- Gebundene Ausgabe: 346 Seiten
- Verlag: Zzdap Publishing; Auflage: 1st Edition (April 2003)
- Sprache: Englisch
- ISBN-10: 1891024698
- ISBN-13: 978-1891024696
- Größe und/oder Gewicht: 34,7 x 25,3 x 3,6 cm
- Amazon Bestseller-Rang: Nr. 1.956.543 in Englische Bücher (Siehe Top 100 in Englische Bücher)
|
||||||||||||||||||||
|
||||||||||||||||||||
|
||||||||||||||||||||
Produktinformation |
Tags(Was ist das?)Bei einem Tag handelt es sich um ein Schlagwort, das zum Produkt passt.
Tags erleichtern allen Kunden die Suche und die Sortierung ihrer Lieblingsprodukte. |
Eine digitale Version dieses Buchs im Kindle-Shop verkaufen
Wenn Sie ein Verleger oder Autor sind und die digitalen Rechte an einem Buch haben, können Sie die digitale Version des Buchs in unserem Kindle-Shop verkaufen.
Weitere Informationen
Kundenrezensionen
Es gibt noch keine Kundenrezensionen auf Amazon.de
5 Sterne
4 Sterne
3 Sterne
2 Sterne
1 Sterne
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
Amazon.com:
1 Rezension
8 von 12 Kunden fanden die folgende Rezension hilfreich
Redundant hyperactivity that ultimately disappoints
6. Juni 2005
Von Amazon bestätigter Kauf
William Klein's work has influenced a lot of photographers for about 50 years. His style of "in your face" photography is now the predominant style for fashion and reportage. It's not really surprising that this book is in the same style he adopted in the 1950s, but it is disappointing. The problem, for me, is that Klein's work here is mimicing those who mimic him. There's nothing here you didn't see done in last month's "Vanity Fair" by some other photographer.
From the inside front cover to the back dust jacket photograph, this is a disconnected, hodge-podge of mob scenes. Some would say it's "dynamic". For me it's hyperactive, nervous and grating. It's a page-turner book. You turn the pages quickly to get through it as fast as possible. While some of the black and white pictures are passable, the color photographs are garish in their blaring, overdone saturation that screams, "Look at me!"
In my opinion, anyone or any thing that has to scream to get attention doesn't really deserve to get it.
This is supposed to be Klein's impression of the Paris where he lives and the Paris he says he loves. Okay. I'll pass. There's nothing in this Paris to love.
From the inside front cover to the back dust jacket photograph, this is a disconnected, hodge-podge of mob scenes. Some would say it's "dynamic". For me it's hyperactive, nervous and grating. It's a page-turner book. You turn the pages quickly to get through it as fast as possible. While some of the black and white pictures are passable, the color photographs are garish in their blaring, overdone saturation that screams, "Look at me!"
In my opinion, anyone or any thing that has to scream to get attention doesn't really deserve to get it.
This is supposed to be Klein's impression of the Paris where he lives and the Paris he says he loves. Okay. I'll pass. There's nothing in this Paris to love.
Ist diese Rezension hilfreich?
Wir wollen von Ihnen hören.
Kunden diskutieren
|
Das Forum zu diesem Produkt
Fragen stellen, Meinungen austauschen, Einblicke gewinnen Aktive Diskussionen in ähnlichen Foren
Kundendiskussionen durchsuchen
|
Ähnliche Foren
|
||||||||||||||||||||||||||||||||||
Lieblingslisten
Ähnliche Artikel finden
Anhand des Sachgebietes nach ähnlichen Produkten suchen:
Ihr Kommentar
Möchten Sie die Produktinformationen aktualisieren oder Feedback zu den Produktabbildungen geben?
