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Pulp Surrealism: Insolent Popular Culture in Early Twentieth-Century Paris [Englisch] [Gebundene Ausgabe]

Robin Walz (Autor)

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Kurzbeschreibung

Erscheinungstermin: April 2000

In addition to its more well known literary and artistic origins, the French surrealist movement drew inspiration from currents of psychological anxiety and rebellion running through a shadowy side of mass culture, specifically in fantastic popular fiction and sensationalistic journalism. The provocative nature of this insolent mass culture resonated with the intellectual and political preoccupations of the surrealists, as Robin Walz demonstrates in this fascinating study. "Pulp Surrealism" weaves an interpretative history of the intersection between mass print culture and surrealism, re-evaluating both our understanding of mass culture in early twentieth-century Paris and the revolutionary aims of the surrealist movement. "Pulp Surrealism" presents four case studies, each exploring the out-of the-way and impertinent elements which inspired the surrealists. Walz discusses Louis Aragon's "Le paysan de Paris", one of the great surrealist novels of Paris. He goes on to consider the popular series of "Fantomes" crime novels; the Parisan press coverage of the arrest, trial, and execution of mass-murderer Landru; and the surrealist inquiry 'Is Suicide a Solution?' , which Walz juxtaposes with reprints of actual suicide faits divers (sensationalist newspaper blurbs). Although surrealist interest in sensationalist popular culture eventually waned, this exploration of mass print culture as one of the cultural milieux from which surrealism emerged ultimately calls into question assumptions about the avant-garde origins of modernism itself.

#outer_postBodyPS { display: none; } #psGradient { display: none; } #psPlaceHolder { display: none; } #psExpand { display: none; } In addition to its more well known literary and artistic origins, the French surrealist movement drew inspiration from currents of psychological anxiety and rebellion running through a shadowy side of mass culture, specifically in fantastic popular fiction and sensationalistic journalism. The provocative nature of this insolent mass culture resonated with the intellectual and political preoccupations of the surrealists, as Robin Walz demonstrates in this fascinating study. "Pulp Surrealism" weaves an interpretative history of the intersection between mass print culture and surrealism, re-evaluating both our understanding of mass culture in early twentieth-century Paris and the revolutionary aims of the surrealist movement. "Pulp Surrealism" presents four case studies, each exploring the out-of the-way and impertinent elements which inspired the surrealists. Walz discusses Louis Aragon's "Le paysan de Paris", one of the great surrealist novels of Paris. He goes on to consider the popular series of "Fantomes" crime novels; the Parisan press coverage of the arrest, trial, and execution of mass-murderer Landru; and the surrealist inquiry 'Is Suicide a Solution?' , which Walz juxtaposes with reprints of actual suicide faits divers (sensationalist newspaper blurbs). Although surrealist interest in sensationalist popular culture eventually waned, this exploration of mass print culture as one of the cultural milieux from which surrealism emerged ultimately calls into question assumptions about the avant-garde origins of modernism itself.

Produktinformation

Gebundene Ausgabe: 220 Seiten
Verlag: Univ of California Pr (April 2000)
Sprache: Englisch
ISBN-10: 0520216199
ISBN-13: 978-0520216198
Gr��e und/oder Gewicht: 15,9 x 1,9 x 23,5 cm
Amazon Bestseller-Rang: Nr. 1.350.441 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Synopsis

In addition to its more well known literary and artistic origins, the French surrealist movement drew inspiration from currents of psychological anxiety and rebellion running through a shadowy side of mass culture, specifically in fantastic popular fiction and sensationalistic journalism. The provocative nature of this insolent mass culture resonated with the intellectual and political preoccupations of the surrealists, as Robin Walz demonstrates in this fascinating study. "Pulp Surrealism" weaves an interpretative history of the intersection between mass print culture and surrealism, re-evaluating both our understanding of mass culture in early twentieth-century Paris and the revolutionary aims of the surrealist movement."Pulp Surrealism" presents four case studies, each exploring the out-of the-way and impertinent elements which inspired the surrealists. Walz discusses Louis Aragon's "Le paysan de Paris", one of the great surrealist novels of Paris. He goes on to consider the popular series of Fantomes crime novels; the Parisan press coverage of the arrest, trial, and execution of mass-murderer Landru; and, the surrealist inquiry 'Is Suicide a Solution?'

, which Walz juxtaposes with reprints of actual suicide faits divers (sensationalist newspaper blurbs). Although surrealist interest in sensationalist popular culture eventually waned, this exploration of mass print culture as one of the cultural milieux from which surrealism emerged ultimately calls into question assumptions about the avant-garde origins of modernism itself.

Über den Autor

Robin Walz is Assistant Professor of History at the University of Alaska Southeast.

In diesem Buch (Mehr dazu)

Einleitungssatz
Toward the end of the first half of Le Paysan de Paris-that portion dedicated to the Opera Passageway-some of the owners of the arcade's shops got a peek at what surrealist Louis Aragon had been writing about them since the summer of 1924. Lesen Sie die erste Seite

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