A "page turner" is a term I usually reserve for compelling and dramatic fiction, but in this case it is apt for "Raymond Chandler Speaking," the closest thing we have to a memoir or autobiography from the most influential mystery writer of the 20th century. Although not a particularly prolific novelist, Chandler was, nevertheless, an inveterate letter writer, and his words, penned in the haunting hours of the night and probably often in an alcoholic stupor, provide wonderful insight into this man who turned a low-brow fictional form into poetry. If you've enjoyed his novels, but not gotten around to this collection of letters and a few other writings (including the first four chapters of his last novel, "Poodle Springs"), then you're in for a treat: the colorful phrase, the scintillating simile, the terse but punchy sentence-all trademarks of his groundbreaking fiction-are found in abundance here, as Chandler waxes philosophically on Hollywood, agents, writers, publishers, and cats (the feline kind). You will find something in this small volume that you could not possibly anticipate on a topic you would think would be off turf: for me it was Chandler writing on the dysfunctional effects of television, as he saw it in 1950; with pen cynically dripping with sarcasm, he wrote: "Television is really what we have been looking for all our lives.... You turn a few knobs, a few of those mechanical adjustments at which the higher apes are so proficient, and lean back and drain your mind of all thought.... You don't have to concentrate. You don't have to react. You don't have to remember. You don't miss your brain because you don't need it." Fifty years later, a good portion of the sum of academic and professional criticism of television are mere extensions of Chandler's intuitive judgment about the medium. Chandler's matchless mind and personality could have led him to many successful careers, if he controlled his personal demons; but he chose detective fiction over business, academics, politics or social/cultural criticism. This volume of letters and writings give us insight into his complex mind with its deep secrets and doubts. Little wonder this book, first published in 1962, remains (with updated introductory material) in print and a staple for libraries and the personal collections of people who like exploring the treads of genius that launched a new literary form.
