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Nobody Move [Englisch] [Taschenbuch]

Denis Johnson

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Denis Johnson
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Kurzbeschreibung

Jimmy ist einer von den guten Jungs, allerdings einer mit Schulden. Und die hat er ausgerechnet bei Juarez, einem der ausgesprochen bösen Jungs, mit dem nicht zu spaßen ist..

Synopsis

Jimmy Luntz is one of the good guys; he's even in a barbershop chorus (like a quartet, only bigger). Trouble is, Juarez - the man Luntz owes money to - isn't so nice. And when Juarez gets bored of waiting, he sends someone round to collect. Luntz doesn't actually plan to shoot the guy, but the way he sees it, it's shoot or be shot. Either way, though, Luntz is out of his league, and he knows it: nobody messes with Juarez - or, at least, nobody messes with Juarez and lives to tell the tale.Against all the odds, however, it seems that somebody up there is looking out for Luntz, if only he can keep his cool. A story of mistaken identity, blackmail and murder, of bent judges, wronged alcoholics and colostomy bags, "Nobody Move" is "No Country for Old Men" as written by Denis Johnson. Praise for Denis Johnson's previous novel, "Tree of Smoke", which won the US National Book Award 2007: 'A Catch-22 for our times' - Alan Warner, "Observer". 'A heart-stopping reminder of what fiction can do' - "Sunday Telegraph".

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31 von 36 Kunden fanden die folgende Rezension hilfreich
Style, Style, Style 5. Juni 2009
Von Mark Stevens - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Taut and spare, "Nobody Move" is a light year from the depth and complexity of "Tree of Smoke." Hats off to the versatility--one book like Joseph Conrad combined with Charles Dickens, the next out of the shoot like Elmore Leonard mashed up with Dashiell Hammett. On its own, "Nobody Move" is a pleasure if you like deciphering information from oblique dialogue and spare narrative. Your hand will not be held in terms of figuring out who's scamming whom. It's quirky and smart, maybe a bit of "Pulp Fiction" on paper.

"Nobody Move" is a thicket of f-bombs, tangled sheets, motels, bars, cigarettes, lipstick, pay phones, two Cadillacs, .357 Magnums, shotguns, duffel bags and pages and pages of that highly-polished, clipped dialogue that is ready for a screenplay and has precious little to do with the way people really talk. A direct answer is rare.

Recommended for fans of Denis Johnson and this particular hard-boiled genre. Not recommended for those looking for a meaty, rich story. The tension is minimal and the story is over in a minute.
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A little empty 7. September 2009
Von Hugh L. Scott - Veröffentlicht auf Amazon.com
Format:Gebundene Ausgabe
Reads like a B-movie script. No depth or character development. Waste of time. Book is same as this review.
9 von 9 Kunden fanden die folgende Rezension hilfreich
Nobody Move: it didn't move me 3. Februar 2010
Von John Williamson - Veröffentlicht auf Amazon.com
Format:Audio CD|Amazon Vine™ Rezension (Was ist das?)
Denis Johnson's Nobody Move as an audio CD seemed to have everything going for it. The author had received a National Book Award for Tree of Smoke, and this was said to be a follow-up. The New Yorker had said, "So noir it's almost pitch-black..." It had been in part a serialization in Playboy, and this audio version had Will Patton doing the reading. I was familiar with Mr. Patton's style from a number of his narrations of James Lee Burke's Dave Robicheaux novels. All in all, looking forward to listening to these CDs was a fine thing to anticipate.

But it didn't turn out that way.

There's a cast of very marginal characters who, in a slightly noir classic sense, have a penchant for theft and violence. There's Jimmy Luntz, a bottom feeder of a gambler whom loves Hawaiian shirts and barbershop-chorus singing. There's a corrupt judge and lawyer who have embezzled a couple of million dollars, and the lawyer's beautiful wife Anita, who has been framed for the larceny, and she's ready for revenge.

There are more characters, but the problem with all of them is that they really have no depth; the entire story seems flat, yet almost claustrophobic. There's sex, but it also seems flat and not as erotic or even as passionate as one might expect, considering the characters. Jimmy takes Anita to bed after a booze-filled night at a local bar; they hop in bed, fall for each other, copulate, and scheme together. It's as flat as that, and often had this listener to the point of sometimes almost dozing off.

It's tough when you're faced with protagonists in a story one that just can't relate to, or just simply do not care for. Combine this with personalities that make them anything but likable and it makes the story quite difficult to follow, as one can't bond with the characters. Nobody Move falls into this trap with Jimmy and Anita, and at some point, almost everyone in the story decides that violence is the solution to practically any problem, and it's often the first solution they try, with some fairly gruesome results.

Johnson's Nobody Move tries to be is a stretched-tight crime story about a group of low-life types and a few people other with them, but it just doesn't deliver. The paradox is that Will Patton's reading makes the audio version seem worth listening to. He does a good job of capturing moods and sounds with perfection. Each of his voices does seem perfect for the character, and his narration fits what there is to the novel quite well. But it's a fast-paced story that often reads like some movie script; it's almost nothing but dialogue and action, and even Will Patton's expertise as a narrator just doesn't breathe the three-dimensional life into this one the way that this reader/listener hoped that it would. The plot is rather humdrum, but it's told with such energy and style that it keeps the listener's interest for the most part.

However, the bottom line is that writers like John Grisham, James Lee Burke, Lisa Scottoline, Carl Hiaasen and Elmore Leonard just seem to do it better. Read Road Dogs by Elmore Leonard and you'll probably see the difference. And when it comes to narration, just listen to what Will Patton does with James Lee Burke's Swan Peak: A Dave Robicheaux Novel, to name one of many.

So the end result here is a mediocre 2-star tale coupled with a very good 4-star narration. That averages out to a 3-star product that left me wishing that it could have moved me.

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