actors and is portrayed as being "down to earth" and well-liked by co-workers and directors alike. Tranberg does a fine job of writing about Taylor's struggle with cancer using interviews with Taylor's last wife Ursula Thiess, and their two children. An impressive selection of photographs are included.