Popcorn [Englisch] [Gebundene Ausgabe]

Controversial and past caring, equal parts cool and cruel, Bruce Delametri is Hollywood's hottest director. Tonight, he's at the apex of his career, with an Oscar cradled in one hand and Miss February in the other. But then he gets a visit from two special fans, and all hell (quite literally) breaks loose.

Popcorn, a novel from British sitcom writer Ben Elton (Blackadder, The Young Ones), is the satirical novel done 1990s style. It is a book about the movies that indicts the movies, and that has every chance of being made into a movie. It rings all the familiar changes on the theme of Hollywood vapidity, crassness, and decadence; however, Popcorn accomplishes this so deftly that you may not realize that you've heard it all before until you're finished with the book. Popcorn has little new to say about America and the culture for which it stands: talk-show hosts that are vacuous, movies that are violent, and audiences that are moronic. (The one benefit to shooting this particular fish in this particular barrel is that most readers will find it hard to disagree.) That said, the book generates an undeniable tension. Popcorn is a pleasing (if not always pleasant) page-turner, and the last 20 pages will definitely give you pause.

A bad-boy Hollywood director is terrorized by a pair of mass murderers inspired by his violent films, in this tepid satire from British playwright and first novelist Elton. It's Oscar night, and Bruce Delamitri has just garnered Best Director accolades for his ironic masterpiece Ordinary Americans (body count: 57) and has embarrassed himself with a mawkish acceptance speech. He circulates through the Governor's Ball, fawning over the big stars and spewing rudeness at everyone else before leaving with Playboy model Brooke Daniels. When he brings her home for the requisite seduction, she pulls a gun on him and demands a screen test. He agrees, and the two fall into each other's arms. They're interrupted, however, by the arrival of Wayne and Scout, a.k.a. the Mall Murderers. These attractive but amoral guys, inspired by the pointless violence of Bruce's films, have come to wreak some unspecified havoc. After they settle in for a drink, Wayne needles Brooke with provocative questions while waifish Scout feigns mortification. Bruce's agent is unfortunate enough to drop by uninvited (he's shot). Then Bruce's ex-wife Farrah and daughter Velvet show up; Brooke gets shot, and Wayne phones NBC. Two intrepid TV journalists, stripped down to their underwear, are admitted into the house. Bruce faces off against his captors for a live-TV debate about violence in the movies. But as things get talky, the ratings drop, so Wayne shoots Farrah. SWAT teams storm Bruce's house, and everyone is killed but Bruce and Scout. Bruce's career is clearly at an end. Elton's satire, meantime, scolds the usual suspects (the movie industry and the media) for the usual reasons (shallowness, vanity, greed) and condemns just about everyone, from the screw-loose psychopaths to the irresponsible director to the viewing public who crave (have been conditioned to crave?) bloodshed. There are a few lukewarm laughs here, but, overall, it's one more tired exercise in Hollywood-flogging. -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

This satire, in which a stylish Hollywood action/thriller director has an unfortunate encounter with the type of twisted men portrayed in his movies, was a best seller in England. Look for a movie version from Warner Bros.
Copyright 1997 Reed Business Information, Inc.

YAAA unique novel that combines a thrilling story line with the thought-provoking question of society's responsibilities toward its various members. Oscar-winning director Bruce Delamitri makes popular movies containing senseless violence and murder. He feels nothing but disdain for the critics and "bleeding hearts" who condemn his work, for he believes that he is just giving the public what they want to see. On Oscar night, two psychopathic killers who have all of Bruce's movies memorized, and are emulating different scenes, invade the man's home, taking him captive, along with his soon-to-be-ex-wife, his daughter, and several other members of Hollywood society. As the police and media surround the house, the question that everyone is asking is, "Are Bruce Delamitri's movies to blame for the situation in which he now finds himself?" This novel often uses fairly sophisticated or graphic language that suits the theme and violent situations, but the plot is easy to follow. Fast-moving recreational reading or a springboard for discussions on the interrelationships of human beings and society.AAnita Short, W. T. Woodson High School, Fairfax, VA
Copyright 1998 Reed Business Information, Inc.