From Publishers Weekly
Copyright 1993 Reed Business Information, Inc.
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What do I love about this book? It's unputdownable. It's full of memorable, beautifully realised characters. It doesn't write anybody off as too boring, too old, too screwed-up or too anything to have feelings and be fascinating. I've rarely come across a relationship more beautifully portrayed than the growing and richly deserved love between Cash and Alice. The ending made me want to run around the garden whooping. If it has any faults it's (a) an over-reliance on the long arm of coincidence but heck, Dickens did that as well and nobody blamed him for it and (b) a tendency to make the Indian characters maybe a little too likeable in the interests of political correctness. But both these pale into insignificance beside the beauties of this wonderful book.
I had no problem understanding why Taylor hung on so long before surrendering the child she thought of as hers - she'd become a mother, and she was damn stubborn. I like the way this book contrasted the individualism of the American Dream with the human need for more social connection without falling into trite and oversimplistic solutions. The wonderful chat between Jax and Anawaukee got this across very powerfully. And I understood why it only took a seemingly trivial thing to make Taylor finally give up her fight - but then I have a lactose-intolerant (and completely Anglo-Saxon!) child.
"The Poisonwood Bible" has just appeared over here and I hope we're going to hear a lot more of Kingsolver. We Brits might think the Indian issue isn't our business but we're postcolonials struggling to find our identity too. These themes are universal.
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