- Taschenbuch: 336 Seiten
- Verlag: Vintage; Auflage: Vintage Books. (8. Juni 2004)
- Sprache: Englisch
- ISBN-10: 0375707077
- ISBN-13: 978-0375707070
- Größe und/oder Gewicht: 13,2 x 1,8 x 20,2 cm
- Amazon Bestseller-Rang: Nr. 762.162 in Englische Bücher (Siehe Top 100 in Englische Bücher)
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Our Own Devices: How Technology Remakes Humanity
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Produktbeschreibungen
Pressestimmen
“An intellectual thrill ride. . . . [A] memorable mosaic, a big picture that illustrates how human progress is half a matter of striding and half of stumbling. . . . Illuminating reading.” —The New York Times Book Review
"In this stellar fusion of how we design and use technology, and how technology in turn transforms us, the simple shoestring is a . . . path to understanding everything that matters. . . . Tenner brings both scholarly precision and droll humor to his topics."
—ThePhiladelphia Inquirer
“This quirky romp . . . explores how common objects redefine us as fast as we redesign them. . . . Tenner offers many profound insights.” —Wired
“Accessible, elegant. . . . Tenner covers a remarkable broad canvas. . . . He has an eye for the odd detail and the little-known fact. . . [and] will take you to some fascinating places.” —Boston Review
"In this stellar fusion of how we design and use technology, and how technology in turn transforms us, the simple shoestring is a . . . path to understanding everything that matters. . . . Tenner brings both scholarly precision and droll humor to his topics."
—ThePhiladelphia Inquirer
“This quirky romp . . . explores how common objects redefine us as fast as we redesign them. . . . Tenner offers many profound insights.” —Wired
“Accessible, elegant. . . . Tenner covers a remarkable broad canvas. . . . He has an eye for the odd detail and the little-known fact. . . [and] will take you to some fascinating places.” —Boston Review
Kurzbeschreibung
This delightful and instructive history of invention shows why National Public Radio dubbed Tenner “the philosopher of everyday technology.” Looking at how our inventions have impacted our world in ways we never intended or imagined, he shows that the things we create have a tendency to bounce back and change us.
The reclining chair, originally designed for brief, healthful relaxation, has become the very symbol of obesity. The helmet, invented for military purposes, has made possible new sports like mountain biking and rollerblading. The typewriter, created to make business run more smoothly, has resulted in wide-spread vision problems, which in turn have made people more reliant on another invention—eyeglasses. As he sheds light on the many ways inventions surprise and renew us, Tenner considers where technology will take us in the future, and what we can expect from the devices that we no longer seem able to live without.
The reclining chair, originally designed for brief, healthful relaxation, has become the very symbol of obesity. The helmet, invented for military purposes, has made possible new sports like mountain biking and rollerblading. The typewriter, created to make business run more smoothly, has resulted in wide-spread vision problems, which in turn have made people more reliant on another invention—eyeglasses. As he sheds light on the many ways inventions surprise and renew us, Tenner considers where technology will take us in the future, and what we can expect from the devices that we no longer seem able to live without.
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14 von 16 Kunden fanden die folgende Rezension hilfreich
How Technology Insidiously Transforms Us
26. November 2005
Format:Taschenbuch
"Why Things Bite Back" stands as one of my favorite books, and is definitely the best single volume available on the unintended consequences of technology. I was, of course, eager to read Edward Tenner's "Our Own Devices," a volume more focused on the historical adaptations of a select few technologies and man's co-evolution with them.
Tenner intentionally selected mundane technologies that get no more than a passing thought on a daily basis, and in several cases not only tracks historical adaptations of specific inventions and technologies (the history of the baby bottle, or eyeglasses, for instance), but also contrasts the diametrically opposed ends of the technological spectrum as it applies to what are similar design constructs (for instance posture chairs versus reclining chairs, and musical keyboards versus text keyboards.)
The scope of Tenner's research is astounding, and makes seemingly mundane items interesting. Particularly strong are the chapters on the zori (a sandal), and eyeglasses. In the chapter on zoris, for example, Tenner documents the work of a Liberian craftsman, Saarenald T. S. Yaawaisan, who recycled old sandals into toy helicopters until he had acquired all the used sandals in Monrovia, at which point he began purchasing new sandals to make into toys. The story goes on to explain the subsequent problems with Monrovian sandal recycling vis-a-vis the release of dioxin into the environment. This illustrates the fanciful research Tenner put in to make this an eminently readable book.
My favorite chapter, and one that will strike a chord with many readers is on the history of eyeglasses. Eyeglasses have a much longer and complex history than I had expected, and I found his insights correlating the rise of literacy with the rise in myopia interesting. Particularly interesting in the chapter are references to the visual range requirements needed for more primitive hunter-gatherers versus modern civilized man. Tenner correctly credits the work of behavioral biologist Jakob von Uexkull, and discusses his concepts of visual perception ("merkwelt") and related theories with great aplomb. Also discussed in this chapter is the role the Catholic church had in promoting the perception of eyeglasses (even during the Inquisition), and the role of aristocratic Europe in shaping public perception of correctable lenses. Specific technologies and manufacturing techniques (mainly European) are discussed, including those of famed presbyope (and cryptologist) Duke August the Younger of Brunswick-Wolfenbuttel, who promoted fine craftsmanship of lenses over cheaply made products from Florence.
This book is extremely well researched, and is generally very absorbing for those interested in the history and implications of technology. Even though it is a bit longwinded at times, I give it five stars for eloquently describing the co-evolution of man and machine.
Tenner intentionally selected mundane technologies that get no more than a passing thought on a daily basis, and in several cases not only tracks historical adaptations of specific inventions and technologies (the history of the baby bottle, or eyeglasses, for instance), but also contrasts the diametrically opposed ends of the technological spectrum as it applies to what are similar design constructs (for instance posture chairs versus reclining chairs, and musical keyboards versus text keyboards.)
The scope of Tenner's research is astounding, and makes seemingly mundane items interesting. Particularly strong are the chapters on the zori (a sandal), and eyeglasses. In the chapter on zoris, for example, Tenner documents the work of a Liberian craftsman, Saarenald T. S. Yaawaisan, who recycled old sandals into toy helicopters until he had acquired all the used sandals in Monrovia, at which point he began purchasing new sandals to make into toys. The story goes on to explain the subsequent problems with Monrovian sandal recycling vis-a-vis the release of dioxin into the environment. This illustrates the fanciful research Tenner put in to make this an eminently readable book.
My favorite chapter, and one that will strike a chord with many readers is on the history of eyeglasses. Eyeglasses have a much longer and complex history than I had expected, and I found his insights correlating the rise of literacy with the rise in myopia interesting. Particularly interesting in the chapter are references to the visual range requirements needed for more primitive hunter-gatherers versus modern civilized man. Tenner correctly credits the work of behavioral biologist Jakob von Uexkull, and discusses his concepts of visual perception ("merkwelt") and related theories with great aplomb. Also discussed in this chapter is the role the Catholic church had in promoting the perception of eyeglasses (even during the Inquisition), and the role of aristocratic Europe in shaping public perception of correctable lenses. Specific technologies and manufacturing techniques (mainly European) are discussed, including those of famed presbyope (and cryptologist) Duke August the Younger of Brunswick-Wolfenbuttel, who promoted fine craftsmanship of lenses over cheaply made products from Florence.
This book is extremely well researched, and is generally very absorbing for those interested in the history and implications of technology. Even though it is a bit longwinded at times, I give it five stars for eloquently describing the co-evolution of man and machine.
10 von 20 Kunden fanden die folgende Rezension hilfreich
All Research, No Insight
17. August 2006
Format:Taschenbuch
Tenner gives loads of citations and research but doesnt even have a thesis. He rambles off example of interactions between humanity and its technology. His writing style is poor and will lose you in his trail of thought. He is very bad at describing what he is thinking. He never actually "says" anything. All he does is present research.
He very rarely, if ever, derives a conclusion from what he brings up. He should not be called a philosopher of everyday technology, because at least in this book, he never actually does any thinking.
Very very poor. I would not recommend it at all.
He very rarely, if ever, derives a conclusion from what he brings up. He should not be called a philosopher of everyday technology, because at least in this book, he never actually does any thinking.
Very very poor. I would not recommend it at all.
8 von 17 Kunden fanden die folgende Rezension hilfreich
Interesting facts - writing too academic
8. Juni 2005
Format:Taschenbuch
The book finished more interesting than it began, but overall the book was a disappointment. Many of the topics were interesting - shoes, chairs, music and text keyboards, eye glasses - and occasionally the writing was interesting.
Mr. Tenner's style was more academic - many facts and dates and names - but he rarely made any of the people or situations come alive. If he followed that path, the book would have been far more interesting and entertaining. For me, what makes history is not the the facts and figures, but the people and the color of the situation.
After reading the book I have many interesting tidbits of information, but unless someone is HIGHLY interested in the history of chairs or one of the topics in the table of contents, I can not recommend they pick up this book. I wish I could.
Mr. Tenner's style was more academic - many facts and dates and names - but he rarely made any of the people or situations come alive. If he followed that path, the book would have been far more interesting and entertaining. For me, what makes history is not the the facts and figures, but the people and the color of the situation.
After reading the book I have many interesting tidbits of information, but unless someone is HIGHLY interested in the history of chairs or one of the topics in the table of contents, I can not recommend they pick up this book. I wish I could.
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