Orff: Carmina Burana - Sony Classical Originals
 
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Orff: Carmina Burana - Sony Classical Originals

8. April 2011

EUR 9,99 (Alle Preisangaben inkl. MwSt.)
Song Interpret
Länge
Beliebtheit  
1
O Fortuna Seiji Ozawa
2:36
2
Carmina burana: Fortune plango vulnera Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
2:48
3
Veris leta facies Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
4:02
4
Carmina burana: Omnia sol temperat Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
2:45
5
Carmina burana: Ecce gratum Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
2:55
6
Tanz Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
1:57
7
Floret silva Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
3:24
8
Carmina burana: Chramer, gip die varwe mir Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
3:34
9
Carmina burana: Reie: Swaz hie gat umbe; Chume, chum, geselle min Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
4:25
10
Were diu werlt alle min Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
0:51
11
Carmina burana: Estuans interius Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
2:52
12
Carmina burana: Olim lacus colueram Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
3:32
13
Carmina burana: Ego sum abbas Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
1:40
14
Carmina burana: In taberna quando sumus Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
3:08
15
Carmina burana: Amor volat undique Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
3:27
16
Carmina burana: Dies, nox et omnia Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
2:49
17
Carmina burana: Stetit puella Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
2:11
18
Carmina burana: Circa mea pectora Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
2:08
19
Carmina burana: Si puer cum puellula Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
1:06
20
Carmina burana: Veni, veni, venias Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
1:01
21
Carmina burana: In trutina Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
2:09
22
Carmina burana: Tempus est iocundum Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
2:35
23
Carmina burana: Dulcissime Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
0:36
24
Ave formosissima Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
1:44
25
O Fortuna Evelyn Mandac;Stanley Kolk;Sherrill Milnes;Seiji Ozawa (Boston Symphony Orchestra)
2:38

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Produktinformation

  • Ursprüngliches Erscheinungsdatum : 20. August 2010
  • Erscheinungstermin: 20. August 2010
  • Label: RCA Red Seal
  • Erforderliche Metadaten des Labels: Musik-Datei enthält eindeutiges Kauf-Identifikationsmerkmal. Weitere Informationen.
  • Gesamtlänge: 1:02:53
  • Genres:
  • ASIN: B0040OWTZG
  • Durchschnittliche Kundenbewertung: 5.0 von 5 Sternen  Alle Rezensionen anzeigen (1 Kundenrezension)
  • Amazon Bestseller-Rang: Nr. 113.877 in MP3-Alben (Siehe Top 100 in MP3-Alben)

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Format:Audio CD
-- Carmina Burana --
Carmina Burana is a large German manuscript from which Carl Orff drew his famous modern setting.
The manuscript was discovered in a Benedictine monastery in the mid-19th century in Bavaria, and subsequently named Carmina Burana. It is very extensive, with lyrics from Occitania, France, England, Scotland, Catalonia, Castile, Germany and beyond. Many texts are in Latin. However, the majority of the texts do not include melodies (which is not uncommon for compositions of the time). These have to be recreated based on the structure of texts or other cues (such as pitch), or other markers alluding to well-known medieval melodies from other sources.
The include of Gregorian chant, and other musical styles such as the music of Troubadours, Trouveres, and Minnesingers can be heard distinctly. In that tradition, many of these songs are far from sacred texts, but rather can be ribald and scathing at times in their wit toward the world in which they were composed. Yet there are also graceful love songs and other wonderful pieces here, too.
Carl Orff took many of the pieces and put them together as a complete set with new orchestrations - it was a lofty ambition, as could be seen from the subtitle Orff gave to the piece: Cantiones profanae contoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis (which roughly translates into 'Secular [or even profane] songs for solo vocalist and choir with instruments and magical pictures'). Orff made statements about seeking the spiritual in this music, but in fact neither the lyrics nor the music is really church-appropriate.
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