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Reading and Writing from Literature [Englisch] [Taschenbuch]

John E. Schwiebert , Schwiebert

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Kurzbeschreibung

13. August 2004
Reading and Writing from Literature is ideal for instructors who wish to support students with significant writing instruction accompanied by a robust literary anthology that includes fiction, poetry, drama, and essays. Using an approachable, conversational tone, this thematic anthology and writing text emphasizes intertextuality--the way in which texts, including the student's own writing, grow out of other texts. Thirteen chapters of guidance on writing about literature (Parts I-III) cover such topics as planning, drafting, and revising essays on literature, research and documentation in a literature-based context, writing argumentative literary essays, and creating a writing portfolio. Part IV introduces students to the genres--short stories, poems, plays, and essays. Part V provides a thorough overview of figurative language. Part VI, the text's thematic anthology, is organized around themes of particular interest to students: Gender and Relationships, Families, Experience and Identity, Individual and Society, People and Cultures in Conflict and Change, and Work and the Quality of Life. It contains 45 new poems, essays/nonfiction writing, and short stories, with an emphasis on the contemporary. This edition features a stronger representation of international and multicultural authors, including such writers as Antoine de Saint-Exupery, Derek Walcott, Yusef Komunyaka, Sei Shonagon, and Allan Gurganus.

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I. A Conversation Model of Writing and Reading 1. Why Don't You Let It Out Then? Three Writers A Conversation Model of Writing and Reading Activities for Writing Readings: Tillie Olsen, excerpt from Yonnondio: From the Thirties; Gary Soto, "Behind Grandma's House" 2. Making New Texts from Old: Intertextuality A Four-Step Process for Writing from Reading Applying the Four-Step Process Reading: Peter Sharpe, "Waiting for the Idiot to Go Away" Activities for Writing Readings: Ellen Goodman, "Live-In Myths"; Barbara Crooker, "Patty's Charcoal Drive-In"; Antoine de Saint-Exupery, excerpt from Night Flight Incident: "Humans and Other Animals" Picture: Grant Wood, American Gothic 3. Building a Reading Notebook: Ten Ideas for Writing from Reading Famous Writers at Work Using Reading as a Springboard for Writing Ten Ideas for Writing in a Reading Notebook Review List of the Ten Ideas for Writing Activities for Writing Readings: Elizabeth Bowen, "The Demon Lover"; Katharine Brush, "Birthday Party"; Sloan Wilson, excerpt from The Man in the Gray Flannel Suit; Cullen Murphy, "The Utmost Measures" 4. "Hurry Notes": Keeping a Commonplace Book What You Think Honor Your Thoughts by Writing Them Down Why Take Notes? Sample Published and Unpublished Notes Collecting Quotations Four Ways to Use Your Notes Activities for Writing 5. Writing in Diverse Forms: The Topic/Form Grid Activities for Writing II. Writing Essays About Literature 6. Ways of Planning: Thinking and Writing Recursively Putting Essays About Literature into Context Cultivating Recursive Habits of Thinking Writing Mini-Essays to Practice Concise Expression Sharing and Learning in a Small Group Techniques for Note Taking in Small Groups Finding a Topic: Rereading (and Writing from) the Writing You Have Already Done Turning Your Favorite Interest into a Workable Topic Developing a "Working Thesis" Planning Your Essay: Quick-Writing Planning Your Essay: Listing and Sequencing Getting Feedback from a Peer or a Small Group Activity for Writing Checklist of Activities for Planning an Essay About Literature 7. Ways of Drafting: Building a Barn in a Tornado Beginning with Limited Expectations Two Ways of Drafting From Throwaway Draft to Rough Draft Checklist of Activities for Drafting 8. Ways of Revising: Caring and Not Caring Putting Revision into Context Global and Local Revisions A Checklist of Questions for Looking Critically at Your Draft Postdraft Outlining Having Other People Outline Your Draft Getting Writer-Initiated Feedback Developing Your Essay with Illustrative Quotations and Examples Local Revision: Copyediting Your Text "Lightning" Revision: Reading Your Writing Aloud to a Peer or a Small Group Checklist of Activities for Revising 9. Writing Arguments What Is Argument? Argument Is Dialogic Analysis of a Sample Argument: Barbara Kingsolver, "The One-Eyed Monster, and Why I Don't Let Him In" Steps for Writing an Argument A Sample Essay, "Apocalypse in a Teacup: William Blake's 'The Clod and the Pebble'" 10. Writing Literature-Based Research Papers Introductory Remarks Keeping a Research Log Preresearch Steps to Narrow Your Focus and Save Time An Example of the Preresearch Process Identifying Useful Sources of Information Locating and Keeping Track of Sources Reading Efficiently: Consult the Table of Contents, Index, and Bibliography Citing Your Sources: Quoting, Summarizing, and Paraphrasing Incorporating Outside Sources into Your Essay 11. Documenting Research Essays Troy's Final Essay Excerpts from Troy's Log When You Need to Cite or Acknowledge a Source MLA Documentation Style Preparing Your List of Works Cited III. Creating a Writing Portfolio 12. Making the Works: Twelve Strategies for Revising 1. Start Over: Consult Chapter 3 2. Start Over: Rewrite Using a Topic/Form Grid 3. Use the "Checklist of Questions for Looking Critically at Your Draft" 4. Do a Postdraft Outline 5. Have Other People Outline Your Draft 6. Ask Yourself Other Questions Appropriate to the Draft 7. Get Writer-Initiated Feedback 8. "Lightning" Revision: Read Your Writing Aloud to a Peer or a Small Group 9. Break the Revision Task into Smaller Steps 10. Take Advantage of Small Bits of Time 11. Use Your Small Notepad or Commonplace Book 12. Try Various Miscellaneous Revision Strategies Checklist of Strategies for Revising Activities for Writing 13. Assembling Your Final Portfolio Writing an Introduction to Your Portfolio Choosing and Interpreting Your Sample Annotations Preparing a Selection of Your Favorite Shorter Notes Steps for Choosing and Revising a Favorite Longer Creative Text Local Revising: Copyediting Your Text Preparing a Preface to Your Longer Creative Selection(s) Preparing a Process Memorandum to Accompany Complete Process Work for One of Your Final Selections IV. An Introduction to the Major Genres 14. Short Stories Point of View Characters Dialogue Plot Theme and Setting 15. Poetry Major Types of Poetry Speaker and Situation Poetic Meter Rhyme and Sound Effects Diction and Syntax Figurative Language Symbolism 16. Essays Sample Essay: Judith Ortiz Cofer's "Primary Lessons" Persona and Voice Style and Language Theme Dialogue Story Citations of Other Texts; Allusions 17. Plays Setting Characters and Plot Dialogue 18. Notebooks and Journals An Ideal Democracy of Thoughts The Art of the Reflective Pause Cultivating the Private Life Make Your Own Walden Generic Ideas for Writing in Response to Published Notebooks and Journals Activities for Writing and Discussion V. An Introduction to Figurative Language 19. Figurative Language Metaphor Steps for Analyzing or "Unpacking" a Metaphor Metaphors of the Human Mind Simile Paradox Irony Verbal Irony Personification Metonymy and Synecdoche Symbolism Activities for Writing and Discussion VI. A Thematic Anthology of Readings 20. Gender and Relationships Short Stories Kate Chopin, "The Story of an Hour" Charlotte Perkins Gilman, "The Yellow Wallpaper" Sidonie-Gabrielle Colette, "The Other Wife" Doris Lessing, "A Woman on a Roof" Ray Bradbury, "[A Story About Love]" Claire Kemp, "Keeping Company" Raymond Carver, "Call If You Need Me" Poems Po-Chu-I, "Rejoicing at the Arrival of Ch'en Hsiung" William Shakespeare, Sonnet 18 William Blake, "The Clod & the Pebble" Walt Whitman, "I Heard You Solemn-Sweet Pipes of the Organ" --, "I Saw in Louisiana a Live-Oak Growing" Christina Rossetti, "Margery" --, "In an Artist's Studio" Thomas Hardy, "At Tea" --, "In the Room of the Bride-Elect" --, "Outside the Window" Ezra Pound, "The River-merchant's Wife: A Letter" Robert Bly, "In Rainy September" Adrienne Rich, "Living in Sin" --, "Novella" Derek Walcott, "The Young Wife" Tomioka Taeko, "Just the Two of Us" Diane Wakoski, "Belly Dancer" Sharon Olds, "Sex Without Love" Liz Rosenberg, "In the End, We Are All Light" Nonfiction/Essays Francine du Plessix Gray, "On Friendship" Scott Russell Sanders, "Looking At Women" Plays Susan Glaspell, Trifles Terrence McNally, Andre's Mother Gender and Relationships: Additional Activities for Writing and Discussion Interchapter on Notebooks and Journals (I) The Notebook as "Pure" Poetry: Joseph Joubert 21. Families Short Stories Guy de Maupassant, "The Olive Grove" James Joyce, "Eveline" Tillie Olsen, "I Stand Here Ironing" Tobias Wolff, "The Rich Brother" Gloria Naylor, "Kiswana Browne" Poems William Carlos Williams, "The Last Words of My English Grandmother" Theodore Roethke, "My Papa's Waltz" Anna Swir, "I Wash the Shirt" --, "The Greatest Love" Gwendolyn Brooks, "Sadie and Maud" Charles Bukowski, "my old man" Donald Hall, "My Son My Executioner" A. K. Ramanujan, "Self-Portrait" Ted Kooser, "Father" Sharon Olds, "The Elder Sister" Linda Hogan, "Heritage" Yusef Komunyakaa, "My Father's Love Letters" Timothy Young, "The Thread of Sunlight" Deb Casey, "ZOOOOOOOM" Rita Dove, "Fifth Grade Autobiography" Sharon Hashimoto, "Eleven A.M. on My Day Off, My Sister Phones Desperate for a Babysitter" Debra Kang Dean, "Taproot" Nonfiction/Essays Joy Harjo, "The Place of Origins" Fenton Johnson, "The Limitless Heart" Barbara Kingsolver, "Letter to My Mother" Plays Joyce Carol Oates, Tone Clusters Milcha Sanchez-Scott, The Cuban Swimmer Families: Additional Activities for Writing and Discussion Interchapter on Notebooks and Journals (II) "The Stories of How We Lived": Joy Harjo 22. Experience and Identity Short Stories D. H. Lawrence, "The Rocking-Horse Winner" Katherine Mansfield, "Miss Brill" William Faulkner, "Barn Burning" Naguib Mahfouz, "Zaabalawi" Annette Sanford, "Nobody Listens When I Talk" Toni Cade Bambara, "The Lesson" Alice Walker, "The Flowers" Poems William Blake, "Proverbs of Hell" --, "The Tyger" William Wordsworth, "I wandered lonely as a cloud" Walt Whitman, "To You" --, "A Noiseless Patient Spider" Emily Dickinson, "Because I could not stop for Death" --, "One need not be a Chamber--to be Haunted--" --, "'Faith' is a fine invention" Thomas Hardy, "The Ruined Maid" Gerard Manley Hopkins, "Spring and Fall" Denise Levertov, "Contraband" Maya Angelou, "Seven Women's Blessed Assurance" Audre Lorde, "Hanging Fire" Mary Oliver, "The Black Snake" -- "Some Questions You Might Ask" Mark Rudman, "Chrome" Gary Soto, "Oranges" Nonfiction/Essays G. K. Chesteron, "A Defence of Humility" Maya Angelou, "Graduation" Edward Hoagland, "Learning to Eat Soup" Judith Ortiz Cofer, "Primary Lessons" Rebecca Solnit, "The Disembodiment of Everyday Life" Plays Eugene O'Neill, The Hairy Ape Woody Allen, Death Knocks Experience and Identity: Additional Activities for Writing and Discussion Interchapter on Notebooks and Journals (III) "Pen and Paper and a Breath of Air": Mary Oliver 23. Individual and Society Short Stories Nathaniel Hawthorne, "The Birthmark" James Thurber, "The Secret Life of Walter Mitty" Ray Bradbury, "The Murderer" Kurt Vonnegut, Jr., "Harrison Bergeron" Flannery O'Connor, "Everything That Rises Must Converge" Alice Walker, "Nineteen Fifty-five" Poems Shams-ud-din Muhammad (Hafiz), "Elephant Wondering" --, "For Three Days" --, "What Should We Do About that Moon?" Walt Whitman, excerpts from "Song of Myself" --, "I Sing the Body Electric" Emily Dickinson, "Much Madness is divinest Sense" --, "The Soul selects her own Society" --, "Tell all the Truth but te...

Synopsis

A thematic anthology of short stories, poetry, plays and essays with extensive rhetorical instruction. Emphasis is placed on intertextuality - the way that texts, including the student's own writing, grow out of other texts. This approach highlights the connection between reading and writing and encourages students to enter into a conversation with literature. -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .

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4 von 4 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen FRESH INSIGHTS 3. Juli 2005
Von T. Bellows - Veröffentlicht auf Amazon.com
Format:Taschenbuch
A few notes on this exceptional book: "The ten ideas for writing" gives students a chance to creatively respond to literature - and to really get a grasp of it. The ten prompts work wonders for student writing! "Write an Imaginary interview with the author" is an example: allows students to use imagination to take flight into a work in their own way. Then they're better prepared to write a formal essay on the literature.

Research writing, of course, is covered in good detail - along with concise explanations of the different genres.

Some of the Harjo, Blake, and Carver selections tune to the heart as well as the mind. Great material with deeper insights than most texts. The Interchapter Notebooks contain truly unusual perspectives as well. This is a book you'll want to keep for an enjoyable Sunday morning read - for years!

A worthy companion book might be Twitchell's The Flute of God.
1 von 2 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen sweet 13. August 2010
Von Michael - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Verifizierter Kauf
got this book for a steal, though the books condition could be better it still saved me a ton of money from the college book store, thanks!
0 von 1 Kunden fanden die folgende Rezension hilfreich
4.0 von 5 Sternen Reading and writing from literature 4. Februar 2010
Von Randy Ferlin - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Verifizierter Kauf
This isn't mint condition, but it gets the job done. The paper back cover is a little bent, but everything else looks great.
0 von 2 Kunden fanden die folgende Rezension hilfreich
1.0 von 5 Sternen Awful condition 15. April 2014
Von Char - Veröffentlicht auf Amazon.com
Format:Taschenbuch|Verifizierter Kauf
Condition of book is absolutely awful. It was stated to be in good condition. I don't believe that ripped pages, torn cover, written in and highlighted is equal to good condition.
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