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Derrida's writing style may seem difficult at first, until one realizes that it embodies two other important ideas - play and undecideability. Of Grammatology is not exactly a book of philosophy, and not exactly a book on linguistics, and not exactly a literary work but one which rests uneasily among these three disciplines. By not drawing conclusions, by keeping in play many concepts at once, Derrida manages to provide provocative ideas on mental representations while at the same time instantiating these ideas in the ebb and flow of the work itself.
Because of its kalidescopic style, the book can be read for the pure enjoyment of a rambunctious entertainment, and as an important philosophical text, and as a satire, and as profoundly serious.
As the academic furor over "decontruction" dies down, Derrida's work perhaps can begun to be read for its human importance. Those who value an insistent questioning will find a champion here.
The wondrous thing about deconstruction as Derrida writes it is that it could even deconstruct the criticism that it's... Lesen Sie weiter...
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