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Deanna Wolfe, a reclusive wildlife biologist, wanders the mountain trails and watches a den of coyotes, while becoming involved with a young hunter; Lusa Maluf Landowski, who loves moths, finds herself mourning her farmer husband, surrounded by his relations and their children. Even those past child-bearing age, like grumpy old Garnett and his feisty neighbour Nannie wrangle over pesticides and weeds, and then succumb to love. All around them flowers bloom and trees blossom. It is a beautifully observed novel, reminiscent of the work of Annie Dillard and Rachel Carson. Deanna says: "So much detail goes unnoticed in the world" but Kingsolver has used her biologist eye to see even the smallest thing. Pulsing fire flies, the powdery scales on a moth's body, cub coyotes playing like swimming dolphins are caught in her gaze. The characters in thrall to their hormones and their hearts are regarded with the same attention.
Prodigal Summer is a hugely involving novel, written with a graceful compassion for all living things and their vital interactions with each other, making it a joy to read. Kingsolver's previous novels include The Poisonwood Bible, The Bean Trees and Pigs in Heaven. --Eithne Farry -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Exuberant, lush, riotous--the summer of the novel is "the season of extravagant procreation" in which bullfrogs carelessly lay their jellied masses of eggs in the grass, "apparently confident that their tadpoles would be able to swim through the lawn like little sperms," and in which a woman may learn to "tell time with her skin." It is also the summer in which a family of coyotes moves into the mountains above Zebulon Valley:
The ghost of a creature long extinct was coming in on silent footprints, returning to the place it had once held in the complex anatomy of this forest like a beating heart returned to its body. This is what she believed she would see, if she watched, at this magical juncture: a restoration.The "she" is Deanna Wolfe, a wildlife biologist observing the coyotes from her isolated aerie--isolated, that is, until the arrival of a young hunter who makes her even more aware of the truth that humans are only an infinitesimal portion in the ecological balance. This truth forms the axis around which the other two narratives revolve: the story of a city girl, entomologist, and new widow and her efforts to find a place for herself; and the story of Garnett Walker and Nannie Rawley, who seem bent on thrashing out the countless intimate lessons of biology as only an irascible traditional farmer and a devotee of organic agriculture can. As Nannie lectures Garnett, "Everything alive is connected to every other by fine, invisible threads. Things you don't see can help you plenty, and things you try to control will often rear back and bite you, and that's the moral of the story."
Structurally, that gossamer web is the story: images, phrases, and events link the narratives, and these echoes are rarely obvious, always serendipitous. Kingsolver is one of those authors for whom the terrifying elegance of nature is both aesthetic wonder and source of a fierce and abiding moral vision. She may have inherited Thoreau's mantle, but she piles up riches of her own making, blending her extravagant narrative gift with benevolent concise humor. She treads the line between the sentimental and the glorious like nobody else in American literature. --Kelly Flynn -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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What is a prodigal summer? The author describes it as the "season of extravagant procreation" and, from that point, the story begins. This procreation will be experienced by all different forms of life found within these pages.
Kingsolver, who so beautifully told her Poisonwood Bible story through the eyes of the four daughters and their mother, uses this same writing style once again in Prodigal Summer. This time though, the chapters aren't headed with the characters' names but instead are indicated by their particular field of interest.
The Predators section describes Deanna Wolfe, working for the forest service and living by herself in an isolated cabin. She has also penned a thesis on coyotes and it's her dream to come across this predator in her small world in the Appalachian Mountains.
Moth Love is devoted to Lusa Landowski, a young, beautiful city girl who has studied entomology and is now a bug expert and lover. She also inherits a farm and has to decide whether to stay in Zebulon Valley and commit to that lifestyle or return to Lexington, Kentucky.
Old Chestnuts explores the relationship between Garnett Walker, an 80 year old widow, and his love affair with the chestnut tree. During his lifetime, he is trying to recreate this almost extinct tree type within his Zebulon Valley region. Added to this mission is his love/hate relationship with his neighbor, 75 year old Nannie Rawley, and owner of an organic apple orchard.
Midway through the book, the connections between these individuals begin to surface as you know they would. Just as subtly, the connections between the underlying characters and their particular love of nature is explored. How to poison things without using poison? How predation is a sacrament? How birds never doubt their place at the center of the universe? How moths speak to each other via scent? How every quiet step is thunder to beetle life underfoot? These are just a fraction of the questions Kingsolver poses -- all the answers lie within these pages.
Barbara Kingsolver once again leaves the reader with food for thought. I guarantee that, after reading this book, you will never look at a moth the same way as you did before and probably won't kill another spider. For as she explains, "every choice is a world made new for the chosen." So if you, as the predator, choose not to kill a lesser life form, there begins a new life for that "prey" or that chosen species.
Since I would never categorize myself as someone who is "into nature", on an enjoyment scale I would only have rated this book with four stars. The fact that it is so well-written, with fabulous character development, well-researched content, and extraordinary subject knowledge by the author, it positively deserves a five star rating.
Kingsolver follows the lives of three characters during a particularly lush, hot summer in Appalachia, where American chestnuts and red wolves once flourished. Deanna, the forest ranger, is caught between her lover and protecting the den of coyotes he wants to locate and destroy. In the valley below, the recently widowed Lusa struggles with the ill will of her in-laws as she searches for ways to keep the family land her husband left her. And in another section of farmland, elderly Garnett feuds with Nannie over Nannie's organic farming methods, which Garnett disdains and sees as a threat to his own reputation and methods. Lusa's story is the most compelling, perhaps because Kingsolver reserves most of her opinions about the care of the environment for the other two tales, instead focusing on more personal matters. Still, the other two are told well, with strong, flowing prose. Kingsolver connects these three points-of-view mostly by the land they inhabit, but also by past histories. Although the main characters live out their dramas in isolation from the others, their lives touch upon one another in subtle ways and understandings.
This novel is heavily thematic, even occasionally dogmatic, so if this kind of writing leaves you cold, don't waste your money. However, if you're the type who likes a fictional journey coupled with political issues, this may be exactly what you're looking for. People interested in environmental issues as well as those interested in Kingsolver's progress as a novelist should read this book.
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