- Taschenbuch: 142 Seiten
- Verlag: Univ of Illinois Pr (4. Juni 2008)
- Sprache: Englisch
- ISBN-10: 0252075285
- ISBN-13: 978-0252075285
- Größe und/oder Gewicht: 19,8 x 13 x 1,5 cm
- Amazon Bestseller-Rang: Nr. 580.137 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
Pressestimmen
"[Pearson and McCulloch] traced the paper trail of the Johnson myth through the decades and found that white critics and promoters were telling tall tales about him while he was still alive. The authors tracked down misleading articles about him dating to 1937, and reconstructed the comical spread of Johnson's Faust legend - that he sold his soul to the devil at a Mississippi crossroads in return for his extraordinary gifts as a guitarist - from a single, dubious 1966 interview of Johnson's friend and fellow blues musician Son House." New York Times "By far the best book yet on Johnson." Dirty Linen "A reminder that Johnson's talent was enough; he didn't need the devil's help to become a legend." Library Journal
Über das Produkt
With just forty-one recordings to his credit, Robert Johnson (1911-38) is a giant in the history of blues music. Johnson's vast influence on twentieth-century American music, combined with his mysterious death at the age of twenty-seven, has allowed speculation and myths to obscure the facts of his life. The most famous of these legends depicts a young Johnson meeting the Devil at a dusty Mississippi crossroads at midnight and selling his soul in exchange for prodigious guitar skills.
In this volume, Barry Lee Pearson and Bill McCulloch examine the full range of writings about Johnson and sift fact from fiction. They compare conflicting accounts of Johnson's life, weighing them against interviews with blues musicians and others who knew the man. Through their extensive research Pearson and McCulloch uncover a life every bit as compelling as the fabrications and exaggerations that have sprung up around it. In examining Johnson's life and music, and the ways in which both have been reinvented and interpreted by other artists, critics, and fans, Robert Johnson: Lost and Found charts the broader cultural forces that have mediated the expression of African American artistic traditions.
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Einleitungssatz
Lord knows, he tried to be a family man, but something always drew him back-or drove him back-to the road. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
Lord knows, he tried to be a family man, but something always drew him back-or drove him back-to the road. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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17 von 19 Kunden fanden die folgende Rezension hilfreich
When Legend becomes Fact.
22. Juli 2003
Format:Gebundene Ausgabe|Von Amazon bestätigter Kauf
Robert Johnson might be the most famous of all country bluesman. But we actually know very little about the man himself and what we think we know (the selling his soul at the crossroads story and forever being demon haunted)was a late addition to the legend. Pearson and McCulloch peel back the layers of what commentators have said about Johnson to reveal what we can really know about him--and it is not very much. They then tackle the literature on Johnson and show how a legend is created through wishful thinking, academic desire, and faulty deconstruction of lyrics. This is a wonderfully written, intelligent book that exposes the flaws of some methods of interpreting entertainers and the danger of interpreting them outside of the artist's culture. Johnson emerges as a human not such much chased by demons, but who chases women and whiskey too much. A fantastic study that should serve as both a model and a warning for all who write about entertainers.
5 von 5 Kunden fanden die folgende Rezension hilfreich
Ladies and Gentlemen, please meet the real Robert Johnson
28. September 2005
Format:Gebundene Ausgabe
Do not be scared off by the naysayers and one star reviews. I can understand that people who worship at the altar of myth are dismayed by this strong factual account. This is a highly professional publication that is strictly based of veritable facts and not rumours and hearsay, even when said heresay could be the truth. Every single essay, story, blurb you ever read about Robert Johnson mentions his mythical pact with the devil. While it's fine to have romantic notions about an artist it is ridiculous, especially, in this case, to focus so exclusively on the myth when the facts are just as intruiging. That is what the authors are out to instill in our minds here. And yes they are occasionally repetitive but this is understandable when they are up against a half century's worth of material contending otherwise. The fact is that Robert Johnson was an amazing and talented musician who worked very, very hard to perfect his craft. This book asks the question "Why can he not be recognized for this fact?" Why is his prowess only explicable by referring to an ancient myth that he himself likely did not promote. The legends and myths are OK but they should not be the sole focus of conversation regarding this incredible artist. Read this book and you will come away with a new appreciation for this artist. I have been listening to Mr Johnson's recordings for over 20 years and that is the effect it had on me.
4 von 4 Kunden fanden die folgende Rezension hilfreich
Finding the Real Deal
15. Oktober 2005
Format:Gebundene Ausgabe
Pearson and McCulloch demythologize the stories about Robert Johnson in this well researched and fascinating study. The authors convincingly demonstrate that the story of Johnson's Faustian pact never appeared in print until decades after Johnson's death. They further debunk the legend by showing that even most of those who were closely associated with him also viewed the story with either a wry skepticism or total disdain. Although it's fun to talk about the legends that have been associated with this blues man, Pearson and McCulloch also argue that a gullible acceptance of the stories prevents blues fans from truly understanding the man and his music. I came away from reading this book with a better understanding of his life and a far greater appreciation for Johnson's abilities. In this respect, the book provides an excellent resource for learning to listen to blues music by clearing away the highly exoticized and even patronizing presuppositions that we may bring to the art form. In this fine study, a fine folklorist and journalist partner up to give us the real deal of Johnson.
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