Kurzbeschreibung
Contents: Craig Hugh Smyth: Foreword - Liana De Girolami Cheney: Preface - Liana De Girolami Cheney: Introduction - Stylistic problems in Mannerism and Maniera - Liana De Girolami Cheney: Vasari's Position as an Exponent of the Maniera Style - Giorgio Vasari: Preface to the Third Part - John Shearman: Maniera as an Aesthetic Ideal - Craig Hugh Smyth: Mannerism and
Maniera - Sydney J. Freedberg: Observations on the Painting of the Maniera - Walter F. Friedlaender: Mannerism and Anti-Mannerism in Italian Painting - Max Dvorák: El Greco and Mannerism - Ernst Hans Gombrich: Mannerism: The Historiographic Background - Henri Zerner: Observations on the Use of the Concept of Mannerism - Malcolm Campbell: Mannerism, Italian Style - David Summers: Maniera and Movement: The Figure Serpentinata - Iris Hofmeister Cheney: Mannerist Art: Survival and Collection.
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Synopsis
The editor points out in her preface that though a minority of scholars who treat 16th-century Italian art consider Mannerism to be merely a late manifestation of the Renaissance, the majority acknowledges the phenomenon of Mannerism, but disagrees about its constituent parts. Thirteen contributions discuss definitions of Mannerism and Maniera , so