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Properties of Light [Englisch] [Taschenbuch]

Rebecca Goldstein
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Produktinformation

  • Taschenbuch: 256 Seiten
  • Verlag: Mariner Books (14. November 2001)
  • Sprache: Englisch
  • ISBN-10: 0618154590
  • ISBN-13: 978-0618154593
  • Größe und/oder Gewicht: 21,8 x 13,9 x 1,6 cm
  • Durchschnittliche Kundenbewertung: 4.0 von 5 Sternen  Alle Rezensionen anzeigen (2 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 271.604 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Rebecca Goldstein
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Produktbeschreibungen

Amazon.com

For smarty-pants only. Rebecca Goldstein, who made her debut with The Mind-Body Problem, has written a romance about three physicists. The narrator, a young hotshot named Justin Childs, falls in love, first and foremost, with a little-known formula put together by Samuel Mallach back in the 1930s. Justin, a newly appointed professor, discovers that Mallach teaches at his university: "He was a burned-out star, they said (when they bothered to speak of him at all), although when he was little older than the twenty-three that Justin then was, Albert Einstein had confided in several colleagues that he regarded Samuel Mallach as his heir apparent." In the meantime, though, the old man and his work have fallen from favor, and he has retreated into quiet insanity: "Mallach's work, having been declared impossible, had passed unnoticed among men, and now Mallach himself had entirely forgotten it." Justin begins fantasizing about disinterring his work, and here's where the smarty-pants part comes in: "I had thought to propose to him that he and I might work together, together approach the formidable problem of merging quantum reality, now clarified through his work, with Einstein's truth. He had presented a realistic model of nonrelativistic quantum mechanics. The task now was to reconcile it with relativistic time."

Just when you're berating yourself for skipping Physics for Poets in college, though, the love story kicks in. Justin falls for Mallach's brilliant daughter. And slowly it dawns on him that Mallach is manipulating both of them: "He meant to get the glorious physics out from me." Each character wants nothing more than to solve Mallach's original problem; each character is destroyed in the process.

Properties of Light seamlessly interweaves problems of physics and problems of love. So when Justin says things like, "I assumed he spoke, of course, of the subatomic situation," many of us may feel a little lost. But this, perhaps, is Goldstein's strongest suit: she leads us up close to these heady ideas but always guides us back to more manageable emotional ground. She's firmly in control of both realms, and one suspects that her science scans as well as her prose. --Claire Dederer -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

From Booklist

Light baffles physicists and inspires poets, and Goldstein, author of five previous works of fiction, finds high drama in our struggle to comprehend its mutable properties. In this scintillatingly gothic and stylistically elegant tale she portrays three scientists caught in the conflict between their profession's alleged rationality and the mysticism kindled by contemplation of life's mysteries. Orphaned prodigy Justin Childs (read "just a child"), a very young professor, looks for a surrogate father in the brilliant and unjustly marginalized physicist Samuel Mallach (Hebrew for angel). The reclusive Mallach welcomes Justin into his home, where his unnervingly intelligent and beautiful daughter, Dana, seduces virginal Justin in the belief that their commingling of body and soul will help the three of them succeed where Einstein failed and reconcile relativity with quantum mechanics. But outside forces conspire against this strange trio, and their inquiry engenders anguish rather than revelation. Fluent in the lyricism of physics, the prescience of poetry, and the madness that erotic and intellectual obsessions can bring, Goldstein has created an enrapturing ontological ghost story and a thrillingly lucent tragedy. Donna Seaman
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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The Hidden Variable 18. September 2000
Format:Gebundene Ausgabe
I am a physicist with a Ph.D. from the University of California. I worked with Bohm in 1971. I take issue with the statements of the reviewer who wrote:

"The science doesn't work well, either. Bohm was not the unrecognized genius everybody wanted to destroy because he argued against die Copenhagians Heisenberg and, Bohr. His papers in the early Fifties were taken seriously and discussed at length. He was able to explain the larger picture behind his ideas in a 1957 booklet, "Causality and Chance in Modern Physics," a remarkable work I got for 85 cents in 1974. His physics just didn't work. First there was von Neumann's refutation of "hidden variables," then Bell's inequalities killed them for good - or at least for now. Goldstein's assessment in her Afterward, "For various reasons, none of them good, the formulation - and David Bohm - were dismissed," is simply untrue."

Whoever wrote the above is either deliberately lying or is ignorant of what he or she is talking about. "A little bit of knowledge is a dangerous thing."

Von Neumann's "theorem" did not destroy Bohm's theory. Indeed Bohm found an error in it. Von Neumann's theorem, at best only eliminates a very special class of "local hidden variables, and does not apply to Bohm's "causal theory". J. S. Bell discusses this explicitly in "Speakable and unspeakable in Quantum Mechanics" as do Bohm and Hiley in "The Undivided Universe". The misguided reviewer's remark "Bell's inequalities killed them for good" as applied to Bohm's theory is a complete Red Herring, ludicrously untrue.

If enough Amazon customers want details contact me at

sarfatti@well.com

This is not the place for detailed debate on the ideas, or is it?

The physics in Rebecca's book is accurate and well done. Readers of romance novels with a high IQ who are not brain-damaged with attention-deficit disorder from too many drugs should like it and also learn some important insights into how the universe works. This is not a novel for the Ersatz New Age Intelligenzia-Lite confusing skim milk for creme fraiche who get their wisdom watching Gary Zukav on "Oprah". :-)

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menage a trois 8. September 2001
Von Ein Kunde
Format:Gebundene Ausgabe
Salley Vickers' new book is called 'The Instances of Number 3'. Rebecca Goldstein seems to subscribe to the same philosophy, as tragedy comes in threes in 'Properties of Light', which features more car crashes than John Irving or J. G. Ballard can usually manage. 'Properties of Light' steers an uneasy course between literature and melodrama.

The beginning is poetic enough, with the references to Yeats and Blake that will resound throughout the novel. Unfortunately, these literary interjections, although very skilfully placed by Goldstein, are a reflection of the very American campus 'Physics for Poets' courses that make me want to smirk uncontrollably. Samuel Mallach has been reduced to teaching such a course. Once a brilliant physicist, whom Einstein regarded as his successor, Mallach regards himself as "destroyed" by the reception his work on "hidden variables" received. Thus does Rebecca Goldstein strive to fight the cause for reality, a curious thing for a novelist to do. Justin Childs is also summoned to the cause. The product of an unconventional childhood, and a brilliant mathematician, Justin comes across Mallach's seminal work and is duly inspired. There are a few coincidences that bring Justin Childs and Samuel Mallach together, mainly through Mallach's beautiful daughter, Dana. It's the Kevin Bacon game and the Six Degrees of Separation all over again. Certainly, the physicist with whom Justin also works seems to have got his name cobbled together from the film poster for 'Judgement at Nuremberg', starring Spencer Tracey and Marlene Dietrich. 'Spencer Dietrich', you come to think, may not be the best pseudonym for a Nazi on the run.

The language of 'Properties of Light' seems quite modern. There appears to be an essence of timelessness about the novel. We know that it's probably set in the early 70's, but no one's smoking dope or saying "Peace Man!" 'Properties of Light' is nowhere near as humourous as 'Boogie Nights'. It's also rather dark and heavy, more akin to strange matter than a solar flare. The physics is quite hard going, so it's something of a relief to discover that Mallach is somewhat of an eccentric in his sexual habits. Justin is disgusted to discover that the otherwise rational Dana fully believes in the Kundalini mumbo jumbo that spouts forth from the Self-help books of her late mother. Justin is very willing to help Samuel Mallach complete his work, to produce the mathematical proof for his contentious physics, but the way that Mallach believes that the knowledge will be drawn out of Dana and Justin is most unusual.

Both Justin's parents were killed in a car crash, leaving him an orphan. Dana's eccentric mother was also killed in a car crash. Part of Mallach's work is that apparently distant particles can have an effect on each other. So it is that an announcement from Stockholm sends Mallach into a mad frenzy that threatens to undo all their work...

Rebecca Goldstein has mentioned elsewhere that only she could have written 'Properties of Light', and I would agree with that. Certainly, her husband, Sheldon Goldstein, a mathematician at Rutgers, has written a great deal about David Bohm, upon whom Samuel Mallach is based. Maybe Sheldon Goldstein has his own biases, since David Bohm certainly dated the author of 'The Feminine Mystique', Betty Goldstein (a relative perhaps?). Like Mallach, David Bohm did find complementarity with certain Eastern beliefs (along with Schrodinger). Mallach's name is taken from the Hebrew for "Angel", and maybe Goldstein's referring to Lucifer rather than Gabriel. Dana is also described as "this Pharaoh's girl". Maybe there is a tyrant hiding beneath Mallach's seemingly placid nature? Justin certainly regards him as a king of Physics. David Bohm himself seems to have been closer to Philosophy than Physics, and Goldstein has a philosophical basis herself. To a certain extent, Bohm mistrusted mathematical proofs, so it's not entirely realistic that he would have sought out a mathematician like Justin Childs to validate his work once and for all.

'Properties of Light' has been described as a Gothic novel, and I believe that this is where it falls down. The gothic melodrama is more akin to the risible antics of 'The Castle of Otranto' rather than the racy excitement of Matthew Lewis's 'The Monk'. The drama of 'Properties of Light' is simply light years away from Hamlet, and the book is only occasionally rewarding. The Hitch Hikers Guide to the Galaxy's approach to life, the universe, and everything is so much more fun, and you can always stick a Babel Fish in your ear to comprehend the more difficult parts. Rebecca Goldstein tries to do too much in 'Properties of Light': you can admire her bravery, but you wouldn't want to go there yourself.

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In my opinion 23. September 2000
Von Philip S. Brody - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
I truly enjoyed "The mind body problem" and therefore was quick to obtain and try to read the new novel. I found the first half of the novel difficult to read, not because of the physics but because of the writing was, at least in the first portion, complicated, indirect and overly intense. It is supposed to be poetic; poetry as well as quantum mechanics is a theme of the book but the faux poetic language didn't really work for me. One nice romantic poetic image, when Justin Childs sees the novel's heroine in a mirror, was relentlessly repeated. Also, most importantly, I didn't understand the viewpoint (literally) of the primary protagonist, Justin Childs. The book succeeds though in the second half where the mystery of the events unravels. The ending works well and is far from anti-climatic, which I find of common fault of many novels and even "mysteries". The writing becomes more direct as the novel proceeds; as it ends, the book easy to put down at first, becomes difficult to put down. Thus, it succeeds as entertainment and I would recommend the book as a somewhat difficult but enjoyable read.

The physicist, David Bohm, is oddly grafted onto the novel in an afterward which should not have been included. An attempt to develop a deterministic "hidden variables theory" to replace or possibly extend quantum mechanics is the scientific theme of the book. The author relates this to the work of David Bohm though makes it clear that the story itself is in no way the story of David Bohm. Excepting that she does describe the rejection of a major theoretical development in physics by protégé of Albert Einstein "for no good reason" which resulted in him being "buried alive." Her conclusion, to this effect, is overly dramatic. In my opinion it distorts the work and history of David Bohm, and its relation to the views, by implication, of Einstein's, with respect to interpreting quantum theory in deterministic terms (the hidden variables approach). In a letter to Max Born in 1952 ("The Born-Einstein Letters" Walker, NY, 1971) Einstein notes " that Bohm believes (as de Broglie did...) that he is able to interpret quantum mechanics in deterministic terms" but "That way seems too cheap to me." Born in a comment written in about 1969, writes that Bohm's and de Broglie's attempts, although in line with Einstein's own ideas, was rejected by him as too cheap and that one hardly hears about them today (written after, as I understand, Bohm did further serious work in this area).

One does hear about them today because theoretical physicists have never ceased in their desire for a deterministic substitute for the probabilistic quantum mechanics that would extend the capabilities of the theory or at least allow for a better physical picture. Bohm's work was taken seriously but rejected, not for "no good reason" but for the good reason that it really didn't seem to help -neither did it seem to harm. Physicist are eminently practical and would not have looked a "gift horse in the mouth" Bohm was not forgotten, had a successful career as a physicist in England and would object to Dr. Goldstein's characterizations were he alive to do so. He was a professor at the University of London, a member of the Royal Society, and a respected theoretical physicist. His views were sought after by giants in the development of physics, for example, Richard Feynman. He was a deep thinker concerned with philosophical aspects of quantum mechanics. I found 42 items connected with David Bohm in the Amazon.com webpages. He fled the United States not because his scientific ideas were rejected but because of politics and the McCarthy scare of the early fifties.

I thought the picture of the "Bohm" personality in the novel must have been, in part, derived by the author, rather successfully so, from the "Phantom of Fine Hall " phase of the life of mathematician and economics Nobel prize winner, John Nash, as described in the 1998 biography by Sylvia Nasar.

For all my complaints, I liked the novel and look forward to more from Rebecca Goldstein. I don't look a gift horse in the mouth.

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I tried to like this more than I did... 6. Oktober 2004
Von kattepusen - Veröffentlicht auf Amazon.com
Format:Taschenbuch
This is the third book I have read of Rebecca Goldstein (the others were "The Mind-Body Problem, which I enjoyed immensely, and The Late Summer Passion of a Woman of Mind", which was also enjoyable, but far from the level of the former).

I did like aspects of this book as well, but overall it somewhat dissapointed me.

It is written in a much more mysterious tone than the other two books; however, it seemed rather forced... The language is also often quite complex (and not just due to the subject matter - quantum mechanics), but it has been a long time since I had to look up so many words. Not that liguistic complexity in writing is necessarily bad, but when there are perfectly useable simpler synonyms for everyday words, it seems a bit artificial to use dictionary-only words...

Overall, I found the descriptions of the physics department dynamics the most fascinating and focused part of this book, the characters and their mysterious interactions less so. And the Love Story - well, frankly it seemed too forced and too convenient for the story. Furthermore, it does not help that the language describing their love making sessions is a bit Danielle Steele-like...A great contrast to the bitter-sweet love stories of her other two books.

I did like some of the quantum mechanics descriptions - I mean, what a hard subject to tackle for a fiction novel! I remember being fascinated with the Measurement Problem when I took courses in physics years ago, and I must give Goldstein credit for incorporating highly readable extracts of such conundrums (even though I sort of doubt I would have been able to follow if I had never taken a physics class in my life).

Finally, I doubt I would recommend this book to people who has had no background in the hard sciences, and if they did - I would be worried about recommending such a cheesy love story, no matter how mysteriously the language flows... If you are reading Goldstein for the first time, pick up a copy of the delightfully clever Mind-Body Problem.
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I loved this book! 9. Oktober 2000
Von Ein Kunde - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
I just finished my dissertation (in physics) and was looking to relax by reading some fiction. A friend suggested that Properties of Light might be a nice transition from the straight physics. Is it just that it's been so long since I've read a novel, or is this book pure bliss? I enjoyed every last bit of it, and was particularly surprised by how accurate her presentation of the physics involved was. I must admit that I have been interested in the physicist David Bohm (whom the character of Mallach is inspired by) and his mysteriously ignored interpretation of quantum mechanics since my undergraduate days, and have always thought it would make a good novel. There are so many deep questions here: why wouldn't the scientific community want to adopt a theory that seems like such a better candidate for the truth? How could it be that scientists seem so to prefer the mysterious and ineffable, to the straightforward and easily explained? Though Goldstein is careful to point out that the character Mallach is very different from Bohm in many ways and the dramatic twists and turns of her book are entirely fictional, Mallach's physics is nearly the same as Bohm's and she manages to get to the core of the real-life physics story, and deal with these deep questions, in an incredibly skillful way.
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