The book is riddled with inaccuracies.
Consider these passages... Daniels goes through a sentence-long analysis of the tracks on Zeppelin's albums. For the first album, there is this gem: "Black Mountain Side is an accurate demonstration of Page's musical expertise rather than Plant's talent yet Plant is still in fine vocal shape." Umm... isn't the song an instrumental? Doesn't this sentence imply that Plant is singing this track? The roots of How Many More Times? Well, Daniels says that the lyrics contain references to "Howlin' Wolf's 'How Many More Tears." I always thought the song was How Many More Years. I understand the Y and T are next to each other, so let's chalk that one up to the editor.
How about Houses of the Holy... check this out: "Plant enjoys himself
on the last track 'No Quarter' and thus closes an imaginative and curious album." Perhaps Neil Daniels has obtained that rare copy of Houses of the Holy that is devoid of The Ocean?
Let's examine the acknowledgements. The author thanks Al Atkins (former lead singer of Judas Priest), Frankie Banali and Kevin DuBrow of Quiet Riot, Ernie Chataway of Judas Priest (whose sole contribution to the book seems to be telling the author that he doesn't like Plant and never did), John Ellis and Brian 'Bruno' Stapenhill (again, from Judas Priest), and... I think I'll stop there.
It really seems like the guy wrote a book on Judas Priest and then
discovered that some of the guys knew Plant, so then he figured maybe
he could write a book on Plant. He could use a lot of the same interviews (a fact he covers in the acknowledgements) and sell some
more books. Here's a quote: "In many ways, this book is a complementary companion piece to my first book - The Story of Judas Priest: Defenders of the Faith - because the earlier careers of both artists overlap in obvious ways: Robert Plant and Judas Priest came from the same area of England and both artists began gigging in the same era prior to finding success in the 1970s, onwards."
Yeah... because when I think of Judas Priest, I think of Robert Plant. Oh wait... no, no I don't. The book essentially begins with a
narration of the Soundstage performance available now on DVD of Plant
with Strange Sensation from September of 2005, and right away, Daniels
is quoting some guy I've never heard of - "perhaps the American melodic rock singer and Led Zeppelin fan Tony Harnell says it better..." WHO?! What the hell is this?! ... at least that's what I keep thinking while I'm reading this.
In addition, he refers to the "mammoth Achilles Last Stand" twice in three pages using the same adjective, but manages to say that Plant wrote the song at two different times, in two different places, with two different sets of inspiration in the same range of pages. Not sure you can do that without explaining yourself, and Daniels does not.
This book was a big disappointment for a big fan of Robert Plant.