This is a massive book but readers would be glad to know unlike other architecture books that are filled with academics' essays, pictures take precedent in this instance. Principle photography of this book was taken by Lourdes Legorreta, the daughter of the great architect himself (who happened to be an architect in her own rite & so does Ricardo's son, Victor) & therefore, naturally, she would have empathy of the best angles to be taken of all buildings featured in this book. The preface was written by Ricardo himself & it is complemented by poems that gave us insight of what architecture meant to him. Then, we move on to a chapter dedicated to discussions of elements of architecture such as wall, light, scale, geometry, emotion, humanity. Suffice to say that every & each elements mentioned are just as important & they are intertwined with one another. Subsequently, there was the interview with the great man himself. There were discussions about his relationships with Jose Villagran & Luis Barragan, who seemed to have influenced him quite significantly which he concurred. He described both architects as chalk & cheese. One of them was a perfectionist, emphasised upon the importance of knowing how to build on top of knowing how to design. Because Jose was a Rationist and that all his buildings were functional and anonymous but devoid of spirituality, Ricardo started to wander elsewhere for other enlightenment. That, he found in Luis Barragan, who reminded him the importance of landscaping, as one cohesiveness with the building (I.M Pei believed in the same ideal). Ricardo also joked about how academics interpreted Luis' works in all seriousness and he's adamant that if Luis were alive now, he would have laughed at them all as he designed buildings for the passion and luv of them without any complications of -isms. Then, there were also discussions of several artists that influenced his works, his children's involvement in the same industry, his origin. He also took the opportunity to correct the public's perception about his huge dosage of bold colours. He explained that he isn't using the colours for the sake of using them but using them to emphasise different planes, making the mass changes thru the manipulation of light at different time of the day, and along the way, the users' emotion are taken to yet another height. He couldn't reiterate more that without happiness, what's the point of architecture. Ricardo has this philosophy, quoted by Gropius, which was quite inspiring and something that he takes to his heart, "keep working as if you were going to live forever because if your goals are good, somebody will pick up your flag and keep progressing". And the rest of the book is dedicated in showing Ricardo's testimony or contribution towards architecture: bold colours (& some subtle ones depending upon the clients' requirements) buildings with mass, walls that contained the mystery beyond the walls & thus, enticed people to explore deeper within, forms to excite & stimulate the senses. To complement the pictures, there are floor plan and brief notes or quotations by Ricardo. To finish the book nicely, there is also his biography (doesn't say that he's Year 2000 AIA Gold Medal Award Winner), list of projects (that doesn't include the work that he's done in Japan & other latter works), select bibliography, & project credits (which provided the readers with everything you need to know about his projects). Worthwhile reading. Highly recommended.