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Other Women [Englisch] [Gebundene Ausgabe]

Evelyn Lau


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Gebundene Ausgabe EUR 18,99  
Gebundene Ausgabe, Oktober 1996 --  
Taschenbuch EUR 8,99  

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Evelyn Lau
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Produktbeschreibungen

From Booklist

Pain is Lau's home turf, a territory she's prowled restlessly in her short-story collection, Fresh Girls , and in this stark novel about a young woman artist's unrelenting obsession with a married man. Raymond won't even make love to Fiona, and he's told her, in no uncertain terms, that he'll never leave his wife. Perversely enough, his unavailability and manipulativeness ignite her passion, and Fiona, greatly exaggerating the significance of their embraces, becomes utterly consumed with thoughts and fantasies of him and his wife. Lau's chilling narrative, reminiscent of Annie Ernaux's A Simple Passion (1993), charts the tortuous course of unrequited love and dramatizes how easily loneliness can achieve epic proportions. Acutely aware of how trite the subject of doomed love can be, Lau has her protagonist recognize the cliches of heartbreak even while she's suffering its pangs, but the true saving grace of this tense, frustrating tale is Lau's gift for metaphor. She can turn an exercise machine or a revolving door into an emblem of exquisite emotional resonance. Donna Seaman -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

From Kirkus Reviews

A yearlong dalliance between an artistic young woman and a remote, powerful, married businessman, which, though never sexually consummated, becomes the girl's primary obsession--in a gifted young writer's first novel (but third sex-saturated, half- successful book: the story collection Fresh Girls and a memoir, Runaway, both 1995). Fiona, 24, meets Raymond, 49, one rain-soaked night at a black-tie arts-award reception in a city native to neither of them. The two exchange only a few words, but the next day Fiona catches a glimpse of Raymond from her taxi; she jumps out and, when he beckons to her, follows him through the revolving doors of his hotel. So begins a year of guilt-racked nibbling at Fiona's body parts for Raymond, and for Fiona a love fixation that remains weirdly abstract but, she tells us repeatedly, is all-consuming. The two meet in hotel rooms in various cities another half-dozen times before Raymond (``I love my wife'') calls off the affair abruptly and completely; meanwhile, Fiona thinks constantly of him (``the first man for whom she had felt this confusion of desire'') and fantasizes that she'll win him back. Her fantasies include one in which Raymond's wife is humiliated and raped in a parking garage, another in which she inhabits the wife's body while Raymond and the wife make love. She also hallucinates Raymond's face and presence everywhere, except when she's remembering emotionless snippets from her teenage years (such as having sex with a friend's father). The atmosphere of the novel is pathological precisely because Fiona's proclaimed emotionality is inscrutable and invisible to the reader; in sometimes elegant and sometimes windy prose, Lau watches Fiona wandering around, self-absorbed and narcissistic, and forgets that readers require plot and character development in addition to tragic poses. Neither is here, unfortunately. In the end, a slight book from a still-promising writer. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved. -- Dieser Text bezieht sich auf eine vergriffene oder nicht verfügbare Ausgabe dieses Titels.

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Amazon.com:  4 Rezensionen
5 von 5 Kunden fanden die folgende Rezension hilfreich
Crystal clear, emotional image of an "Other Woman" figure 25. Juli 2002
Von Stephen M. Bauer - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
The novel, Other Women, illustrates the pathetic situation of a single woman's unrequited love for a married man. Fiona, a young twenty-something artist meets a married man, Raymond, a powerful and socially prominent CEO who is old enough to be her father. His business deals require him to travel often, and the two of them begin a year or two of meetings in various hotels in different cities and in Fiona's apartment.

Raymond never considers their relationship as anything more than a diversion. To him she is just as a playmate. Much of the physical intimacy they have is more like that of a prostitute and john, not like lovers. Early on in the relationship he even asked her if she had found a man yet. Raymond tells her how much he loves his wife. Fiona has fallen so hard and so deep for the man that she ignores these and other many other negative signals. Later, after Raymond tells her point blank that he will never leave his wife, she still persists.

Once Fiona understands the importance of Raymond's wife to him, she becomes obsessed with her. This is because Fiona wants to be her. In her fantasies she physically destroys Raymond's wife so she can take his place.

The book has a very poetic feel. The style is slightly reminiscent of a journal, in a good way. Much of it is in the present tense. Much of what Fiona says toward or about Raymond is said in his absence, in the second person. It suggests an inner dialogue. It is as if the affair was in the past and Fiona is reliving it emotionally. In the beginning of the book, the style seems a little awkward, but the frequent images and metaphors are consistently excellent and carry the reader very well. The use of the second person in addressing Raymond works very well also. Past the mid-point of the book, I felt impelled to find out how Fiona's situation would get resolved.

At the beginning of the story, in my mind, I condemned Fiona for her lack of ethics and poor judgement. But mid-way through I began to have some sympathize for her, as it became clear she was a prisoner of her own emotions. Eventually, the almost unendurable pain forces Fiona to face the reality of the situation. Once she accepted it, her infatuation broke. What more can we expect from a person than to learn from their experiences?

4 von 4 Kunden fanden die folgende Rezension hilfreich
poetic suffering as only lau can do it 17. Juli 1998
Von vic spicer - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
i keep trying to convince myself this isn't in our universe. why would a brilliant, successful woman totally destroy herself in every way possible for the attentions of a man who cares nothing for her? yet the ride along the way is compelling, poetic, sometimes comic and terrifying. not so much a story as an enumeration of ways to suffer and feel wretched. the line about the ethereal feeling she gets from throwing up 3 times in one evening still haunts me.
2 von 2 Kunden fanden die folgende Rezension hilfreich
Everyday life for some 1. November 2001
Von Laura Lea May - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
My friend sent me this book a few days ago. I opened it's pages and begin to read. I began relating to this character, and seeing her as myself for a bit there. I felt like I was inside this story. Fiona, the main character or main character emphasis--is a desperate woman in love with a married man. Not totally unbelieveable...it happens everyday. The narraitve voice Evelyn Lau takes as this character is very vivid and honest.

this is a very alive, and hip piece of new age writing. It surpasses most fiction, mainly because it has a emotional fixation with the reader, you are either angry, depressed, happy or totally miffed at the aftions of each character. Raymond, Fiona's love whom is married, will not leave his wife of 15 years for Fiona and woman he has never even sexual intercourse with.

Fiona in a desperate attempt to persue Raymond and make her dream of eternal love with him ends up becoming an alcoholic...she spends most of hert time doting and thinking of him. Every man she sees reminds her of Raymond...nothing wrong with that. Is it mere obsession or real love? Who knows...I won't tell my opinion...

The lyrical aspect of each sentence keeps you engrossed the whole time, and you almost want more when you finish. i loved her wording, and her narritive voice...very powerful and different I must say!


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