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Marjane Satrapi's
Persepolis is an exemplary autobiographical graphic novel, in the tradition of Art Spiegelman's classic
Maus. Set in Iran during the Islamic Revolution, it follows the young Satrapi, six-year-old daughter of two committed and well-to-do Marxists. As she grows up, she witnesses first-hand the effects that the revolution and the war with Iraq have on her home, family and school.
Like Maus, the main strength of Persepolis is its ability to make the political personal. Told through the eyes of a child (as reflected in Satrapi's simplistic yet expressive black-and-white artwork), the story shows how young Marjane learns about her family history and how it is entwined with the history of Iran, and watches her liberal parents cope with a fundamentalist regime that gets increasingly rigid as it gains more power. Outspoken and intelligent, Marjane chafes at Iran's increasingly conservative interpretation of Islamic law, especially as she grows into a bright and independent teenager. Throughout, Marjane remains a hugely likeable young woman
Persepolis gives the reader a snapshot of daily life in a country struggling with an internal cultural revolution and a bloody war, but within an intensely personal context. It's a very human history, beautifully and sympathetically told. --Robert Burrow
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Satrapi's great-grandfather was Iran's last emperor, the one overthrown by the father of the shah overthrown in the 1979 Islamic revolution. Doubtless their pedigree of former greatness somewhat shielded her leftist family from the Ayatollah Khomeini's authoritarian regime, and her extraordinary autobiography in comics, which reflects her perspective from ages 10 to 14, probably understates the violence that swirled around her, cresting in the outbreak of the Iran-Iraq war. At first, the revolution freed an uncle who idolized her and some of her parents' friends from prison, but soon the tide turned, and the former prisoners had to flee (at least one was killed before he could). Her father and uncle explained modern Iran's past to her, all but dispelling her childish religiosity, and she joined her parents at political demonstrations. When an Iraqi missile destroyed Jewish neighbors, however, her parents determined to use their upper-middle-class means to get out. Satrapi's cursive, geometrical drawing style, reminiscent of the great children's author-artist Wanda Gag's, eloquently conveys her ingenuousness and fervor as a child.
Ray OlsonCopyright © American Library Association. All rights reserved
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From School Library Journal
Adult/High School-Marji tells of her life in Iran from the age of 10, when the Islamic revolution of 1979 reintroduced a religious state, through the age of 14 when the Iran-Iraq war forced her parents to send her to Europe for safety. This story, told in graphic format with simple, but expressive, black-and-white illustrations, combines the normal rebelliousness of an intelligent adolescent with the horrors of war and totalitarianism. Marji's parents, especially her freethinking mother, modeled a strong belief in freedom and equality, while her French education gave her a strong faith in God. Her Marxist-inclined family initially favored the overthrow of the Shah, but soon realized that the new regime was more restrictive and unfair than the last. The girl's independence, which made her parents both proud and fearful, caused them to send her to Austria. With bold lines and deceptively uncomplicated scenes, Satrapi conveys her story. From it, teens will learn much of the history of this important area and will identify with young Marji and her friends. This is a graphic novel of immense power and importance for Westerners of all ages. It will speak to the same audience as Art Spiegelman's Maus (Pantheon, 1993).
Susan H. Woodcock, Fairfax County Public Library, Chantilly, VACopyright 2003 Reed Business Information, Inc.
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Kurzbeschreibung
Wise, often funny, sometimes heartbreaking, "Persepolis: The Story of a Childhood" tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary, beset by the unthinkable and yet buffered by an extraordinary and loving family, is immensely moving. It is also very beautiful; Satrapi's drawings have the power of the very best woodcuts. Persepolis ends on a cliffhanger in 1984, just as fourteen-year-old Marjane is leaving behind her home in Tehran, escaping fundamentalism and the war with Iraq to begin a new life in the West. In Persepolis 2: The Story of a Return we follow our young, intrepid heroine through the next eight years of her life: an eye-opening and sometimes lonely four years of high school in Vienna, followed by a supremely educational and heartwrenching four years back home in Iran. Just as funny and heartbreaking as its predecessor - with perhaps an even greater sense of the ridiculous inspired by life in a fundamentalist state - Persepolis 2 is also as clear-eyed and searing in its condemnation of fundamentalism and its cost to the human spirit. In its depiction of the universal trials of adolescent life and growing into adulthood - here compounded by being an outsider both abroad and at home, and by living in a state where you have no right to show your hair, wear make-up, run in public, date, or question authority - it's raw, honest, and incredibly illuminating.
Synopsis
Wise, often funny, sometimes heartbreaking, "Persepolis: The Story of a Childhood" tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary, beset by the unthinkable and yet buffered by an extraordinary and loving family, is immensely moving. It is also very beautiful; Satrapi's drawings have the power of the very best woodcuts. Persepolis ends on a cliffhanger in 1984, just as fourteen-year-old Marjane is leaving behind her home in Tehran, escaping fundamentalism and the war with Iraq to begin a new life in the West.
In Persepolis 2: The Story of a Return we follow our young, intrepid heroine through the next eight years of her life: an eye-opening and sometimes lonely four years of high school in Vienna, followed by a supremely educational and heartwrenching four years back home in Iran. Just as funny and heartbreaking as its predecessor - with perhaps an even greater sense of the ridiculous inspired by life in a fundamentalist state - Persepolis 2 is also as clear-eyed and searing in its condemnation of fundamentalism and its cost to the human spirit. In its depiction of the universal trials of adolescent life and growing into adulthood - here compounded by being an outsider both abroad and at home, and by living in a state where you have no right to show your hair, wear make-up, run in public, date, or question authority - it's raw, honest, and incredibly illuminating.
Über den Autor
Marjane Satrapi, Jg. 1969, ist in Teheran aufgewachsen. Als 14-Jährige wurde sie von ihren Eltern nach Wien geschickt, um vor dem repressiven Regime sicher zu sein. Nach einem Kunststudium in Straßburg zog sie 1994 nach Paris, wo sie begann, ihre Lebensgeschichte aufzuzeichnen.