From Library Journal
Oliver Twist was Dickens's second novel and one of his darkest, dealing with burglary, kidnapping, child abuse, prostitution, and murder. Alongside this gallery of horrors are the corrupt and incompetent institutions of 19th-century England set up to address social problems and instead making them worse. The author's moral indignation drives the creation of some of his most memorably grotesque characters: squirming, vile Fagin; brutal Bill Sykes; the brooding, sickly Monks; and Bumble, the pompous and incorrigibly dense beadle. Clearly, a reading of this work must carry the author's passionate narrative voice while being flexible and broad enough to define the wide range of character voices suggested by the text. John Wells's capable but bland reading only suggests the rich possibilities of the material. Restraint and Dickens simply don't go together. The abridgment deftly and seamlessly manages to deliver all major characters and plot lines, but there are many superior audiobook versions of this material, both abridged and unabridged. Not recommended.
-John Owen, Advanced Micro Devices, Sunnyvale, CA
Copyright 1999 Reed Business Information, Inc.
-John Owen, Advanced Micro Devices, Sunnyvale, CA
Copyright 1999 Reed Business Information, Inc.
Pressestimmen
"The image of little Oliver Twist victimised by poverty, almost seduced by the specious excitement of crime, and then offered the possibility of a lucrative career in authorship is always compelling."
—Guardian
"We leave him most reluctantly, and so will every reader who has any capacity to see and feel whatsoever is most loveable, hateful, or laughable, in the character of the everyday life about him."
—Examiner
"He deals truly with human nature, which never can degrade; he takes up everything, good, bad, or indifferent, which he works up into a rich alluvial deposit. He is natural, and that never can be ridiculous."
—Quarterly Review
—Guardian
"We leave him most reluctantly, and so will every reader who has any capacity to see and feel whatsoever is most loveable, hateful, or laughable, in the character of the everyday life about him."
—Examiner
"He deals truly with human nature, which never can degrade; he takes up everything, good, bad, or indifferent, which he works up into a rich alluvial deposit. He is natural, and that never can be ridiculous."
—Quarterly Review
