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Amazon.co.uk
As the title of this little book suggests, each of the postcards that fill its pages is, in a sense, quite boring. Stale, often dully composed images of corporate headquarters, roadways, bus station parking lots, convalescent home dayrooms, hospital cafeterias and undistinguished motels. But look carefully and the cards--culled from the collection of artist Martin Parr-- are filled with fascinating little details. As a group, they offer readers the interesting opportunity to puzzle over the collective psyche of the people of the 1950s and 60s (the approximate vintage of the images) who were inclined to create, buy and send these cards. What, one can't help but wonder, could be so scintillating about a room at the Forte Excelsior Motor Lodge near Pontefract, Yorkshire? The singular force of the orange bedspreads, carpet, drapes and walls punctuated by the inexplicably white leather upholstered panel attached to the wall unit behind each of the room's beds. The exterior of the Mirfield Modern School, shot at a distance and unimaginatively placed dead in the centre of the grey sky and green playing field? The building's Bauhaus-like lines. The tarmac of Luton Airport? The pink jumbo jet being towed into the frame from the left. The uniformly shaped trailers parked at the Freshwater Caravan Camp? The hand-written X that presumably marks the sender's location? The chalets at Llandanwg? Arguably, not much. The few 100 images here, unfettered by any explanatory text, offer a far from dull diversion for any readers interested in mid-century design or the mundane details of daily life. --Jordana Moskowitz
-- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
Amazon.com
As the title of this little book suggests, each of the postcards that fill its pages is, in a sense, quite boring. Stale, often dully composed images of corporate headquarters, roadways, bus-station parking lots, convalescent-home dayrooms, hospital cafeterias, and undistinguished motels. But look carefully, and the cards--culled from the collection of artist Martin Parr--are filled with fascinating little details. As a group, they offer readers the interesting opportunity to puzzle over the collective psyche of the people of the 1950s and '60s (the approximate vintage of the images) who were inclined to create, buy, and send these cards. What, one can't help but wonder, could be so scintillating about a room at the Fortes Excelsior Motor Lodge near Pontefract, Yorkshire? The singular force of the orange bedspreads, carpet, drapes, and walls punctuated by the inexplicably white leather upholstered panel attached to the wall unit behind each of the room's beds. The exterior of the Mirfield Modern School, shot at a distance and unimaginatively placed dead in the center of the gray sky and green playing field? The building's Bauhaus-like lines. The tarmac of Luton Airport in London? The pink jumbo jet being towed into the frame from the left. The uniformly shaped trailers parked at the Freshwater Caravan Camp? The handwritten X that presumably marks the sender's location. The Chalets at Llandanwg? Arguably, not much. The few hundred images here, unfettered by any explanatory text, offer a far from dull diversion for any readers interested in mid-century design or the mundane details of daily life. --Jordana Moskowitz
-- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.
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2 von 2 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
Mein Lieblingsbuch.
Die Postkarten sind an sich echt langweilig. Da sie aber u.a. aus den sechzigern stammen, wirken sie schon wieder stylisch. Immer wenn ich da Gäste drin Blöttern lasse, kommen die da schwer wieder von los.
Die Postkarten sind an sich echt langweilig. Da sie aber u.a. aus den sechzigern stammen, wirken sie schon wieder stylisch. Immer wenn ich da Gäste drin Blöttern lasse, kommen die da schwer wieder von los.
Format:Gebundene Ausgabe
This book deserves to be a part of everyones livingroom decor. It's an odd group of Holiday camps, Turnpikes, and 1950's/1960's architecture. Two are even anotated with "my caravan, etc.". A number of guests that have come to my house have spent minutes going over page after page, commenting on each card. Well worth the price.
Format:Gebundene Ausgabe
Martin Parr has done it again in his depiction of the world as it really is rather than how we want it to be. Whilst found art rather than his own masterpieces the banality of the work is remarkeable. Can't wait to visit old blighty again to see the Preston bus garage and the other Real sights of Britain.Touchingly nostalgic.
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