"Nobody's Son" succeeds as both a fantasy and as a psychological study of an over-achieving hero who is four years old when his father deserts their family. Normally the phrase `psychological study' would be the kiss of death for a fantasy, but Sean Stewart's characters are the opposite of pretentious, navel-gazers. They're introspective, but they're also over-achievers and likeable to boot. His hero, Shielder's Mark is a shrewd young commoner who succeeds in shattering an age-old spell and winning the hand of a princess. He then blunders through the courtly landscape and into marriage, wears an awful hat through much of the book because the woman he loves made it for him (out of a corset and badly dyed leather), and forges his own demesne out of land that no one else would have because it was haunted. Sean Stewart tells his tale of "Nobody's Son" almost backwards---or at least his real story begins where most fairy tales end---in the `happily ever after.' Time itself shuttles backward, forward, round and round like an industrious orb-weaver. Shielder's Mark crosses a bridge that collapsed fifty generations past. He accidentally conjures up a dead hero and steals his sword. He loans his own sword to a man whose bones crumble to dust the next morning. In his `happily ever after,' Mark learns that he now must vanquish the ghosts he let back into the world when he destroyed the spell of the Red Keep. He also needs to learn that his "strange, proud, fierce, fox-faced" princess-bride, "chose him as much as he chose her." Read this Aurora Award winner for its engaging characters, for its wonderful, offbeat love story, and for the dire spell of the Red Keep, where Shielder's Mark must confront his own past and intervene in a patricide that took place before he was born.