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The Queer Art of Failure (John Hope Franklin Center Books) [Englisch] [Taschenbuch]

Judith Halberstam

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Kurzbeschreibung

13. September 2011 John Hope Franklin Center Books
The Queer Art of Failure is about finding alternativesoto conventional understandings of success in a heteronormative, capitalist society; to academic disciplines that confirm what is already known according to approved methods of knowing; and to cultural criticism that has extensively theorized hegemony but paid little attention to counter-hegemony. Judith Halberstam proposes "low theory" as a means of recovering ways of being and forms of knowledge not legitimized by existing systems and institutions. Low theory is derived from eccentric archives. It runs the risk of not being taken seriously. It entails a willingness to fail and to lose one's way. Tacking back and forth between high theory and low theory, high culture and low culture, Halberstam looks for the unexpected and subversive in popular culture, avant-garde performance, and queer art. She pays particular attention to animated children's films, contending that new forms of animation, especially CGI, have generated narratives filled with unexpected encounters between the childish, the transformative, and the queer. Dismantling contemporary logics of success, Halberstam demonstrates that failure sometimes offers more creative, cooperative, and surprising ways of being in the world.

Wird oft zusammen gekauft

The Queer Art of Failure (John Hope Franklin Center Books) + Gaga Feminism: Sex, Gender, and the End of Normal (Queer Action/Queer Ideas Book) + Female Masculinity
Preis für alle drei: EUR 63,90

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"...insightful and intellectually brave in places, and makes a significant intervention in the development of queer theory. The Queer Art of Failure is also utterly charming... For all the humour in its content and in its style, this is a very serious work." Robert Eaglestone, Times Higher Education "Halberstam explores queer history for forms of activism that avoid working with the established order, but also mines popular culture for ways of moving from childhood to adulthood that place collectivism over individualism." Juliet Jacques, New Statesman, August 24th 2012 "A lively and thought-provoking examination of how the homogenizing tendencies of modern society might be resisted through the creative application of failure, forgetting, and passivity, actions generally deemed of little value within today's capitalist models of success... A valiant attempt to find value in positions and attitudes such as negativity that our modern success-oriented society disdains, this study is never less than thrilling." Publishers Weekly "What's remakable about the work is her ability to move between Hollywood and high art, popular culture and high theory. In the eponymous chapter "The Queer Art of Failure", she approaches again the subject of failure as a way to alternative lives, but this time with a far more serious canon: the novels of Irving Welsh, the lives of Quintin Crisp and Gertrude Stein, the work of Walter Benjamin, the photographs of Brassai, Cecil Beaton, Diane Arbus and Monica Majoli. She argues forcefully the insight of many queer theorists, that those uninterested in reproducing heterosexual norms were consigned by hetero culture to lives named failure by that culture... This books stands as a model for the most useful and enjoyable kind of engagement with the popular. If it too often slides into the rhetoric of a kind of manifesto, it's good to remember that manifestos spur us to new relations with the world, and sometimes unqualified, declarative rhetoric succeeds in sweeping us away." David Banash, PopMatter.com "The Queer Art of Failure is a manifesto for cultural studies. It self-consciously risks being dismissed or trashed in order to rescue alternative objects of analysis, methods of knowing, and ways of communicating. Its stakes are clear. It's not attempting to argue for the recovery of its materials from obscurity; it values forgetting and obsolescence. It's not claiming to retool our understanding of major work; it traffics unapologetically in the minor. And it doesn't pretend to comprehensive scholarship; it offers up plot summaries and allegorical readings with glee." Elizabeth Freeman, author of Time Binds: Queer Temporalities, Queer Histories "The Queer Art of Failure is inspired, provocative, and hilarious. More significantly, it is a deft evisceration of the regulative rigidities of disciplinarity and the pretensions of 'high theory.' Judith Halberstam's advocacy of 'silly archives' and 'low theory' is much more than a carnivalesque skewering of the earnest self-seriousness of much academic scholarship; it is a populist clarion call for expansive democratic visions of what it is we are writing about and for whom we think we are writing." Lisa Duggan, author of The Twilight of Equality? Neoliberalism, Cultural Politics, and the Attack on Democracy "Failure abounds all around us: economies collapse, nation-states falter, and malfeasance rules. In the face of our dismal situation Judith Halberstam distils and repurposes the negative for the purpose of thinking outside the tyranny of success. The Queer Art of Failure finds a new vitality in not winning, accumulating, doing or knowing. Both counter intuitive and anti-anticipatable, this compelling book pushes beyond many of the impasses and blockages that limit our critical horizons today." Jose Esteban Munoz, author of Cruising Utopia: The Here and Now of Queer Futurity "All losers are the heirs of those who have lost before them.' The Queer Art of Failure narrates hilarious and swerving outlaw comedies of refusal, absurdity, and exuberant being, acting in solidarity with its resident artists--from SpongeBob SquarePants to Yoko Ono. But the book hums a dark tone, too. The arts of normative style, playing out on sexual, racialized, gendered, and colonial bodies and landscapes, are painful to witness, even here. No artist or critic can repair the damage, erasing history; but Judith Halberstam wields all of the weapons that intelligence (and cartoons) can bring against the harsh work of conventionality." Lauren Berlant, author of Cruel Optimism "Queer Theory using Spongebob Squarepants? Totally there... Underdogs and shoddy queers can take wordy, erudite solace in Halberstam's words." GT> "...here is a book well worth the time and attention it takes to read it and to consider its implications. Most especially in that Judith Halberstam writes not only with authority, but also with genuine wit, which leaves the reader laughing out loud from time to time, something quite unknown until now in books of queer theory. Further, Ms. Halberstam presents her case with deep insight into human nature, and into our deepset cultural need to simplify our definition of the word success--and, up until now, our seeming need to ignore the creative implications of failure. " Vinton Rafe McCabe New York Journal of Books "Set against a backdrop of global fincial crisis this is a quirky explanation of the queer possibilities the concept of failure has to offer, opening with a quote from SpongeBob SquarePants." Diva "The Queer Art of Failure (Duke University Press) re-examines how we conceive of the idea of failure in our society, not so that we may correct ourselves, but so that we may see how our various "failures" may actually produce a preferable alternative to conformist lifestyles and the status quo...The book's prose style is deeply intellectual, yet playful, ironic, and most importantly, accessible to even those with no background in literary theory. Because Halberstam uses pop-culture examples, The Queer Art of Failure is an ideal text for introducing queer theory to beginners. The politics of heteronormativity and sexual dissidence has never appeared as lucid as it does now that we have SpongeBob SquarePants as our guide." Chase Dimock, Lambda Literary Review

Über den Autor

Judith Halberstam is Professor of English, American Studies and Ethnicity, and Gender Studies at the University of Southern California. Halberstam is the author of "In a Queer Time and Place: Transgender Bodies, Subcultural Lives," as well as" Female Masculinity" and "Skin Shows: Gothic Horror and the Technology of Monsters," both also published by Duke University Press.


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Amazon.com: 3.0 von 5 Sternen  2 Rezensionen
43 von 49 Kunden fanden die folgende Rezension hilfreich
5.0 von 5 Sternen Brilliant and Hilarious 6. Oktober 2011
Von W. Benjamin Myers - Veröffentlicht auf Amazon.com
Format:Taschenbuch
This is one of the most refreshing critical theory books I have read in a long time. In this book, Halberstam advocates for a queer failure that defies capitalist models of success. This queer failure embraces forgetting, stupidity and CGI animated films. Halberstam provides examples of failure which she reclaims, from coming in 4th place in the Olympics to the characters in the movie "Dude, Where's My Car?" The section on the queer politics of CGI animated films is especially good. With loads of examples such as "Finding Nemo," "Monsters INC," "Bee Movie," and more, she explores the underlying messages of socialist revolt present in the films and how they challenge capitalist models of success.
2 things in particular make this book especially worth reading. 1. The use of "low theory" as an alternative to "high theory" allows for an imminently readable text that is full of extended pop culture analysis that reclaims a lot of films you probably don't take too seriously. And 2. The writing is relaxed, fun and at times funny. It doesn't read like your average academic text. And while I breezed through it, it is also really provocative.
I highly recommend it.
3 von 12 Kunden fanden die folgende Rezension hilfreich
1.0 von 5 Sternen This book didn't go anywhere.. 6. Februar 2013
Von Able Gender - Veröffentlicht auf Amazon.com
Format:Taschenbuch
The introduction was really fun and interesting. The whole idea of failure as success in another manner was intriguing, but then the chapters seemed redundant.
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