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Parallels are being struck all over the place with radicalism in the 20th century--part of what makes Gert a memorable voice is a combination of zeal, pragmatism and survival instinct that keeps him one step ahead of the Inquisitors for 30 years and enables him to, for example, do serious damage to the Holy Roman Emperor's favourite bankers. In the end, Gert and Q are left with more in common than the past they share--the rules are changing and the board is being cleared, and there is time for one last crucial intervention... This is ingeniously plotted, and full of vividly realised scenes of 16th century life; if it has a fault, it is that we live through every day of three tumultuous decades, every sermon and theological treatise, in exhausting detail. --Roz Kaveney -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Q is set at the time of the Reformation. After Luther hangs his 95 theses on the door of the Wittenberg Church, nothing is ever the same in the hallowed halls of Christianity. One of the sects which sprang up during the Reformation was the Anabaptists, Christians who discredited infant baptism and believed that the Bible was the only rule for faith and life. Q follows the adventures of a student of Thomas Munzer, Anabaptist and leader of the abortive Peasants' Revolt of 1524-25, who goes under many names, the first of which is Gustav Metzger, and Q, a papal informer. These two travel throughout Europe, trying to suss out each other's identity, sending letters to Munzer and to the Pope, making friends and enemies, hating each other's deeply felt convictions. Metzger is staying one step ahead of the heretic hunters, bent on destroying all supporters of Luther.
The translation is rickety, at best. There are long, sonorous passages filled with the formal language of the times, and then a jarring change to modern slang. "On the point of death they all denied everything that had been extorted from them with torture: small consolation, and I don't know how many were able to die in peace because of it... It was November or December 1531, around the time Lienhard Jost kicked the bucket." There is a tremendous amount of scholarship contained in the novel and the blend of fact and fiction allows room for intrigue, politics, betrayal, and that ever-familiar conundrum of terror in the name of religion. At over 750 pages, it requires a great deal of patience and attention on the part of the reader, not all of which is richly rewarded. A final cavil: Wittenberg is misspelled in the jacket copy. --Valerie Ryan -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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The revolt fails, in part, because of a spy named Qoelet (Q), whose diaries and letters to Cardinal Gianpietro Carafa, reveal his duplicitous actions. As the Anabaptist speaker escapes from one bloody crisis after another, changing his name whenever he changes locations, Q tries to track him down and to counteract the increasingly dangerous effects of Protestantism. Each of the speaker's failures is related to Q's countermoves, as the speaker travels throughout Germany to Switzerland and the Low Countries, following the spread of ideas. Twenty-five years after surviving the Peasants' Revolt and vicious reprisals against the Reformation everywhere he travels, the speaker, now known as Tiziano Rinato (Titian), arrives in Venice with the financing he needs to distribute "heretical" pamphlets. He and Q finally meet for a showdown.
The authors' casual, slangy style, filled with profanities, conveys the frustration and trauma of these four-hundred-year old events in a language with which the contemporary reader can easily identify. United primarily through the beliefs of the Reformation, the novel is episodic and not particularly suspenseful because the tension between the speaker and Q is not strong. These men do not know each other, and neither the reader nor the speaker can see Q's maneuverings until after the fact.
The complex events of the early Reformation have shaped the intellectual and historical destinies of western civilization, and the novel reflects this complexity, with the narrative alternating from 1555 to 1517 and from 1538 to 1527, and back. The reader must create his/her own timeline, though the events within each episode are clear. Filled with exciting, hair's-breadth escapes from disaster, fascinating and memorable depictions of (real) historical characters, insightfully presented intellectual conflicts, and dramatic events coming fast and furiously for over seven hundred pages, the novel is a rewarding adventure for the reader with a serious interest in the Reformation. Mary Whipple
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