In 1987, when Norwegian Wood
was first published in Japan, it promptly sold more than 4 million copies and transformed Haruki Murakami into a pop-culture icon. The horrified author fled his native land for Europe and the United States, returning only in 1995, by which time the celebrity spotlight had found some fresher targets. And now he's finally authorized a translation for the English-speaking audience, turning to the estimable Jay Rubin, who did a fine job
with his big-canvas production The Wind-Up Bird Chronicle
. Readers of Murakami's later work will discover an affecting if atypical novel, and while the author himself has denied the book's autobiographical import--"If I had simply written the literal truth of my own life, the novel would have been no more than fifteen pages long"--it's hard not to read as at least a partial portrait of the artist as a young man.
Norwegian Wood is a simple coming-of-age tale, primarily set in 1969-70, when the author was attending university. The political upheavals and student strikes of the period form the novel's backdrop. But the focus here is the young Watanabe's love affairs, and the pain and pleasure and attendant losses of growing up. The collapse of a romance (and this is one among many!) leaves him in a metaphysical shambles:
I read Naoko's letter again and again, and each time I read it I would be filled with the same unbearable sadness I used to feel whenever Naoko stared into my eyes. I had no way to deal with it, no place I could take it to or hide it away. Like the wind passing over my body, it had neither shape nor weight, nor could I wrap myself in it.
This account of a young man's sentimental education sometimes reads like a cross between Sylvia Plath's The Bell Jar
and Stephen Vizinczey's In Praise of Older Women
. It is less complex and perhaps ultimately less satisfying than Murakami's other, more allegorical work. Still, Norwegian Wood
captures the huge expectation of youth--and of this particular time in history--for the future and for the place of love in it. It is also a work saturated with sadness, an emotion that can sometimes cripple a novel but which here merely underscores its youthful poignancy. --Mark Thwaite
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“A masterly novel. . . . Norwegian Wood
bears the unmistakable marks of Murakami’s hand.” –The New York Times Book Review
. . . not only points to but manifests the author’s genius.” –Chicago Tribune
“[A] treat . . . Murakami captures the heartbeat of his generation and draws the reader in so completely you mourn when the story is done.” –The Baltimore Sun
“Vintage Murakami [and] easily the most erotic of [his] novels.” –Los Angeles Times Book Review