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7 von 7 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
This is an essential work for anyone interested in the sociology of music. The author follows 2 significant threads of thought in this work; the commidification of music, and music as indicator (predictor) of social change. Using sophisiticated but well written theories and examples Attali demonstrates how music acts as
the subconsciousness of society, validating and testing new social and political realities.
Among the powerful analogies he draws is that of how modern people stockpile musical recordings, in some instances more than can possibly ever listen too, much in the same way nations stockpile weapons. In describing the
evolution of the orchestra he compares the conductor to the king conducting his flanks
of violins and horns with the same dictorial
presence of command as one would dispatch foot
soldiers and calvaries.
Attali clearly has a passion for music drawing
examples from Bach to improvisational jazz. In the end this is an optimistic book, illuminating indications of both social and musical evolution
during the 20th century.
D.L. Jonsson <Reviewer>
the subconsciousness of society, validating and testing new social and political realities.
Among the powerful analogies he draws is that of how modern people stockpile musical recordings, in some instances more than can possibly ever listen too, much in the same way nations stockpile weapons. In describing the
evolution of the orchestra he compares the conductor to the king conducting his flanks
of violins and horns with the same dictorial
presence of command as one would dispatch foot
soldiers and calvaries.
Attali clearly has a passion for music drawing
examples from Bach to improvisational jazz. In the end this is an optimistic book, illuminating indications of both social and musical evolution
during the 20th century.
D.L. Jonsson <Reviewer>
5 von 7 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
This is simply one of the very best books I've ever read in my life. If you're interested in music, or maybe about, don't laugh, the meaning of life in general, this text is a total eye-opener. I just don't look at things the same way as I did before I read it. Very provocative and sophisticated, but very clearly written, needs 100% concentration on the subject and an open mind. Basically renders most of the traditional musicology and approach to music useless. Asks more questions than it answers, but hey, you'll gain new persepective. Rad
2 von 13 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
This text was a required reading for a college course I took, and it basically summarizes why college isn't taken as seriously as it once was. This purely indulgent, pretentious work ruins any chance of an actual point with jumbled phrases such as "...neither an autonomous activity nor an automatic indicator of the economic infrastructure..." Personally, this is thoroughly unreadable and unenjoyable; it was much more of a chore to get through than it was worth. Attali needs to quit with the literary masturbation and realize that while having a large vocabulary is admirable, he should perhaps learn to "eschew obfuscation", pun fully intended.
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