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Beatrix clouet stopped at the door to her mother's office, a knot of pain compressing her chest. Lesen Sie die erste Seite
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I especially I heap high praise on her Multi-POV (Point of View). I have long maintained this writing style is so much freer, fuller, you get to know the characters, their immediate reactions, then and there, instead of having to wait for the confining "stay within a single character's POV for a whole chapter". Comparing Mutli-POV to enforced Single-POV is the difference between staring at the Mona Lisa and then looking at a painting done with paint-by-numbers! I hear people call Multi-POV "head-hopping" and say it takes them out of the story. Sorry, if you are worrying about "whose head" you are "in" - you were never in the story in the first place! Holly has a strong mastery of Multi-POV, and she uses this so well to bring her characters to life. You are able to become acquainted with her four leads so well. I knew each of them, their quirks, their fears, their vulnerabilities. This style of writing is vital, it's immediate. And Holly shows how it should be done!
This tale is red hot, so know that going in. But it's more than the sizzling sex - it's the people. Holly is simply a master at human understanding, a master of taking that comprehension and being able to put it into words. She is a powerful writer. She evokes, provokes, teases and opens your heart to loving the people she conjures.
Bea Clouet lived in the shadowed of her beautiful, dazzling and powerful mother, and a similar grandmother. Her grandmother founded Milleirs Amis, a small, but exclusive boutique in Paris. Her mother pushed it to the limit, expanding it worldwide. When Bea was 12, her mother married Phillip Carmichael, a beautiful Englishman twenty years her mother's junior. Phillip tried to be a friend to the lonely Bea who never lived up to her mothers expectations. Bea's father was Irish, and Bea favored him. She is a big lass that carries a few too many pounds in a town of half-starved models. Bea generally rebuffed the friendship with Phillip because, as she grew she knew she loved him, and not as a stepfather. Now 23-years-old, she is coming into her own, and since her mother was killed six month before by her latest lover, she decides to push the limit and see if she can push Phillips buttons or at least try to get over him.
Leta her college friend is in town. Leta was orphaned when she was young, and never adopted so she has learned never to trust anyone and to depend only on herself. Bea is one of the few people she has ever been close to, so she treasures her friendship. When trouble arises in the New York store, Leta immediately begs Phillip to give her a chance to run the store. He refuses, but does say she can go learn the store, give him a report of what she thinks could improve it, and if she does a good job, he will consider hiring her as manager. Leta's former boyfriend Andrew pushes his boss Simon Graves and Leta together knowing they will click. And they do! Only, Leta is unaware Simon is starting the ground work to take over Meilleurs Amis, and that it could cost Leta her friendship with Bea. Both romances have so much heart, compassion and understanding. The
complexity of the story, the characters - well, it's just brilliantly realized under Holly's marvelous talent. Count me a dyed in the wool Holly fan from now on!
This definitely pushes the limits of what we think of as romance, and I congratulate Holly for that. This story is a blend of romance and erotica, better known as romantica. There are multiple explicit sex scenes in every chapter, multiple characters having sex with different partners, even some menage a trois and male/male sex. And yet the story focuses on the growing love between two different couples, and the plot itself that ties the whole story together is well-thought out by Holly.
I have always appreciated Holly's open-minded attitude toward human sexuality and erotica, as well as her expertise at crafting very steamy and diverse sex scenes. The fact that she has been able to successfully translate all of that into a book that is considered a romance novel is noteworthy.
The only reason I give this book 4 stars rather than 5 is because in my opinion the ratio of sex scenes to story plot is skewed a little too much in the direction of the sex. Since this is a romance novel and not pure erotica, I would have liked to have seen a little more storytelling to round out all those sex scenes. As it was, there were just little snippets of plot bridging explicit scene after explicit scene of very hot sex.
But let me repeat, what Emma Holly has accomplished with this book is a benchmark in the romance genre, and I hope she will continue to push the limits by writing more romantica in the future.
The erotic scenes keep the juices flowing and your senses in full alert. I loved the scenes that centered on Bea and Philip. The sex scenes between Lela and Simon are also wonderful, but the sexual tension isn't as palpable. The man-woman-man menage a trois in Italy is my favorite scene. The romance in the novel is also wonderful. Emma Holly sure knows how to write erotic romance without the formulaic bells and whistles that accompany said genre. Her writing is sharp, the sex scenes downright explicit and the story is memorable. I shall read her other novels with gusto. Are you in the bargain for a book that contains pure animalistic passion? Pick this one up!
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