- Taschenbuch: 336 Seiten
- Verlag: Bantam Classics (1. Juli 1992)
- Sprache: Englisch
- ISBN-10: 055321408X
- ISBN-13: 978-0553214086
- Größe und/oder Gewicht: 10,6 x 1,8 x 17,1 cm
- Durchschnittliche Kundenbewertung: 3.5 von 5 Sternen Alle Rezensionen anzeigen (2 Kundenrezensionen)
- Amazon Bestseller-Rang: Nr. 297.800 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Pygmalion and Major Barbara (Bantam Classics)
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Kurzbeschreibung
George Bernard Shaw was the greatest British dramatist after Shakespeare, a satirist equal to Jonathan Swift, and a playwright whose most profound gift was his ability to make audiences think by provoking them to laughter.
In one of his best-loved plays, Pygmalion, which later became the basis for the musical My Fair Lady, Shaw compels the audience to see the utter absurdity and hypocrisy of class distinction when Professor Henry Higgins wagers that he can transform a common flower girl into a lady—and then pass her off as a duchess—simply by changing her speech and manners.
In Major Barbara Shaw spins out the drama of an eccentric millionaire, a romantic poet, and a misguided savior of souls, Major Barbara herself, in a topsy-turvy masterpiece of sophisticated banter and urbane humor. His brilliant dialogue, combined with his use of paradox and socialist theory, never fails to tickle, entertain—and challenge.
In one of his best-loved plays, Pygmalion, which later became the basis for the musical My Fair Lady, Shaw compels the audience to see the utter absurdity and hypocrisy of class distinction when Professor Henry Higgins wagers that he can transform a common flower girl into a lady—and then pass her off as a duchess—simply by changing her speech and manners.
In Major Barbara Shaw spins out the drama of an eccentric millionaire, a romantic poet, and a misguided savior of souls, Major Barbara herself, in a topsy-turvy masterpiece of sophisticated banter and urbane humor. His brilliant dialogue, combined with his use of paradox and socialist theory, never fails to tickle, entertain—and challenge.
Über den Autor
George Bernard Shaw (1856-1950) is one of the world’s greatest literary figures. Born in Dublin, Ireland, he left school at fourteen and in 1876 went to London, where he began his literary career with a series of unsuccessful novels. In 1884 he became a founder of the Fabian Society, the famous British socialist organization. After becoming a reviewer and drama critic, he published a study of the Norwegian dramatist Henrik Ibsen in 1891 and became determined to create plays as he felt Ibsen did: to shake audiences out of their moral complacency and to attack social problems. However, Shaw was an irrepressible wit, and his plays are as entertaining as they are socially provocative. Basically shy, Shaw created a public persona for himself: G.B.S., a bearded eccentric, crusading social critic, antivivisectionist, language reformer, strict vegetarian, and renowned public speaker. The author of fifty-three plays, hundreds of essays, reviews, and letters, and several books, Shaw is best known for Widowers’ Houses (1892), Mrs. Warren’s Profession (1893), Arms and the Man (1894), Caesar and Cleopatra (1898), Man and Superman (1903), Major Barbara (1905), Pygmalion (1913), Heartbreak House (1919), and Saint Joan (1923). He was awarded the Nobel Prize for Literature in 1925.
In diesem Buch
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Einleitungssatz
Before dealing with the deeper aspects of Major Barbara, let me, for the credit of English literature, make a protest against an unpatriotic habit into which many of my critics have fallen. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug
Before dealing with the deeper aspects of Major Barbara, let me, for the credit of English literature, make a protest against an unpatriotic habit into which many of my critics have fallen. Lesen Sie die erste Seite
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1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
The worst thing I found was Shaw's ending epilogue after the Pygmalion. He went too far, too deep and too preachy in his imagination of how things were to turn out. His lengthy preface to Major Barbara may well reflect sentiments at the turn of the century, but he never looked at the question "whether he imagined the impoverished becoming like him or him becoming like the impoverished" when he talked idealistically against the tyranny of poverty. He showed no comprehension of basic economics, social evolution nor human nature. Had he lived longer, he might have seen it in the collapse of communism in eastern Europe. That is not to say Shaw was espousing communism, and it can be argued that the communism was an imperfect implementation of a perfect solution. The same then can be said of a lot of other things, including Christianity, the Church, the Salvation Army, nationhood, law enforcement as well as the judiciary. None set out to commit the sins they did. At the end of the day, helping feed a single individual may cause no more harm than helping no individuals but sitting down and espousing fine rhetorics and theories and ideals which lead to establishment of institutions modelled after them which affect thousands instead.
0 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
This was, all in all, a charming little book. I loved the Pygmalion and the manipulative male lead, Professor Higgins. Major Barbara, on the other hand, was as boring as could be. The preface? Don't even bother reading. It was absolute boredom, and completely unaffective on the reading of Major Barbara. The Pygmalion, while I did not particularly enjoy the epilogue (I'm a romantic), was very clever and yes, probably the real aspect of how things turn out. So, all being said, read the book! It is a delightful little sample of Shaw's work.
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4 Rezensionen
3 von 5 Kunden fanden die folgende Rezension hilfreich
Praise for Shaw's Voice
31. Januar 2002
Format:Taschenbuch
Shaw masters satire in Pymalion his play with a double edged sword. A superficial examination of the play reveals it to be a self-rightoues lesson in grammar. But a deeper inspection shows it tobe a toungue in cheek comedy (albeit a critical one) that reveals much about the British society of the time (particularly linguistically speaking). Henry Higgin's unabashed condescending attitude provide many laughs while Eliza's emotion filled responses are also humorous and no less insightful. The prolougue although irritating to most, gives the play a unique voice and the epilogue although considered by many to be a literary fallacy says true to Shaw's style. I have only one complaint about this book that I can rant on about to no end, that fact that he say's English is the language of the Bible. Is English the lanuguage of Crime and Punishment or Metamorphosis because it was translated in English? Please, don't insult us. But aside from that it is a Brilliant play!
2 von 4 Kunden fanden die folgende Rezension hilfreich
The Pygmalion was wonderful, but Major Barbara...?
25. Februar 2000
Format:Taschenbuch
This was, all in all, a charming little book. I loved the Pygmalion and the manipulative male lead, Professor Higgins. Major Barbara, on the other hand, was as boring as could be. The preface? Don't even bother reading. It was absolute boredom, and completely unaffective on the reading of Major Barbara. The Pygmalion, while I did not particularly enjoy the epilogue (I'm a romantic), was very clever and yes, probably the real aspect of how things turn out. So, all being said, read the book! It is a delightful little sample of Shaw's work.
1 von 3 Kunden fanden die folgende Rezension hilfreich
Witty compositions but unable to escape parochialism
9. Oktober 1998
Format:Taschenbuch
The worst thing I found was Shaw's ending epilogue after the Pygmalion. He went too far, too deep and too preachy in his imagination of how things were to turn out. His lengthy preface to Major Barbara may well reflect sentiments at the turn of the century, but he never looked at the question "whether he imagined the impoverished becoming like him or him becoming like the impoverished" when he talked idealistically against the tyranny of poverty. He showed no comprehension of basic economics, social evolution nor human nature. Had he lived longer, he might have seen it in the collapse of communism in eastern Europe. That is not to say Shaw was espousing communism, and it can be argued that the communism was an imperfect implementation of a perfect solution. The same then can be said of a lot of other things, including Christianity, the Church, the Salvation Army, nationhood, law enforcement as well as the judiciary. None set out to commit the sins they did. At the end of the day, helping feed a single individual may cause no more harm than helping no individuals but sitting down and espousing fine rhetorics and theories and ideals which lead to establishment of institutions modelled after them which affect thousands instead.
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