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Photographically Speaking: A Deeper Look at Creating Stronger Images (Voices That Matter) [Englisch] [Taschenbuch]

David DuChemin
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11. Oktober 2011 Voices That Matter
When looking at a photograph, too often a conversation starts-and, unfortunately, ends-with a statement such as, "I like it." The logical next question, "Why?", often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don't know how to think about them. And if we don't know how to think about a photograph and its "visual language"- how an image is constructed, how it works, and why it works-then, when we're behind the camera, are we really making images that best communicate our vision, our original intent? Vision-crucial as it is-is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography's visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components-"elements" make up its vocabulary, and "decisions" are its grammar-David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the "words" of the image, what we place within the frame-lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision-the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.

Wird oft zusammen gekauft

Photographically Speaking: A Deeper Look at Creating Stronger Images (Voices That Matter) + Extraordinary Everyday Photography: Awaken Your Vision to Create Stunning Images Wherever You Are + Photographer's Eye: Composition and Design for Better Digital Photos
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  • Taschenbuch: 272 Seiten
  • Verlag: New Riders (11. Oktober 2011)
  • Sprache: Englisch
  • ISBN-10: 0321750446
  • ISBN-13: 978-0321750440
  • Größe und/oder Gewicht: 22,8 x 20,3 x 1,7 cm
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (3 Kundenrezensionen)
  • Amazon Bestseller-Rang: Nr. 51.375 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
  • Komplettes Inhaltsverzeichnis ansehen

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Über den Autor und weitere Mitwirkende

An assignment photographer specializing in humanitarian projects and world photography, David duChemin has been creating compelling stories with a camera in hand for over twenty years. A passionate contributor to the international photography community, duChemin's first book, Within the Frame: The Journey of Photographic Vision, received worldwide acclaim for its vision, passion, and depth. David has shot on five continents for assignments and projects covering places as diverse as Paris, Haiti, Dominican Republic, Ecuador, Peru, Ethiopia, Democratic Republic of Congo, Malawi, Rwanda, Uganda, India, Nepal, and Mongolia. Find David online at

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For many people photography is nothing more than pointing their camera and releasing the shutter. For them a camera is just a tool to capture the moment. There is nothing bad about that but if you want to develop as a photographer you have to look beyond what you see at first sight. David duChemin tries to show you how in "Photographically Speaking: A Deeper Look at Creating Stronger Images." In his fourth book the author addresses the artist in every one of us. It's about the lines, forms and contrasts that hide in plain sight and how we can describe it with words. Whether we want it or not: everything has meaning in our pictures -- even shutter speed or aperture -- and we have to be aware of that.

The first half of the book is more of a philosophical approach on the question what makes an image stronger. It's about understanding the "visual language" of photography and how you can use it to improve your work. In this book you will find some tools to do that. David duChemin writes about lines and how they affect the reaction of the "reader": A horizontal line gives a picture more stability but a vertical line can deliver more energy. This is a simple example and just the tip of the iceberg. There are chapters about the importance of balance in a picture or about different kinds of contrasts. Especially the juxtaposition is mentioned in detail. It is a conceptual contrast like tall and small or poor and rich. I won't go into detail because the author does it much better on 250 pages with so many beautiful pictures to illustrate everything.

In the end it's not about spotting these things only in the work of others. You can use all this to create stronger images yourself. All the discussed elements just have to be at the right place in the frame.
Lesen Sie weiter... ›
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5.0 von 5 Sternen Photographically Speaking 6. Dezember 2011
Von K. Breuer
Länge: 3:00 Minuten
Hey guys,
I had a look at another book! This time it's 'Photographically Speaking' by David duChemin. I read the whole book travelling by train and couldn't stop reading! Really good read!

I really loved the book! You can feel David duChemins passion while reading and that for me is a wonderful thing! But I wanna spare you the words: Just watch the video

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5.0 von 5 Sternen All about creating meaningful photographs 3. Januar 2012
I like duChemin's concept of having a "vision" when taking (or "creating") a photograph. In this book, he explains and illustrates how the various principles of design can be used to create an image that corresponds to your vision, enabling you to analyse why you like or don't like a photograph, and whether or not it achieves its (supposed) goal.

The book consists of two parts: learning about the basics, then applying the theory.

In the first part, duChemin discusses the question of vision, in less detail than in his previous books but enough to make it clear how important meaning in a photograph is to him. He goes on to cover the basics of design and technique, which doesn't sound particularly exciting, as there are tons of books doing just that. However, I liked the fact that he gives an overview rather than trying to cover every last detail, and the space gained from being succint about the theory is used to illustrate the principles of design through his own photographs, often comparing different versions of an image to show the effects of applying or breaking the rules. This makes even the theory part quite interesting to read.

The second part is a detailed analysis of 20 of his own images, based on the principles and central questions covered in the first part.

Altogether a book I can wholeheartedly recommend if you would like to be better equipped to express what you think about a photograph, to understand what it is you like or don't like about it and, eventually, to create better images yourself. (At least I like to think that's the effect it had for me...)
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5.0 von 5 Sternen David's best book to date 31. Oktober 2011
Von DanielJGregory - Veröffentlicht auf
This is the fourth book of David's that I have purchased (not counting his ebooks over at craft and vision), and it is probably my favorite. I have been teaching an intro to photography course using his within the frame book, but next time I teach this class, I'll be using this book instead. It does a great job of focusing on a something that matters more than f/stops and shutter speeds---the vision of the artist and the grammar to talk about it with others.

On of my biggest frustrations as a photographer when talking to others about their work is how little they are able to discuss why they like certain photographs and what it is about those photos that make them unique to their vision. With so many people creating and showing great images, it is not enough to just be a good photographer. You have to be a creative photographer whose work stands out as different from others. I have found that to understand how your work is different and what your sense of aesthetics are requires a vocabulary/grammar to discuss the work so that you can continue to push those elements in your work that are unique to your vision.

David does a good job in this book by helping the visual artist begin this process. The book starts with some background on how David came to this book and what to expect. He spends some time discussing vision and intention in photography; and how vision is often times lost in conversations of gear, technique and tangible skills. In these early pages, much of the conversation is about the nature and intention required in the building of a "good photograph"

The second part of the book looks at two critical components of a photograph. The first is the elements within the image and their impact on the viewer. Elements such as lines, color, repetition and light are discussed in-depth as a language to discuss images rather than as a set of rules that need to be followed to create a good image. The second component is the decisions that are made when the camera is pointed at the subject and the shutter clicks. From lens choice, focus points, to framing and exposure; all these critical decisions are often made very quickly with little thought while shooting. David provides a chance to look at the impact of these decisions, and how we can use our awareness of these components to make more interesting photos.

The third part of the book is a collection of David's images where he spends a lot of time looking at the application of the conversations in the earlier chapters of the book. We get to look at not only a variety of photographs and subjects, but also exactly how David uses these concepts in the creation and post-production of his own images. I found David's openness and honesty refreshing. He is willing to talk about what worked and didn't work for him and things he might change in the future. Having 20 examples of David's work builds a great foundation to start with before taking on your own work.

As I said, I am a fan of David's work; and I think he has an amazing gift to write so that you feel as if you are talking over a cup of coffee. He finds a way to make the conversation seem to be both educational and conversational at the same time. I have found him to be great mentor over the years and look forward to continuing to use his guidance to improve my own art for many more years.
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5.0 von 5 Sternen Photographically happy! 16. Oktober 2011
Von Steven Shepard - Veröffentlicht auf
David DuChemin doesn't write about photography so much as he does the philosophy, the soul, the love, and the power of photography. His commitment isn't to the mechanics of the craft so much as it is to the link between photography and its impact on the world. All of David's books are inspiring and powerful, but this one goes to another level. Reading the book is like having a conversation with the author, a conversation that leads the reader to a new level of thinking about what it means to be a photographer. As someone who travels to 70 countries every year, I cannot recommend this book strongly enough. Run, don't walk, to buy it. You will NOT be disappointed.
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5.0 von 5 Sternen Message, Elements and Decisions 26. Oktober 2011
Von Conrad J. Obregon - Veröffentlicht auf
Anyone who has read David duChemin's other books will know why I regard him as a thoughtful photographer. In this book he returns to the starting place, discussing composition.

The beginning of the book talks about photography as a means of communication of the photographer's vision, and defines a few concepts that the author uses throughout the remainder of the book, particularly "Message, Elements and Decisions". The selection of an Element or Decision should enhance the Message. Next he discusses what he calls Elements, like line, light and moment. For Decisions he considers topics like framing, placement and exposure. Finally he presents twenty of his own photographs, explaining how the Elements and Decisions explicate the Message.

Early in the book the author discusses photographers who say they don't need to understand what he means by Message, Elements and Decisions because they say they shoot intuitively. DuChemin charitably suggests that the best of these have probably internalized those elements. The remainder are probably just lazy photographers who would probably most benefit from duChemin's analysis but are those most unlikely to try to understand it. (This harsh conclusion is mine, not duChemin's.)

This is an excellent book and the author's analysis of his photographs will prove useful to readers in trying to internalize the concepts of Message, Elements and Decisions. Sometimes I disagreed with the author's conclusion that a particular technique had enhanced the meaning of an image, but even in those cases, I believed the examination of the technique would ultimately improve my own photography.

The concepts presented are not new and have been presented in many other photography books. In fact as I read, I wondered why he had not stuck to the traditional terms of description and analysis of the arts, like form and content, or technique and product. Although the author does not explain the advantage of a new taxonomy, he obviously feels that it will help the reader to get a better grasp on the underlying concepts. I'm not certain that it does, but on the other hand, it certainly is no worse than the more traditional form. In any event, my own belief is that multiple approaches to concepts help us to get a better grasp, and reading duChemin can only help, even if you are an experienced photographer.

It seems to me that the author's earlier works, like "Within the Frame: The Journey of Photographic Vision" served to develop concepts that had not been emphasized enough to photographers. This book covers ground that studious photographers will be familiar with, but the path may be more attractive.
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3.0 von 5 Sternen Nice Book for Beginners; Biased Photo Reviews 22. Januar 2013
Von Christopher B Reese - Veröffentlicht auf
Format:Kindle Edition|Verifizierter Kauf
I am always looking for insights that help me to improve my photography and was expecting David Duchemin's Photographically Speaking to do just that. I think photo critiques are an invaluable tool in teaching photographers what makes or breaks an image and helps to identify pitfalls made when framing or processing a photo. So I was eager to purchase this book when I read that David would be reviewing 20 photographs and discussing what makes them work and assumed he would also point out what doesn't work.

The majority of the book is about the philosophy of photography with the image reviews towards the end. Now, I think this is beneficial to those recently entering photography but for those of us who have been enthusiasts or professionals for some time we already have an understanding of this aspect of the field. I have a hard time believing any photographer who is putting their images on public display didn't think about what the message/point of their image was or why they decided to make that specific photograph, yet David spends a lot of time discussing this very topic. He does touch upon some of the technical factors involved in making a good image, but a lot is left out and if you're already versed in this area David's book won't add any new information. One thing he does mention a lot is image ratios (2:3 vs 5:6) and I've never really seen a photographer spend much time talking about this and I'm not sure what restricting myself to specific ratios adds to my images but I am interested to see how it changes the feel of them.

David's writing style is very verbose and descriptive and is very similar to how I end up writing, that being said he spends a lot of time repeating the same points over and over while taking a great deal of time to get to the point. Again, if you're new to photography this may be beneficial to you but after a while I found myself skimming a lot of the pages.

Towards the end of the book he begins the review of 20 photographs. Now, I didn't read the book description that carefully before purchasing it and didn't realize that all of the 20 photographs would be his. I had assumed some of the photos being reviewed would be David's own but in order to provide better insights one should really review other's images. Obviously David is going to like all of the images he included in his book otherwise he wouldn't have included them. Personally I find most of the photos in the book are fairly bland, they're not bad photos but the subjects and framing are often uninteresting and he applies some post-processing effects that leave me scratching my head without ever explaining why he chose to apply those effects. Post-processing decisions contribute in determining whether or not a photograph is bad, good, or great so for him to leave this topic completely out of the discussion means the image reviews are incomplete. I don't recall him ever saying what he didn't like about an image which he could have more freely done if he had chosen to review other photographer's images, so you really only get partial and one-sided image reviews. He also applies monochrome to all of his images to see if he likes them better that way, this seems to undermine the theme of knowing what you want to express with your photos. Personally I know ahead of time if a specific image is going to be in color or black & white and he seems to use monochrome to "fix" images he took in bad lighting.

If you're a beginner this book would be helpful to you in understanding your approach to photography from a philosophical standpoint and you will learn some basic "rules" of composition and how they can be arranged in order to produce a good photograph. If you're already well versed in photography and you know why you take the images you take then this book likely won't add any valuable information. The images reviewed are so-so (although I think "Unseen Too" is a great photo) and the review is biased as they come directly from the photographer that made the images who also neglects to mention what processing he applied to the image and why.
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3.0 von 5 Sternen Excellent book for beginnners 26. Januar 2012
Von D. Avila - Veröffentlicht auf
I received this book thinking it would provide inspiration or take my photography to a different level. Instead I received a book that reiterated everything I already knew about photography. It is most definitely not a bad book. It is great if you don't understand the principals of photography and if you are just starting out. But for those of us who have had a (manual) camera in our hands for more than a couple of decades, this book is probably not for you. Hence, the three stars.
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