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THE NEW YORK TIMES BESTSELLER—NOW AN EYE-POPPING GRAPHIC NOVEL OF MANNERS, MORALS, AND BRAIN-EATING MAYHEM
It is known as “the strange plague,” and its unfortunate victims are referred to only as “unmentionables” or “dreadfuls.” All over England, the dead are rising again, and now even the daughters of Britain’s best families must devote their lives to mastering the deadly arts. Elizabeth Bennet is a fearsome warrior whose ability with a sword is matched only by her quick wit and even sharper tongue. But she faces her most formidable foe yet in the haughty, conceited, and somehow strangely attractive Mr. Darcy. As the two lovers meet in the ballroom and on the battlefield, they’ll soon learn that nothing—not even bands of ninjas, hordes of flesh-eating zombies, or disapproving aunts—can stop true love.
It is known as “the strange plague,” and its unfortunate victims are referred to only as “unmentionables” or “dreadfuls.” All over England, the dead are rising again, and now even the daughters of Britain’s best families must devote their lives to mastering the deadly arts. Elizabeth Bennet is a fearsome warrior whose ability with a sword is matched only by her quick wit and even sharper tongue. But she faces her most formidable foe yet in the haughty, conceited, and somehow strangely attractive Mr. Darcy. As the two lovers meet in the ballroom and on the battlefield, they’ll soon learn that nothing—not even bands of ninjas, hordes of flesh-eating zombies, or disapproving aunts—can stop true love.
Über den Autor
Tony Lee
A writer for over twenty years in television, radio and magazines, for the last six Tony has worked extensively in comics, writing for such licenses as X-Men, Spider Man, Starship Troopers, Wallace & Gromit, Shrek and Doctor Who. His critically acclaimed graphic novel ‘Outlaw: The Legend Of Robin Hood’ has been announced as a Junior Library Guild Selection for 2009.
In addition, he has adapted books by a variety of bestselling authors including Anthony Horowitz and G.P Taylor and has continued both Oliver Twist and Dracula in graphic novel format. He lives in London.
Cliff Richards
Cliff Richards, a veteran artist best known for his five-year run on the Buffy the Vampire Slayer comics series, will illustrate the graphic novel. He has also worked on several projects for other comics publishers, including Birds of Prey, Huntress, and Wonder Woman for DC Comics, and Rogue, Excalibur, and New Thunderbolts for Marvel Comics.
A writer for over twenty years in television, radio and magazines, for the last six Tony has worked extensively in comics, writing for such licenses as X-Men, Spider Man, Starship Troopers, Wallace & Gromit, Shrek and Doctor Who. His critically acclaimed graphic novel ‘Outlaw: The Legend Of Robin Hood’ has been announced as a Junior Library Guild Selection for 2009.
In addition, he has adapted books by a variety of bestselling authors including Anthony Horowitz and G.P Taylor and has continued both Oliver Twist and Dracula in graphic novel format. He lives in London.
Cliff Richards
Cliff Richards, a veteran artist best known for his five-year run on the Buffy the Vampire Slayer comics series, will illustrate the graphic novel. He has also worked on several projects for other comics publishers, including Birds of Prey, Huntress, and Wonder Woman for DC Comics, and Rogue, Excalibur, and New Thunderbolts for Marvel Comics.
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Die hilfreichsten Kundenrezensionen
1 von 1 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Schon die Romanvorlage zu diesem Comic hatte mich aufgrund des amüsanten Titels neugierig gemacht. Ich habe mir dann jedoch einige Rezensionen durchgelesen und beschlossen, das Buch nicht zu kaufen. "Nur" der Originaltext mit einigen Zombieeinschüben erschien mir dann doch etwas zu wenig. (Dazu muss ich auch sagen, dass ich an Jane Austen bisher wirklich nicht heran gekommen bin - die Sprache war mir zu affektiert, die Thematik zu schmalzig.)
Heute stand ich in der Buchhandlung dann vor der Comic-Adaption und war sofort von der Idee sowie dem Zeichenstil begeistert. Als Comic ist die Story absolut perfekt - ein Mix aus actionreicher Zombiejagd (nichts für zarte Gemüter, da fliegen reichlich Leichenteile) und einer ergreifenden viktorianischen Liebesgeschichte. Dabei kommen immer dann, wenn man meint, es wird zu schnulzig, entweder Zombies oder unerwartet blutrünstige Kommentare - und umgekehrt bilden die ruhigeren Dialogszenen einen wunderbaren Kontrast zum Zombie-Setting und verleihen dem Comic einen ernsthaften und bodenständigen Touch.
Die nötige Coolness für einen guten Comic kommt durch die Ausbildung der 5 Bennett-Töchter als Zombiejägerinnen, versiert in Schusswaffen, Kung-Fu und Schwertkampf. Die unterschiedlichen Interessen der Eltern - Mr. Bennett wünscht, dass seine Töchter herausragende Kämpferinnen sind, Mrs. Bennett will sie endlich verheiratet sind - beflügeln die inneren Konflikte der Protagonistinnen und macht die Figuren trotz des zunächst "absurden" Settings greifbar.
Ich habe mir nach der Lektüre des Comics zum Vergleich die Handlung des Jane-Austen-Originals durchgelesen und wage zu behaupten, dass die Geschichte durch das andere Setting an einigen Stellen sogar an Dramatik gewinnt. Der Tod ist in diesem England allgegenwärtig, etwa wenn Freunde der Familie an der Zombie-Infektion erkranken. Mr. Darcys "Deal" mit Mr. Wickham gegen Ende ist um einiges dramatischer.
Am Ende siegt zumindest bei den Beziehungen das Gute. Und was ist romantischer als zu zweit auf Zombiejagd zu gehen?
Heute stand ich in der Buchhandlung dann vor der Comic-Adaption und war sofort von der Idee sowie dem Zeichenstil begeistert. Als Comic ist die Story absolut perfekt - ein Mix aus actionreicher Zombiejagd (nichts für zarte Gemüter, da fliegen reichlich Leichenteile) und einer ergreifenden viktorianischen Liebesgeschichte. Dabei kommen immer dann, wenn man meint, es wird zu schnulzig, entweder Zombies oder unerwartet blutrünstige Kommentare - und umgekehrt bilden die ruhigeren Dialogszenen einen wunderbaren Kontrast zum Zombie-Setting und verleihen dem Comic einen ernsthaften und bodenständigen Touch.
Die nötige Coolness für einen guten Comic kommt durch die Ausbildung der 5 Bennett-Töchter als Zombiejägerinnen, versiert in Schusswaffen, Kung-Fu und Schwertkampf. Die unterschiedlichen Interessen der Eltern - Mr. Bennett wünscht, dass seine Töchter herausragende Kämpferinnen sind, Mrs. Bennett will sie endlich verheiratet sind - beflügeln die inneren Konflikte der Protagonistinnen und macht die Figuren trotz des zunächst "absurden" Settings greifbar.
Ich habe mir nach der Lektüre des Comics zum Vergleich die Handlung des Jane-Austen-Originals durchgelesen und wage zu behaupten, dass die Geschichte durch das andere Setting an einigen Stellen sogar an Dramatik gewinnt. Der Tod ist in diesem England allgegenwärtig, etwa wenn Freunde der Familie an der Zombie-Infektion erkranken. Mr. Darcys "Deal" mit Mr. Wickham gegen Ende ist um einiges dramatischer.
Am Ende siegt zumindest bei den Beziehungen das Gute. Und was ist romantischer als zu zweit auf Zombiejagd zu gehen?
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10 Rezensionen
12 von 15 Kunden fanden die folgende Rezension hilfreich
A zombie in possession of brains...
18. Mai 2010
Format:Taschenbuch
Everybodu knows about "Pride and Prejudice and Zombies" -- Jane Austen's classic comedy of manners, zombies and ninjas, blah blah blah. Unfortunately, the book doesn't really translate well into a graphic novel -- it falls completely flat because of the patchy editing and some of the laziest artwork I've ever seen, which ends up confusing an otherwise enjoyable spoof.
You know the drill: the Bennett family is in an uproar when wealthy Mr. Bingley moves into the neighborhood, and Mrs. Bennett is especially happy when he takes a liking to the eldest Bennett daughter Jane. At the same time, Elizabeth matches wits with the haughty Mr. Darcy, rebuffs her toadyish cousin Mr. Collins, and befriends the hunky flirty Mr. Wickham (who claims to have been wronged by Wickham). Scandals, weddings and nasty old bats ensue.
However, this isn't exactly the Jane Austen story one would expect. England is overrun by a plague that turns people into shambling zombies. The Sisters Bennet are deadly Shaolin-trained warriors (Lizzle "has something more of the killer instinct than her sisters"), Lady Catherine is a feared zombie-slayer with an army of ninjas, balls are crashed by the undead, and Charlotte Lucas accepts Mr. Collins' proposal after she's infected by the zombie plague. I guess marriage to the professional toady isn't quite as bad as becoming a zombie.
"Pride and Prejudice and Zombies" was the start of the current ongoing fad for adding zombies, sea monsters, werewolves, vampires and other horror tropes to classic literature. It actually seems like a really cool idea for a graphic novel, but unfortunately the result is a hastily slapped-together cash-in -- and the biggest problem is the artwork.
The concept is still pretty cool, and of course the dialogue is pretty hilarious ("I prefer a great many things to cards, Mr. Hurst. Not the least of which is the sensation of a newly sharpened blade as a punctures the round belly of a man"). But the editing is rather patchy, jumping quickly from scene to scene.
And the artwork is just TERRIBLE. The character designs look realistic and well-proportioned, and there are some very gross action scenes included. BUUUUUUUTTTT.... the artwork is abysmally lazy and halfhearted -- it literally looks like somebody started sketching out the artwork in pencil, decided, "Eh, this is good enough. I'll just release these rough sketches," and slapped together the graphic novel on the spot. It literally looks unfinished! Would it have killed the publishers to include some ink?
Additionally, both men and women look way too similar -- Lizzie, Lydia and Mrs. Bennett (yes, Mrs Bennett!) are almost identical, and I have trouble telling Darcy from Bingley or Wickham. I can only tell Jane apart from the other girls because she has dark hair, and Charlotte because she... well, never mind.
"Pride and Prejudice and Zombies: The Graphic Novel" is as disappointing as Sir William's zombie-slaying abilities -- while the story is diverting, the haphazard artwork is absolutely disastrous. Avoid this as you would the unmentionables.
You know the drill: the Bennett family is in an uproar when wealthy Mr. Bingley moves into the neighborhood, and Mrs. Bennett is especially happy when he takes a liking to the eldest Bennett daughter Jane. At the same time, Elizabeth matches wits with the haughty Mr. Darcy, rebuffs her toadyish cousin Mr. Collins, and befriends the hunky flirty Mr. Wickham (who claims to have been wronged by Wickham). Scandals, weddings and nasty old bats ensue.
However, this isn't exactly the Jane Austen story one would expect. England is overrun by a plague that turns people into shambling zombies. The Sisters Bennet are deadly Shaolin-trained warriors (Lizzle "has something more of the killer instinct than her sisters"), Lady Catherine is a feared zombie-slayer with an army of ninjas, balls are crashed by the undead, and Charlotte Lucas accepts Mr. Collins' proposal after she's infected by the zombie plague. I guess marriage to the professional toady isn't quite as bad as becoming a zombie.
"Pride and Prejudice and Zombies" was the start of the current ongoing fad for adding zombies, sea monsters, werewolves, vampires and other horror tropes to classic literature. It actually seems like a really cool idea for a graphic novel, but unfortunately the result is a hastily slapped-together cash-in -- and the biggest problem is the artwork.
The concept is still pretty cool, and of course the dialogue is pretty hilarious ("I prefer a great many things to cards, Mr. Hurst. Not the least of which is the sensation of a newly sharpened blade as a punctures the round belly of a man"). But the editing is rather patchy, jumping quickly from scene to scene.
And the artwork is just TERRIBLE. The character designs look realistic and well-proportioned, and there are some very gross action scenes included. BUUUUUUUTTTT.... the artwork is abysmally lazy and halfhearted -- it literally looks like somebody started sketching out the artwork in pencil, decided, "Eh, this is good enough. I'll just release these rough sketches," and slapped together the graphic novel on the spot. It literally looks unfinished! Would it have killed the publishers to include some ink?
Additionally, both men and women look way too similar -- Lizzie, Lydia and Mrs. Bennett (yes, Mrs Bennett!) are almost identical, and I have trouble telling Darcy from Bingley or Wickham. I can only tell Jane apart from the other girls because she has dark hair, and Charlotte because she... well, never mind.
"Pride and Prejudice and Zombies: The Graphic Novel" is as disappointing as Sir William's zombie-slaying abilities -- while the story is diverting, the haphazard artwork is absolutely disastrous. Avoid this as you would the unmentionables.
3 von 3 Kunden fanden die folgende Rezension hilfreich
Pretty Decent
15. Juli 2010
Format:Taschenbuch|Von Amazon bestätigter Kauf
I'm a Pride and Prejudice fanatic and I had to have this for my collection. It follows the Pride and Prejudice and Zombies novel quite well and it was fun to see it in graphic novel form.
3 von 4 Kunden fanden die folgende Rezension hilfreich
Review of Pride and Prejudice, The Graphic Novel
19. Juli 2010
Format:Taschenbuch
Note: I haven't read either the original work by Austen, or the novel with Zombies.
I genuinely enjoyed this take on Victorian Britain, and what I assume to be a pleasing satire of Jane Austen's original novel. As I read, I worked to construct possible parallels that might cover for original pieces of Austen. The comic is funny, consistent, and (thanks to Austen) features great characters and a fitting end.
I don't understand why they didn't bother to ink the comic. Does Jane Austen really need to be in black and white? Also, this is a very talky comic, with plenty of dialogue on every page; I prefer something more fast-paced, though you may prefer the detailed plot an adaption like this offers.
I genuinely enjoyed this take on Victorian Britain, and what I assume to be a pleasing satire of Jane Austen's original novel. As I read, I worked to construct possible parallels that might cover for original pieces of Austen. The comic is funny, consistent, and (thanks to Austen) features great characters and a fitting end.
I don't understand why they didn't bother to ink the comic. Does Jane Austen really need to be in black and white? Also, this is a very talky comic, with plenty of dialogue on every page; I prefer something more fast-paced, though you may prefer the detailed plot an adaption like this offers.
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