- Gebundene Ausgabe: 200 Seiten
- Verlag: Yale University Press (24. Februar 2009)
- Sprache: Englisch
- ISBN-10: 0300148895
- ISBN-13: 978-0300148893
- Größe und/oder Gewicht: 31,1 x 23,9 x 2,8 cm
- Amazon Bestseller-Rang: Nr. 317.748 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Produktbeschreibungen
Kurzbeschreibung
Working in his villa in the south of France, Pierre Bonnard (1867-1947) suffused his late canvases with radiant Mediterranean light and dazzling colour. Although his subjects were close at hand - usually everyday domestic scenes - Bonnard rarely painted from life. Instead, he made pencil sketches in diaries and relied on these, along with his memory, as he executed the works in his studio. These interiors thus often conflate details from the artist's daily life with fleeting, mysterious evocations of his past. The spectral figures who appear at the margins of the canvases, overshadowed by brilliantly coloured baskets of fruit or other props, create an atmosphere of profound ambiguity and puzzling abstraction: the mundane rendered in a wholly new pictorial language.The more than 75 paintings, drawings, watercolours, and gouaches in this volume, some rarely seen treasures from private collections, all painted between 1923 and 1947, are central to the ongoing reappraisal of Bonnard as a leading figure of French modernism.
Synopsis
Working in his villa in the south of France, Pierre Bonnard (1867-1947) suffused his late canvases with radiant Mediterranean light and dazzling colour. Although his subjects were close at hand - usually everyday domestic scenes - Bonnard rarely painted from life. Instead, he made pencil sketches in diaries and relied on these, along with his memory, as he executed the works in his studio. These interiors thus often conflate details from the artist's daily life with fleeting, mysterious evocations of his past. The spectral figures who appear at the margins of the canvases, overshadowed by brilliantly coloured baskets of fruit or other props, create an atmosphere of profound ambiguity and puzzling abstraction: the mundane rendered in a wholly new pictorial language.The more than 75 paintings, drawings, watercolours, and gouaches in this volume, some rarely seen treasures from private collections, all painted between 1923 and 1947, are central to the ongoing reappraisal of Bonnard as a leading figure of French modernism.
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4 Rezensionen
29 von 29 Kunden fanden die folgende Rezension hilfreich
mediocre
21. April 2009
Format:Gebundene Ausgabe
After seeing the wonderful exhibit at the Met, I was all set to buy this book. What a disappointment. I can't say anything about the text which is probably distinguished, but the Yale U. press and the Met should be ashamed of themselves for the poor quality of these reproductions that aren't even close to better books that suggest the nuances and richness of Bonnard's great paintings. The high price of art books is justified by high quality reproductions. This is not.
21 von 21 Kunden fanden die folgende Rezension hilfreich
Montreal painter
24. April 2009
Format:Gebundene Ausgabe
This show at the Metropolitan Museum of Art was stunning and it's a shame that the catalogue is such a stinker. The reproductions are terrible -- nothing like Bonnard's colour. The contrast is super high and the colour is very heightened and garish.
14 von 16 Kunden fanden die folgende Rezension hilfreich
Disappointing reproductions
19. April 2009
Format:Gebundene Ausgabe
A very technical book of a wonderful exhibition at the Metropolitan Museum of Art in New York. Small reproduction that do not do justice to the paintings that were shown.
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