Perhaps the tragedies, the horrors, and the heroics of World War I have been
chronicled over and over, but perhaps, still, not often enough. In Marc Dugain's first
novel "The Officers' Ward," the French-born author has furnished yet another story (and
lesson) from the "War to end all Wars."
To say it was "the worst of times" would be an understatement and young
Lieutenant Adrien Fournier finds himself an early casualty of the German onslaught. He's
devastatingly wounded--much of his face is blown away--and he's transported to Paris to
await recovery and rehabilation for the rest of the war, some five years or so. A bright
young man (an engineer by education), and handsome, he must now face a future
grotesquely disfigured and to a whole where self pity, even repulsion, await him. He
forms a long-standing bond with three others who've suffered similar injuries. It is a time
for them all to come to grips with their own mortality.
But Fournier is no lightweight and sets about facing his own destiny. His time in
hospital--in a special ward for soldiers with such facial injuries--serves as the basis of his
own positive perception of the world to come. It's not an easy ride for him.
The general idea for this story comes from Dugain's own grandfather, himself a
veteran of The Great War. "The Officers' Ward" was honored with France's Prix des
Libraires, and was on the short-list for the Grand Prix of the Académie Française.
Dugain's power of description and episode is a depressingly tragic view of such a
senseless war, yet these tragic elements are somehow overshadowed by the hope and the
will of the human spirit to rise above the personal pitfalls and to function positively within
the confines of a civilized society. But most importantly it is within the confines of his own
self-image that Lieutenant Fournier prevails. Dugain deserves his accolades.
(...)