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Kurzbeschreibung
This new edition focuses on the Sonnets as poetry - sometimes strikingly individual poems, but often subtly interlinked in thematic, imagistic and other groupings. Gwynne Evans and Anthony Hecht also address the many questions that cast a veil of mystery over the genesis of the Sonnets: to what extent are they autobiographical? What is the nature of the 'love', strongly expressed, between the 'poet', the 'youth' and the 'Dark Lady'? Can they, apart from the poet, be identified? Who is the 'rival poet'? When were the Sonnets written and in what order? What were the circumstances surrounding their publication?
Synopsis
Presents the original text of Shakespeare's sonnets side by side with a modern translation of each poem.
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3 von 3 Kunden fanden die folgende Rezension hilfreich
Format:Taschenbuch
In diesem Buch sind alle Sonette von Shakespeare, sowie eine "modere Übersetzung" jedes einzelnen Sonetts in englischer Sprache, enthalten. Eine gute Hilfe für Schule und Studium. So muss man weder mühselig die Sonette übersetzen, bzw. eine deutsche Version verwenden, um sie zu analysieren!! Empfehlenswert. (Allerdings sind keine Daten oder weitere Informationen über Shakespeare enthalten, nur die Sonette!)
Die hilfreichsten Kundenrezensionen auf Amazon.com (beta)
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2 Rezensionen
15 von 16 Kunden fanden die folgende Rezension hilfreich
Great Way to Make Shakespeare Accessible
5. November 2007
Format:Taschenbuch|Von Amazon bestätigter Kauf
This line of books was recommended by the older sibling of our child's team mate. She is in high school and the No Fear Shakespeare books are being used to help teach Macbeth. I purchased this as a first step into the whole line. I love it. It does not diminish the beautiful poetry of Shakespeare's sonnets, but it enhances them by providing straight forward explanations in modern English on the facing page. I feel more able to absorb and appreciate these works now. We will be purchasing more of these wonderful books.
4 von 18 Kunden fanden die folgende Rezension hilfreich
Strange Love
23. September 2005
Format:Taschenbuch
Shakespheare considered his poems works of art and his plays merely entertainment, as I remember from some source in the past. So taking them seriously as works of art, I will say that they aren't bad, although the word order is jumbled up to get the rhymes right , I would suppose. This often makes it hard to read the poem aloud and have it roll off the tongue. I've been trying to used to the Elizabethan English for quite some time now, but still I am little uncomfortable with it. He has the awkwardness of John Dunne, in my opinion.
I will have to say that the poet is a bit queer with all this talk of the beauty of this youthful man he so passionately loves. I suppose a queer theorist would have a field day with what I would consider his neurotic obsession. Nonetheless, the poems have some pathos about the passing of time and how it will destroy the beauty of this young man. The poet seems to be like an old queer admiring the beauty of a young man that he cannot keep faithful to him. He encourages the youth to have children in the first few poems so that he will make a beautiful copy of himself for posterity to enjoy, and so he will not go to the grave wizened by time. The first few poems are a highpoint along with the poems in the in the sixties which have ruminations again about aging, death, and decay, and the destroying of youth by these three, which is one of poets' best themes-- we don't want any cheery, frivolous escapist poetry, but poems that expresses our rather sad, pathetic, little lives where even the best and most favored are eventually devoured by death and decay. Escapism is the realm of entertainment, facing harsh reality head-on is the realm of great art.
But is the poet really homosexual, or bi-sexual, or straight, or does it matter? Perhaps he has a higher aristocratic love that we cannot understand. In the latter poems, a woman becomes the object of discussion, but this woman is sometimes false to the poet and he doesn't seem to have the same enthusiasm for her as the young man.
Spark Notes has come out with a series of No Fear Shakespheare works translated into modern English and I liked the translation very much. The translator was able to convey the subtleties of the poems such as gentle wit and forlorn gloominess in a poetic fashion, but the translation is not done in poetry. I would have liked to have a brief critical summary of the themes of the poems and who they may have been written about. I hope they end up translating all the plays, not just the popular ones, so my Skakespheare project won't stall when I have to read them solely in the Elizabethan English. Afterall, Shakespheare deserves such attention, right? He's supposedly the best, but I`m impudent and skeptical.
I will have to say that the poet is a bit queer with all this talk of the beauty of this youthful man he so passionately loves. I suppose a queer theorist would have a field day with what I would consider his neurotic obsession. Nonetheless, the poems have some pathos about the passing of time and how it will destroy the beauty of this young man. The poet seems to be like an old queer admiring the beauty of a young man that he cannot keep faithful to him. He encourages the youth to have children in the first few poems so that he will make a beautiful copy of himself for posterity to enjoy, and so he will not go to the grave wizened by time. The first few poems are a highpoint along with the poems in the in the sixties which have ruminations again about aging, death, and decay, and the destroying of youth by these three, which is one of poets' best themes-- we don't want any cheery, frivolous escapist poetry, but poems that expresses our rather sad, pathetic, little lives where even the best and most favored are eventually devoured by death and decay. Escapism is the realm of entertainment, facing harsh reality head-on is the realm of great art.
But is the poet really homosexual, or bi-sexual, or straight, or does it matter? Perhaps he has a higher aristocratic love that we cannot understand. In the latter poems, a woman becomes the object of discussion, but this woman is sometimes false to the poet and he doesn't seem to have the same enthusiasm for her as the young man.
Spark Notes has come out with a series of No Fear Shakespheare works translated into modern English and I liked the translation very much. The translator was able to convey the subtleties of the poems such as gentle wit and forlorn gloominess in a poetic fashion, but the translation is not done in poetry. I would have liked to have a brief critical summary of the themes of the poems and who they may have been written about. I hope they end up translating all the plays, not just the popular ones, so my Skakespheare project won't stall when I have to read them solely in the Elizabethan English. Afterall, Shakespheare deserves such attention, right? He's supposedly the best, but I`m impudent and skeptical.
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