- Taschenbuch: 212 Seiten
- Verlag: Cambridge University Press (11. Mai 1972)
- Sprache: Englisch
- ISBN-10: 0521097029
- ISBN-13: 978-0521097024
- Größe und/oder Gewicht: 2,1 x 1,5 x 0,1 cm
- Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen Alle Rezensionen anzeigen (2 Kundenrezensionen)
- Amazon Bestseller-Rang: Nr. 512.512 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
Kurzbeschreibung
The book is written for anyone seriously interested in Plato's thought and in the history of literary theory or of rhetoric. No knowledge of Greek is required. The focus of this account is on how the resources both of persuasive myth and of formal argument, for all that Plato sets them in strong contrast, nevertheless complement and reinforce each other in his philosophy.
Synopsis
The book is written for anyone seriously interested in Plato's thought and in the history of literary theory or of rhetoric. No knowledge of Greek is required. The focus of this account is on how the resources both of persuasive myth and of formal argument, for all that Plato sets them in strong contrast, nevertheless complement and reinforce each other in his philosophy.
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Einleitungssatz
That the Phaedo is a work of supreme art, perhaps the greatest achievement in Greek prose literature, is something that needs no argument. Lesen Sie die erste Seite
Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
That the Phaedo is a work of supreme art, perhaps the greatest achievement in Greek prose literature, is something that needs no argument. Lesen Sie die erste Seite
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Buchdeckel | Copyright | Inhaltsverzeichnis | Auszug | Stichwortverzeichnis | Rückseite
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Format:Taschenbuch
Socrates is unique among philosophers, not just for his place among the early Greek philosophers, but also for the fact that he is the most famous philosopher to never write his own books. What we know of Socrates comes from contemporary accounts and students, most particularly Plato.
Set in 399 BCE, the Phaedo is a reconstruction of Socrates final conversations with friends on the day he died. We do not know when this dialogue was written, but it was probably before the Republic (Plato's most famous work, also featuring the figure of Socrates). Like the Republic, this dialogue features a well developed theory of Forms -- these are introduced gradually here, slowly filling out the details of each step.
However, the idea of the soul is rather less developed here than in the Republic. The soul is simply mind, or intellect - all emotions are here placed as bodily aspects. This is rather Pythagorean in a fashion, that only the soul grasps the perfect Forms, and so should consist of nothing but reasoning ability, for emotions distort and cloud the perceptions and judgments.
In the end of the Phaedo, we witness Socrates drink the hemlock, without fear or trembling, as a philosopher should know the value of life and welcome death with a firm hope. The story is almost religious in nature here.
Grube's translation is lively and accessible, not a dry academic rendering, and certainly no contrived high-formal style that so often distances the classics from modern life. This is serious stuff, but in a mere 60 pages manages to capture much, and Grube's work makes it all the more relevant.
Format:Taschenbuch
Socrates is unique among philosophers, not just for his place among the early Greek philosophers, but also for the fact that he is the most famous philosopher to never write his own books. What we know of Socrates comes from contemporary accounts and students, most particularly Plato.
Set in 399 BCE, the Phaedo is a reconstruction of Socrates final conversations with friends on the day he died. We do not know when this dialogue was written, but it was probably before The Republic (Plato's most famous work, also featuring the figure of Socrates). Like The Republic, this dialogue features a well developed theory of Forms -- these are introduced gradually here, slowly filling out the details of each step. This develops the story of the caves idea from Plato's earlier work in epistemological, metaphysical, moral, and semantic terms. Plato also advances the 'imperfection argument' here -- the idea that when we sense something, it is never perfectly the thing we are thinking of, and that idea or standard to which we relate what we see, hear, feel, etc. is tying into a more perfect Form.
However, the idea of the soul is rather less developed here than in The Republic. The soul is simply mind, or intellect - all emotions are here placed as bodily aspects. This is rather Pythagorean in a fashion, that only the soul grasps the perfect Forms, and so should consist of nothing but reasoning ability, for emotions distort and cloud the perceptions and judgments.
In the end of the Phaedo, we witness Socrates drink the hemlock, without fear or trembling, as a philosopher should know the value of life and welcome death with a firm hope. The story is almost religious in nature here.
However, there are other possible readings, and this edition opens these up. This translation is part of a series done by the translators and Focus Publishing of the Plato dialogues. It has an introduction and a glossary of Greek terms, as well as a brief bibliography. The translators avoid a clunky translation by doing some interpretative work, but explain their reasonings in the introduction. They argue in the introduction against many traditional renderings of Phaedo, and as such provide an interesting counterweight to the prevailing editions available.
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18 von 18 Kunden fanden die folgende Rezension hilfreich
Superb Translation of One of the Most Important Texts
22. Oktober 2006
Format:Taschenbuch
To my mind, this translation surpasses all others with which I am familiar. The translation (1) has a flowing literary style that does justice to the rich feel of reading Plato's own prose, (2) is remarkably precise in its reflecting of the original language, with the result that, when one notices something interesting going on in the language of the translation, one will consistently find it is reproducing what is found in the Greek. In both these ways, this is a very trustworthy text--the reader can confidently presume to be experiencing Plato's writing. The dialogue itself--Plato's _Phaedo_--has few parallels for philosophical, literary and cultural depth and importance. It is the conversation Socrates has on the day of his death with a number of philosophical admirers. It is a rich discussion of the nature of knowledge, the nature of virtue, the ultimate nature of reality and especially the nature of death itself. The introduction by the translators is also uncommonly good for putting the reader in a position to read the text well. This is the only translation of the _Phaedo_ that I will assign to my classes. This translation is a fantastic accomplishment.
9 von 9 Kunden fanden die folgende Rezension hilfreich
Ultimate things
11. Juni 2005
Format:Taschenbuch
Socrates is unique among philosophers, not just for his place among the early Greek philosophers, but also for the fact that he is the most famous philosopher to never write his own books. What we know of Socrates comes from contemporary accounts and students, most particularly Plato.
Set in 399 BCE, the Phaedo is a reconstruction of Socrates final conversations with friends on the day he died. We do not know when this dialogue was written, but it was probably before The Republic (Plato's most famous work, also featuring the figure of Socrates). Like The Republic, this dialogue features a well developed theory of Forms -- these are introduced gradually here, slowly filling out the details of each step. This develops the story of the caves idea from Plato's earlier work in epistemological, metaphysical, moral, and semantic terms. Plato also advances the 'imperfection argument' here -- the idea that when we sense something, it is never perfectly the thing we are thinking of, and that idea or standard to which we relate what we see, hear, feel, etc. is tying into a more perfect Form.
However, the idea of the soul is rather less developed here than in The Republic. The soul is simply mind, or intellect - all emotions are here placed as bodily aspects. This is rather Pythagorean in a fashion, that only the soul grasps the perfect Forms, and so should consist of nothing but reasoning ability, for emotions distort and cloud the perceptions and judgments.
In the end of the Phaedo, we witness Socrates drink the hemlock, without fear or trembling, as a philosopher should know the value of life and welcome death with a firm hope. The story is almost religious in nature here.
However, there are other possible readings, and this edition opens these up. This translation is part of a series done by the translators and Focus Publishing of the Plato dialogues. It has an introduction and a glossary of Greek terms, as well as a brief bibliography. The translators avoid a clunky translation by doing some interpretative work, but explain their reasonings in the introduction. They argue in the introduction against many traditional renderings of Phaedo, and as such provide an interesting counterweight to the prevailing editions available.
Set in 399 BCE, the Phaedo is a reconstruction of Socrates final conversations with friends on the day he died. We do not know when this dialogue was written, but it was probably before The Republic (Plato's most famous work, also featuring the figure of Socrates). Like The Republic, this dialogue features a well developed theory of Forms -- these are introduced gradually here, slowly filling out the details of each step. This develops the story of the caves idea from Plato's earlier work in epistemological, metaphysical, moral, and semantic terms. Plato also advances the 'imperfection argument' here -- the idea that when we sense something, it is never perfectly the thing we are thinking of, and that idea or standard to which we relate what we see, hear, feel, etc. is tying into a more perfect Form.
However, the idea of the soul is rather less developed here than in The Republic. The soul is simply mind, or intellect - all emotions are here placed as bodily aspects. This is rather Pythagorean in a fashion, that only the soul grasps the perfect Forms, and so should consist of nothing but reasoning ability, for emotions distort and cloud the perceptions and judgments.
In the end of the Phaedo, we witness Socrates drink the hemlock, without fear or trembling, as a philosopher should know the value of life and welcome death with a firm hope. The story is almost religious in nature here.
However, there are other possible readings, and this edition opens these up. This translation is part of a series done by the translators and Focus Publishing of the Plato dialogues. It has an introduction and a glossary of Greek terms, as well as a brief bibliography. The translators avoid a clunky translation by doing some interpretative work, but explain their reasonings in the introduction. They argue in the introduction against many traditional renderings of Phaedo, and as such provide an interesting counterweight to the prevailing editions available.
7 von 7 Kunden fanden die folgende Rezension hilfreich
Socrates' final hours
9. Juli 2004
Format:Taschenbuch
Socrates is unique among philosophers, not just for his place among the early Greek philosophers, but also for the fact that he is the most famous philosopher to never write his own books. What we know of Socrates comes from contemporary accounts and students, most particularly Plato.
Set in 399 BCE, the Phaedo is a reconstruction of Socrates final conversations with friends on the day he died. We do not know when this dialogue was written, but it was probably before the Republic (Plato's most famous work, also featuring the figure of Socrates). Like the Republic, this dialogue features a well developed theory of Forms -- these are introduced gradually here, slowly filling out the details of each step.
However, the idea of the soul is rather less developed here than in the Republic. The soul is simply mind, or intellect - all emotions are here placed as bodily aspects. This is rather Pythagorean in a fashion, that only the soul grasps the perfect Forms, and so should consist of nothing but reasoning ability, for emotions distort and cloud the perceptions and judgments.
In the end of the Phaedo, we witness Socrates drink the hemlock, without fear or trembling, as a philosopher should know the value of life and welcome death with a firm hope. The story is almost religious in nature here.
Grube's translation is lively and accessible, not a dry academic rendering, and certainly no contrived high-formal style that so often distances the classics from modern life. This is serious stuff, but in a mere 60 pages manages to capture much, and Grube's work makes it all the more relevant.
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