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Producing Great Sound for Digital Video (DV Expert Series) [Englisch] [Taschenbuch]

Jay Rose (Autor)
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Kindle Edition EUR 24,48   -- --
Taschenbuch EUR 36,99   -- --
Taschenbuch, 1. Dezember 2002 --   -- --
Dieses Buch gibt es in einer neuen Auflage:
Producing Great Sound for Film and Video (DV Expert Series) Producing Great Sound for Film and Video (DV Expert Series)
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Produktinformation

  • Taschenbuch: 428 Seiten
  • Verlag: Mcgraw-Hill Professional; Auflage: 2. A. (1. Dezember 2002)
  • Sprache: Englisch
  • ISBN-10: 1578202086
  • ISBN-13: 978-1578202089
  • Größe und/oder Gewicht: 23,4 x 18,5 x 3,3 cm
  • Durchschnittliche Kundenbewertung: 4.8 von 5 Sternen  Alle Rezensionen anzeigen (4 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 652.627 in Englische Bücher (Siehe Top 100 in Englische Bücher)

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Jay Rose
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Produktbeschreibungen

Amazon.co.uk

Producing Great Sound for Digital Video educates beginning and experienced filmmakers on the intricacies of creating an outstanding soundtrack, from pre-production planning through the final mix.

The entire book is fascinating and is packed with useful information and tips. The book presents solutions to show-stopping problems that, because of lack of experience, a filmmaker wouldn't realise until getting to the editing room. Other critical issues such as pre-production planning, the art of production and recording (including environmental factors and microphone setups), and post-production editing and effects are also discussed.

The advent of low-cost, high-quality video production equipment has ushered in the birth of AV producers and AV presenters who have grand intentions but negligible experience. Digital cameras, inexpensive computers capable of capturing and playing back high-quality digital video, and full-featured editing software offer all kinds of ways to create visual eye candy, but embryonic filmmakers don't always realise that the picture is only half the story. Producing Great Sound for Digital Video explains how the other half works, what to watch out for, and how to achieve professional results. --Mike Caputo -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .

Amazon.com

Producing Great Sound for Digital Video educates beginning and experienced filmmakers on the intricacies of creating an outstanding soundtrack, from preproduction planning through the final mix.

The entire book is fascinating: it's absolutely packed with useful information and tips. Most of us remember learning in high school physics that sound travels about 1,100 feet per second, but besides gauging the location of a lightning bolt from how long it takes for the thunder to reach our ears, we never found it useful. Imagine, however, shooting a scene from about 90 feet away with a camera-mounted microphone. In this scenario, the audio will lag behind the image by about three frames--not much, but it's certainly noticeable. The problem gets worse as the distance increases. The workaround is to put a microphone next to the subject or slide the audio track so that it syncs with the images.

The book presents other solutions to showstopping problems that, because of lack of experience, a filmmaker wouldn't realize until getting to the editing room. Other critical issues such as preproduction planning, the art of production and recording (including environmental factors and microphone setups), and post-production editing and effects are also discussed.

The advent of low-cost, high-quality video production equipment has ushered in the birth of AV producers and AV presenters who have grand intentions but negligible experience. Digital cameras, inexpensive computers capable of capturing and playing back high-quality digital video, and full-featured editing software offer all kinds of ways to create visual eye candy, but embryonic filmmakers don't always realize that the picture is only half the story. Producing Great Sound for Digital Video explains how the other half works, what to watch out for, and how to achieve professional results. --Mike Caputo -- Dieser Text bezieht sich auf eine andere Ausgabe: Taschenbuch .

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Einleitungssatz
If you're hearing a specific problem in your project and need to find out how to fix it in a hurry, this section of Frequently Asked Questions is for you. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis
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Get this book! 27. März 2000
Format:Taschenbuch
Having enjoyed Jay Rose's columns in DV for some years, I was happy to know that he had a book coming out. Jay's style has always been clean and conversational, and his columns filled with good information. I was sort of expecting the book to be a collection of his previous DV articles, but I was happily suprised to find that it was an entirely new work covering the gamut from the physics of sound through the production process and on into how to deal with talent.

Jay provides information in an extremely easy-to-understand manner without being patronizing. The information he provides is practical, do-it-yourself kinda stuff that takes the mystery out of getting great sound. He also provides information on the when and why of making creative choices, which is much needed information for the audio professional. The only problem I have is with the title; this book provides very useful information for independent filmmakers, radio theater producers, and anyone who works with audio as a part of their craft. Highly recommended for anyone wanting to get better sound for any production.

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Jay Rose delivers 12. Februar 2000
Format:Taschenbuch
I am convinced that audio is the biggest diference between professional productions and home video. People will "watch" anything, but if the audio is bad the whole project is bad. Jay Rose makes it clear how to get the best sound tracks you can get on video and how to make them better in post production. This book covers everything needed, and the CD is actually filled with useful sound clips. In just a few days I learned what I was doing wrong and how my projects could be much better. I found the book very well written as well. If you produce digital vidio, this book is a must.
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A useful reference 26. Januar 2000
Format:Taschenbuch
I've read this book several times, page through it often, recommended it to several people, and I just bought it. I listened to the CD included with the book---very fun, except for the test signals, which are annoying. I know they're useful, but you can't dance to 'em, ha ha.

The book is enjoyable and helpful. The real strength, I think, is that Jay keeps returning to the need to think ahead: a script needs to be scored with music, sound effects and flavors of microphones through mic choice and placement, prior to being shot.

Everybody knows it and nobody does it. Well, from this day forward, I will soundboard my projects. It'll save me money, time and Jay's convinced me it'll be fun.

Denise Ohio

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