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Persepolis 2: The Story of a Return
 
 
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Persepolis 2: The Story of a Return [Englisch] [Gebundene Ausgabe]

Marjane Satrapi

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Picking up the thread where her debut memoir-in-comics concluded, Persepolis 2: The Story of a Return details Marjane Satrapi's experiences as a young Iranian woman cast abroad by political turmoil in her native country. Older, if not exactly wiser, Marjane reconciles her upbringing in war-shattered Tehran with new surroundings and friends in Austria. Whether living in the company of nuns or as the sole female in a house of eight gay men, she creates a niche for herself with friends and acquaintances who feel equally uneasy with their place in the world.

After a series of unfortunate choices and events leave her literally living in the street for three months, Marjane decides to return to her native Iran. Here, she is reunited with her family, whose liberalism and emphasis on Marjane's personal worth exert as strong an influence as the eye-popping wonders of Europe. Having grown accustomed to recreational drugs, partying, and dating, Marjane now dons a veil and adjusts to a society officially divided by gender and guided by fundamentalism. Emboldened by the example of her feisty grandmother, she tests the bounds of the morality enforced on the streets and in the classrooms. With a new appreciation for the political and spiritual struggles of her fellow Iranians, she comes to understand that "one person leaving her house while asking herself, 'is my veil in place?' no longer asks herself 'where is my freedom of speech?'"

Satrapi's starkly monochromatic drawing style and the keenly observed facial expressions of her characters provide the ideal graphic environment from which to appeal to our sympathies. Bereft of fine detail, this graphic novel guides the reader's attention instead toward a narrative rich with empathy. Don't be fooled by the glowering self-portrait of the author on the back flap; it’s nearly impossible to read Persepolis 2 without feeling warmth toward Marjane Satrapi. --Ryan Boudinot -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

From Booklist

At the end of Persepolis [BKL My 1 03], 14-year-old Satrapi stares aghast at the sight of her mother fainting over her departure from Islamic-revolutionary Iran for school in Vienna. It's an image that demanded this continuation of her memoir-in-comics, which many may find more congenial than its predecessor because of its initial setting in the areligious West. There Satrapi endured initiations into sex, drugs, and partying, and travails over peer and love relationships that mirrored those of her Western fellow students; she was an exile, however, essentially on her own emotionally (though her mother visited once, lifting her spirits as nothing else would) and even physically, especially after breaking up with her first love. Finally unable to cope, she became homeless for three months and, after hospitalization for exposure, returned to Tehran, where the second half of this book transpires, eventuating in an ill-starred marriage to a fellow art student. Satrapi's high-contrast, bold-lined, stencil-ish artwork remains very much at the service of one of the most compelling youth memoirs of recent years. Ray Olson
Copyright © American Library Association. All rights reserved -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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19 von 19 Kunden fanden die folgende Rezension hilfreich
God, country and family. 8. September 2004
Von Harry Pujols - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Almost a generation after Art Spiegelman's Maus showed comic books can pack more punch than words alone. Persepolis is the closest thing from you'll ever see from Maus. Both are amazing literary works portraying extraordinary real lives witnessing history unfold. Both done by chain-smokers.

At the end of the first Persepolis I cried. I can't remember a regular book that gave me such emotion before, if ever (I also cried at Maus).

As an immigrant, I identify with Sartrapi more than with any author I've ever read. Maybe because her experiences with loneliness, heartbreak and xenophobia are so vivid they just jump out of the pages.

One thing that's very evident in every page of the book is her immense patriotism. Her country is as part of what she is as much as her family. Thank God for that, because now there's a point of view of Iran little known to Westerners. And it's available in your bookstore. As a comic.

My highest recommendation. Run to get a copy. I hope publishers now realize this art form is here to stay.
22 von 24 Kunden fanden die folgende Rezension hilfreich
Fantastic sequel to a modern classic! 15. September 2004
Von S. Calhoun - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Anyone who has read Persepolis: The Story of a Childhood has undoubtedly looked forward to reading any future material from this talented author/artist. Marjane Satrapi possesses a unique skill of profound biographical storytelling and inventive artwork. In her first graphic novel Satrapi remarkably recounted her childhood of growing up in Tehran during the Islamic Revolution. Her liberal middle-class parents helped shape her perceptions of the world and encouraged her to reach her potential regardless of the multiple barriers that limit her everyday choices and actions. It quickly becomes apparent that Marjane is deeply proud of her country but simultaneously saddened by the actions of the fundamentalist Islamic government.

PERSEPOLIS 2: THE STORY OF A RETURN picks off where Persepolis 1 ended. Marjane is sent by her parents to study in Vienna, Austria to escape the bombings and uncertainty of the Iran-Iraq War. As she integrates herself into her new life she experiences a sense of lost identity as she straddles between the West and Iran. Her steadfast pride of being Iranian continues in the face of prejudice and misinformation. Although she has physically grown up her intensity remains.

I was very fortunate to meet Marjane Satrapi at a book reading two nights ago. She is both articulate and compassionate about her life and her perceptions of current geopolitical events. Also, she was very funny and had the audience laughing many times at her varied quirkiness. Her life story is inspirational and sticks with you long after her books are put back on the shelf. Highly recommended!
18 von 20 Kunden fanden die folgende Rezension hilfreich
A Must-Read, but Less Charming Than the First Persepolis 5. Oktober 2004
Von K. Yuen - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
DON'T READ THIS BOOK (Story of a Return) UNLESS YOU'VE ALREADY READ THE FIRST PERSEPOLIS (Story of a Childhood). It's important to bond with the child Marjane and to understand where the characters are coming from before heading into this book. Also, the first one is essentially perfect, which can be said about so few books.

/*SPOILERS BELOW*/

The Story of a Return provides insight into modern Iranian culture, the effects of the Iraq-Iran war, and the differences between the West and Iran as Marjane repeatedly integrates herself into an unfamiliar land. (Iran may be home, but it's strange to her when she returns.) We also witness the slurs and descrimination she endures as a Middle Easterner in Europe, and it induces brings a deep sense of horror in the reader on Marjane's behalf.

Some find the second book equal to the first. I disagree. It is no fault of the author's; she applies equal skill and talent to both books. The material is fundamentally different. The Story of a Childhood has a child's and pre-teen's whimsy flowing through it, and the characters are still relatively innocent and opimistic despite the path of the country. In The Story of a Return, the author tries to include some of the imaginings that brought such a charming whimsy to her first memoir, but it is harder with an older main character. The humor has to come from elsewhere, and is therefore harder to find. Her experiences seem harsher to the reader, since she is experiencing them directly, instead of the close calls or indirect experiences of the first Persepolis. And because Marjane is older, we become more judgemental of her mistakes, which also darkens the tone of the book.

Well worth reading, but one feels a sense of loss when comparing it to the first.

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